Thursday, July 16, 2020

Overlooked Tick Tock

I'm late! I'm late! I'm late! 
And, when I wave I lose the time I save
"I'm Late" (Alice in Wonderland)

Which reminds me, I still have to finish reading that short story collection where all the stories feature unreliable narrators. And yep, they still manage to fool you despite the warning...

Earlier this year, I reviewed two short stories that are set to appear in the second volume of Ooyama Seiichirou's Alibi Kuzushi Uketamawarimasu ("Alibi Cracking, At Your Service"). I loved the first volume about the visits of the unnamed narrator (a rookie police detective) to Mitani Tokino of Mitani Clockmakers, a young woman in her twenties who not only sells and repairs clocks, but also offers a special alibi cracking service. The focus of one single series on cracking alibis was not only fairly unique, but the quality of the stories was also rather high and the television drama broadcast earlier this year was an entertaining adaptation of the source material. Ooyama started working on the "second season" of this series last year, and you can read the review for the first two stories of the second volume here.

At the end of that review, I said I wasn't sure whether I'd do more seperate reviews of these stories, as I suspect the standalone book release will feature an originally written story exclusive to the volume, so I'll be purchasing it anyway, but when the third story was released three weeks ago, I just had to read it and I figured I might as well write the review. While the whole series is built around cracking perfect alibis, Tokeiya Tantei to Ichizoku no Alibi ("The Clockmaker Detective and a Family's Alibi") manages to feel fresh due to its original story structure. It's almost like the previous story, Tokeiya Tantei to Oosugiru Shounin no Alibi ("The Clockmaker Detective and the Alibi with Too Many Witnesses"), was an experiment or trial, as that too featured a two-act structure, though it's worked out in more detail this time. The narrator has an interesting problem for Tokino. Usually they have a good idea who the murderer is, but can't prove it because of a perfect alibi, but this time, the police investigation has led to three suspects with perfect alibis and they don't know which of these three did it. The elderly Fuzai Kenichi was found stabbed to death in his living room after the weekend when the housekeeper came for work. The victim had retired early and accumulated a nice fortune through daytrading. As he had no family of his own and his siblings had already passed away, suspicion soon falls on his next of kin: his niece and two nephews. The famous actress Ukawa Makie, Asakura Shouhei (a former French cook) and Ida Yasuaki (basketball coach) were all summoned to the police station and asked about their alibis for the time of the murder, but all three of them could account for their movements. Ukawa Makie had been in her second home with her manager and while she had gone on a stroll on her own, she couldn't have made it  from her second home to her uncle's home and back in the time she was gone. Asakura Shouhei had received a parcel and signed for it during the estimated period, and he too lived too far to have made it to and back either before or after signing for the parcel. The same holds for Ida Yasuaki, who had been videochatting with a friend-colleague to talk about basketball teaching methods.

This first part already proves to be an original take on the formula, as this time, Tokino and the reader don't even know who the murderer is likely to be, making this an alibi-based whodunnit. Tokino has to determine which of the three offered alibis could've been fabricated, and more importantly, how. Ooyama makes this an interesting problem by not just pointing at one alibi and claiming that this was the only one that could've been faked, but also considering the other alibis in detail: he offers plausible hypotheses about the other alibis first, but also shows how they couldn't have worked in this situation. The tricks here used are basic, but well-implemented and the way they are discarded works convincingly enough. This helps set up Tokino's line where she says she knows which alibi she could crack, meaning that's the only alibi that could've been fabricated in her eyes. The trick used here is, as often in this series, very simple in concept, but always worked out in a very practical manner. It doesn't feel farfetched and the attentive reader can definitely guess what happened once Tokino's given the first few clues to the narrator/reader.

The story however takes a completely different turn when in the second act, the person accused by Tokino manages to prove they could not have committed the murder and soon after, this person ends up dead themselves too. Suicide is suspected at first, but then the police starts to suspect the real murderer committed this act too, and interestingly enough, the two remaining suspects have no alibi this time (as the death occurred in the middle of the night). The narrator doesn't feel much for visiting Mitani Clockmakers again to ask Tokino to solve the same case again, but Tokino is determined to finger the correct person this time after her earlier mistake. The second half is a tad unbelievable as the murderer's plot only makes sense by assuming the police will make a certain discovery and in reality, the police only made that discovery only because of Tokino, so what would've happened if there was no Mitani Clockmakers? I do like the two-act plot though, as it's pretty devious and the trap of the murderer is well-thought off, only it does require the presence of a person like Tokino to point the police in a certain direction, and that makes this story a bit too meta.

Overall though, I think Tokeiya Tantei to Ichizoku no Alibi is another entertaining and well-plotted addition to the second season of The Clockmaker Detective series and it's interesting to see how Ooyama's also experimenting with the story structure formula to bring a bit more diversity in a series which is ultimately just about one single thing. Reminds me though, I really hope he returns to The Locked Room Collector one day....

Original Japanese title(s): 大山誠一郎「時計屋探偵と一族のアリバイ」

2 comments :

  1. kinf of surprised you loved this series so much. i watched the live drama and thought most of the mysteries were generic. apart from the song download one, nothing really stood up for me and the final case landed like a piece of wet bread. but the actor playing the young detective is a snack and a half :3

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    1. The original stories are surprisingly information-dense considering the number of pages. Personally, I love stories that dare to focus just on the core mystery plot and clewing, and that's done really well throughout the series. I also like how there's quite a bit of diversity (alibi based on download, based on SNS posts, a weapon being thrown in the mailbox etc.) despite the common theme. The drama in comparison is a bit slower/may feel a bit dragging due to the runtime of an episode.

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