Showing posts with label Yoshino Izumi | 吉野泉. Show all posts
Showing posts with label Yoshino Izumi | 吉野泉. Show all posts

Wednesday, March 3, 2021

Strange Memories

 「春はあけぼの」
『枕草子』
 
"In summers, nights are best.
"The Pillow Book"

I always try to read at least one mystery book set in the city of Fukuoka (Hakata) every year. Last year's attempt wasn't quite what I had expected from it, but this year's entry is very, very recognizable as being set in Fukuoka.

Almost five years ago, I reviewed the short story collection Houkago Spring Train ("After-School Spring Train"), the debut work of Yoshino Izumi. The book caught my attention because it was set in the city of Fukuoka, and almost miraculously, it was set exactly in the area where I lived and studied while I was living there, making it a must-read as I try to read at least one mystery novel set in Fukuoka every year. Yoshino did not publish any more books after this debut work, so imagine my surprise when I noticed a new book by Yoshino in the fall of 2020 on the release lists, and it was a sequel to her first book too. Tenohira Astral (2020) once again focuses on the minor mysteries which puzzle the high school student Izumi, as she struggles with the problems every teenager faces. As she's in her second year in high school, it's about time to think about what she'll do after she's graduated. Many of her friends will go to college and her bestie Asana seems to have made up her mind she wants to become a teacher, like her older boyfriend Uehara, but Izumi still doesn't know what major she wants to do, and even if she really wants to go to college. It's during these busy days that she stumbles upon little mysteries of everyday life, like a classmate who for some reason is carrying the student ID of someone in the third year or a trail of blood leading out of a classroom, but no student in the class admits to having injured themselves. While insignificant problems, they do bug Izumi, but luckily Uehara's friend Tobiki, a student of Q University, seems to have an answer for everything.

Coming up with mysteries that seem mundane enough that anyone could encounter them in normal, everyday life, but yet interesting enough to actually drive a tale of fiction is quite difficult and often, such mysteries feel a bit underwhelming because the problem is just too mundane, or the solution is just not convincing enough. Tenohira Astral is a short story collection that does not really manage to avoid these familiar traps, and perhaps it's not really trying to anyway, because perhaps more than the first book, Tenohira Astral is perhaps best read as a YA novel, with a mystery plot running beneath the surface. Because the focus lies far more on the development of Izumi as a character now and about what she wants to do after high school. Each story is more about her encounters with her friends and how they talk about what they really want to do, and each mystery she encounters ultimately also ties in to her struggle about her post-school life, showing her that everyone makes their own choice.

The first story, Kanojotachi no Yukue ("The Way They Go") is perhaps the best story in the volume. Izumi picks up a student ID her classmate Yune drops, but notices it belongs to a male student in the year above them. Later that Izumi and Asana spot Yune seemingly all dressed up for a date in the city and they decide to tail her. They make sure Yune doesn't notice them in the subway, and eventually see her arriving in the city, but when Yune's boyfriend arrives, they're surprised to see it's not the person on the student ID Izumi picked up. They realize that if Yune was dating the boy from the ID, they'd leave their school together, but why was Yune carrying the ID of someone else? The answer to that question is very simple, but oh-so-real and convincing, and it works in the context of a naturalistic mystery of everyday life. It also ties up great to the overall theme of Izumi wondering about her future life.

Kanitsukai no Revenge Match ("Revenge Match of the Crab Master") on the other hand focus too much on this overall theme, and barely manages to present a mystery plot. The story has Izumi and some classmates visiting the open campus of Q University and her classmate Sudou is even competing in the robot competition on the campus, hoping to do better than his efforts last year. Tobiki also swings by, but he leaves an enigmatic message when he spots Sudou's robot crab and goes back to his work. The story revolves more around a really bad word pun than a real mystery, and it's barely better than the third story, Natsuyasumi Akemae ("Before the End of The Summer Holday"), where Izumi swings by school during the holiday but notices a classmate doing a test, even though it's long after the examination period. Izumi wonders about what exam it could be, but here the answer is too straighforward and not remotely attractive as a puzzle to the reader. It's strongly connected with the overall theme of Izumi deciding on what to do after school, but unlike the first story in the book, it's just not interesting at all as a mystery.

Tenohira Astral starts off with an interesting premise: Izumi and the other students who are on afterschool cleaning duty this week notice a trail of blood in the corridor. They follow it, but strangely enough it doesn't go the school nurse, but just the bathroom. They trace it back, but none of the students in the nearby classrooms seems to admit to having bled, though Izumi notices multiple people in her class with bandaids. Ultimately, the story is more about guessing the reason why someone would get hurt, and while it's kinda okay in the YA-context of this book, it's not really a satisfying mystery that manages to make best of the premise. 

The final story is a bit more interesting. Kiiroi Eki he ("To the Yellow Station") starts off on the Kaizuka Line. Before she gets on the train, she sees a mother talking with her young son who's about to take the train all by himself. The mother reminds her son to get off at "the yellow station" because his grandparents will be there waiting for him. The boy is probably too young to remember the station name, which is why his mother said it's the yellow station, but Izumi does wonder what the yellow station means, because the stations on the Kaizuka line don't have assigned colors and it's not like any of the stations on the line is particularly yellow in design. The boy however drifts off in the train, and when they arrive at the terminal Kaizuka, the boy realizes he's at the wrong station. Izumi wants to bring him to the stationmaster, but the boy refuses as he's a big boy and this is his first time taking the train alone. Based on the price of the ticket of the boy, Izumi deduces that "the yellow station" is one of three stations, but which of them is the yellow one? An interesting attempt is made to tie this mystery to a larger storyline developing throughout the five stories in the book, though it's hard to really call this a fair mystery. It's dependent on whether the reader is aware, or at least capable of thinking of a certain fact: if you happen to know about it, this mystery is a lot easier to solve, but the set-up to the reveal in this book itself is probably not strong enough even if it does tie to the overall storyline. It's easily the best mystery story after the opening story, but that's not saying much.

Overall, I think it's fairly clear I didn't like Tenohira Astral that much as a mystery novel on its own, though I do think it's entertaining enough as a YA-novel, especially as I absolutely love the familar setting of Fukuoka in this book: personally any book that's set between Kashiihama and Hakozaki, Fukuoka will win bonus with me. The way in which the mysteries tie to Izumi's coming-of-age story isn't always perfect, but when it does work, it's surprisingly convincing and satisfying, giving a lot of synergy to the themes. And like the first novel, the chatter between the high school girls is fun to follow. I'd describe this as 65% YA novel, 35% mystery, and personally, I'd have preferred the reverse, but I really don't mind reading these kind of books once in a while.

Original Japanese title(s): 吉野泉『手のひらアストラル』:「彼女たちの行方」/「蟹使いのリベンジマッチ」/「夏休み明け前」/「手のひらアストラル」/「黄色い駅へ」

Thursday, May 19, 2016

Spring of Memories

「春はあけぼの」 
『枕草子』

"In spring, the dawn is best."
The Pillow Book


As someone who suffers from hay fever, and can't stand heat, I have to say I always hate the first half of the year...

Yoshino Izumi recently debuted as a writer with Houkago Spring Train ("After-School Spring Train"), released in February this year. Set in the city of Fukuoka, the short story collection is about the adventures (?) of the high school student Izumi. She is a typical student: loves sweets, is a member of the school waterpolo club and every time the school newspaper is published, she tries to win the student poll to get a coupon for a free Special Yakisoba-pan. Once in a while, she comes across strange happenings. Nothing of a criminal kind, mind you. Just little mysteries of everyday life, like that lady who sat upon part of Izumi's skirt in the train, but who refused to stand up despite Izumi staring her in the eyes. Innocent, but not less dumbfounding mysteries. One day, Izumi is introduced to her best friend Asana's boyfriend Uehara, who has recently graduated university and is now an elementary school teacher, and Uehara's friend, the university sudent Tobiki. Tobiki has a knack for solving Izumi's questions and as the year passes on, Izumi learns to trust Tobiki with her questions about all kinds of mysteries that happen in the city of Fukuoka.

Okay, I admit, I only bought this short story collection because it said it was set in Fukuoka. Well, that and it was published by Tokyo Sogensha, which is responsible for quite a lot of very good mystery novels. Still, the main reason was Fukuoka. Having lived there for a year, I sometimes get overwhelmed by nostalgic feelings, which I then ease with mystery novels set in the city. Because strangely enough, there are quite some good novels set there. Anyway, Houkago Spring Train is Yoshino Izumi's debut novel, so it was a bit of a gamble, so how did that work out?

Well, to be honest, as a everyday life mystery short story collection, it's still a bit rough. The everyday life mystery's biggest hurdle is of course that the mystery lacks impact from the start. It's no murder, not some criminal event. It's by definition a mystery you and I could come across in our normal lives. So for it to have impact, an everyday life mystery needs to be 1) alluring, by presenting a believable, but utterly baffling mystery that you imagine you yourself could come across and 2) by giving a satisfying solution to the problem, again one that seems fitting to everyday life. The problem with Houkago Spring Train is that the mysteries presented in the four short stories aren't just not consistently alluring.

The book for example starts with the title story Houkago Spring Train ("After-School Spring Train"), where Izumi and Asana almost miss their connection, when a lady sitting on Izumi's skirt in the train refuses to get up, despite Izumi's calling out to her and staring the woman in the face. The mystery deepends when, after the girls manage to get out, the lady comes after them to apologize for what happened. In the core, this is a good everyday life mystery: it's a situation that is imaginable and yet strange enough to nag at you. But the solution is not satisfying at all, because it comes out of nowhere. The detective doesn't reason his way to the truth: he pulls out a random piece of trivia out of nowhere and it is expected from the reader to just believe this. The lack of convincing power is what breaks up the story and the magic of the otherwise good setting of the puzzle.

Gakusai Broadway ("School Festival Broadway") is better, though it actually features something that could almost be considered a crime. Izumi's class is performing two plays in English  as part of the school festival. Having finished Team A's performance of Sleeping Beauty, Izumi and Asana wander to the make-shift Dressing/Prop Room, where they discover that Cinderella's dress for Team B's play is gone. More students arrive and they all look for the dress, but nobody is able to produce results. In the end, they gave Cinderella Sleeping Beauty's dress, but the question of where Cinderella's dress went still roams in Izumi and Asana's heads. This story is a lot better than the title story, with better (but still vague) hinting, and a much more interesting build-up of the story. It's a slow buid-up though, making it feel like the pages/plot ratio is not optimal.

The third story, Oru Kami Tsunoru Kami ("Folding Papers, Raising Papers") is a bit chaotic. At first, it looks like it'll be a story about whether the process of assigning every student new seats in the class was done fairly or not, as the lots were all in different colors (and seats in the back of the classroom are a luxury). But then it turns into the strangely compelling story of raising funds for a good cause. Izumi is 'lent out' to the school volunteer club by her own club in exchange for services rendered by the voluteer club: she, as well as other students from other classes, are to help with collecting money to help a girl get an operation abroad. The whole weekend, the students are split up in teams in the Tenjin (downtown) area and the Hakata Station area, trying to collect money. Izumi's on the Tenjin team, while the Volunteer Club president is on the Hakata Station team, but on the last day, Izumi discovers that the president wasn't at Hakata Station at all this weekend, and the members of the Hakata Station team actually thought the president was at Tenjin the last few days. The answer to why the president lied is actually quite good: it fits the school theme perfectly (like the previous story actually). It is however once again not really well hinted at. Overall though, I think this was the best story of the collection, as it has a mystery that is puzzling, but not really serious (where was the president during the weekend while everybody else was collecting money), while it also has a satisfying, and believable answer. The previous story is good too, but there the puzzle (the missing dress) seems a bit more 'serious' than the mystery here.

The final story, Cantaloupe, has Tobiki helping out his friend Uehara. One of the pupils at his elementary school is for some reason lying about the plant he was raising for a school project. Uehara made notes about which pupil planted what, but this boy keeps saying he had another plant, and that it died yesterday. Uehara doesn't mind giving the boy a new plant, but he does want to know why the boy is lying. The solution to the problem is really disappointing, as it comes out of nowhere and it is kinda hard to believe as a reason for what happened. The story luckily adds one last surprise that has been building over the course of the book, which was actually quite brilliant. The best part of the book perhaps. But strangely enough, it was just 'the extra', not a main puzzle. I actually think Yoshino should've written a story with this last part as the main gimmick, as that would've resulted in a very surprising, yet satisfying everyday life mystery. Now I think: "You should've given me that sooner!".

I did enjoy the writing of this novel a lot. Both the narration and the dialogues of Izumi, Asana and the other high school students are really fun to read, the characters do come alive on the pages. Wordplay, random chatter about familar school topics, as a youth novel, Houkago Spring Train is quite enjoyable. And for me, it gets a lot of bonus points for being set in Fukuoka. And not just Fukuoka: the whole book is mostly set around my activity zone when I lived there: Tobiki is a student of Q-University (= Kyushu University), working at Hakozaki Campus, which is where I was situated too. Izumi's lives just across the road of the campus, while her high school is located in the area where my room was. So it was nice to see all kinds of familiar places mentioned. Of course, most readers won't have this emotional bond, but as it was a reason for me to purchase the book in the first place, I was more than happy to see how 'my' Fukuoka was portrayed in the book.

With the knowledge that this book is Yoshino Izumi's debut novel, I'd say that Houkago Spring Train is still a bit rough around the edges, but definitely in possession of potential. The middle part of the book is fairly good, but the start and end are less entertaining. The writing is good though, and I'd to see more of the characters and the setting. Let's hope more will follow and Yoshino will be able to develop as a mystery writer too.

Original Japanese title(s): 吉野泉 『放課後スピリング・トレイン』: 「放課後スピリング・トレイン」 / 「学際ブロードウェー」 / 「折る紙募る紙」 / 「カンタロープ」