Writ in Stone

"Archaeology is the search for fact... not truth. If it's truth you're looking for, Dr. Tyree's philosophy class is right down the hall."

"Indiana Jones and the Last Crusade"

I was always more a fan of the ancient or classic cultures in my History class, or at least the pre-modern periods. 

Three years ago, I reviewed the manga Professor Munakata's British Museum Adventure, published by the British Museum. It was the first time Hoshino Yukinobu's Professor Munakata series was released in English. The titular character is a professor in Anthropology at Tokyo's Toa Bunka University, whose research interests lies within the link between legends, myths and other folklore, and actual historical events. I absolutely loved the book: Hoshino is best known for his (hard) science fiction series, but in this volume, he really managed to beautifully mix real historical and anthropological research with his own original storyline, resulting in a suspenseful historical mystery tale about the British Museum and Stonehenge. At the end of my review, I concluded I wanted to read more of the series, as Professor Munakata's British Museum Adventure was actually one of the last stories published in Japan and part of the second Professor Munakata series: so there was still a lot to read. For some reason though, it took me until to actually get started on the series properly. And that of course means starting with the beginning, with the original series. Professor Munakata was first introduced to the world in 1990 in the two-part opening story The White Wings - The Iron Star in Munakata Kyouju Denkikou ("Professor Munakata's Adventures"). After a lecture at the university about the myth of the Swan Maiden and how variants of this very myth exists in various ancient cultures, from the Ancient Greeks all the way to Japan, the professor is visited by Ikago Mana, one of his students. She has brought her parents along, who want to show the professor a ceremonial sword which was discovered in the little shrine in their home village near Izumo. Professor Munakata is incredibly surprised by the object, and especially by the engraving of a certain constellation in the blade. Realizing that this sword is also related to the myth of the Swan Maiden, he returns with Mana and her parents to the village for some fieldwork, and the discovery he makes there will change the professor's life forever.

To make one thing clear from the start, not all of the Professor Munakata series can be considered a mystery story within the context of the blog. All the stories in this series do pertain to folklore and other historical mysteries which Munakata uncovers or delves deeper into, but few of the stories are told in the manner of a true puzzle plot mystery (mystery -> hints -> solution based on hints) and some of the stories even feature almost supernatural conclusions that seem to come out of nowhere. That said though, the series is absolutely fantastic, as Hoshino's gripping storytelling is top-notch, and the way he intertwines real folklore research with his own original adventures is absolutely a delight. Some of the earlier stories for example involve the legends of Chiyou, the Daidara and the legendary spider Ryomen Sukuna, which Hoshino (Munakata) explores through both actual anthropological research that is both fascinating and educational, as well as his own original plots. For fans of actual historical mysteries, this series is definitely a must-read.

Occasionally, though, the stories are told in a more traditional puzzle plot format. This is definitely the case with the series opening story. Even though it involves a topic you seldom see in "conventional" mystery fiction (the meaning behind the Swan Maiden) and there is no proper crime in this story either, I have to say that The White Wings - The Iron Star is truly a well-clewed historical mystery story that does a good job at allowing the reader to arrive at the hypothesis Professor Munakata himself arrives at at the end of the story. After the professor's arrival in the village, he is shown several sites that might have bearing to his research, like the shrine where the sword was found, as well as a dried-up lake of which the name also carries a reference to swans. After a fascinating explanation of how his research involves how this proto-myth is to be found across several cultures all across Eurasia, we are introduced to a rival TV anthropologist, who has drawn his own conclusions about the discoveries made in the village and is preparing for a new show. By this time, the mystery of "what needs to be solved" might still be somewhat vague to the reader, though they definitely have access to the clues and can even already connect some of them. It's only after a certain frightful event in the night that not only Munakata, but also the reader can suddenly see how everything that happened and was mentioned throughout the story is connected.

It is not difficult for a historical mystery to become too complex for a reader to solve themselves. Any mystery story needs to provide the proper context in order to be solvable, and in the case of a historical mystery, you need to balance providing enough of the necessary context without resorting to information overload, all without burdening, or underselling the core mystery story. Which is exactly why I thought The White Wings - The Iron Star was such an exceptional historical mystery story. While some readers might know a variant of the Swan Maiden myth, it's unlikely the reader is an expert on all the variants that exists in various cultures. That coupled with the (fictional) historical artifacts found in the village and even a rival "detective" who forms his own hypothesis, you'd think the reader is at a huge disadvantage, but they really aren't. In the end, professor Munakata proposes a daring hypothesis that ties all the discoveries made in the village to the lecture on the Swan Maiden he made earlier and not only is it a fair hypothesis (solely based on the clues proposed in the story), the reader has plenty of chance to arrive at this conclusion themselves, as everything shown and told in the story logically leads to this hypothesis. There's even proper visual clewing going around that helps professor Munakata and the reader in figuring out the function of some of the discoveries made in the village, and at the end, this story really makes the reader feel like they have solved a millenia-old mystery themselves.

So while not all of Professor Munakata's stories lend them well for discussion on this blog, I think the first story is definitely a fine example of how to do an excellent historical mystery story that not only attempts to reinterpret folklore, legends and myths from across the world as actual historical events, but also using a grammar that sets its firmly in the puzzle plot mystery genre, following a set-up of proper clewing that allows the reader to reach the intended conclusion themselves in a fair manner. As for now, I have immense fun with this series (still not finished), and if more stories follow that adher more closely to a traditional mystery story, I'll be sure to follow up with another story review.

Original Japanese title(s): 星野之宣『宗像教授伝奇考１　白き翼　黒鉄の星』

Now Museum, Now You Don't

That belongs in a museum.

- So do you.

Indiana Jones and the Last Crusade

Reminder to self: must go visit that mystery fiction library in Busan, South Korea if it still exists.

Professor Munakata was a long-running manga by Hoshino Yukinobu, most famous for his science-fiction work. His first adventure was published in 1990 and introduced the world to the titular professor in Anthropology, specializing in the link between folklore and actual historical events. Since then, he has been appearing irregularly, solving historical mysteries both in and outside Japan. In 2009, the British Museum published the most recent adventure of the professor (at the time), marking the very first (and still the only) English-language publication of the series. Professor Munakata's British Museum Adventure starts with the professor being invited by the British Museum to hold a guest lecture. During his stay in London however, the monoliths of Stonehenge are stolen and it appears the hostage takers demand the museum to return all the art objects that have repatriation claims to their respective countries. It's up to the professor to figure out how to save the collection of the British Museum, as well as the monoliths of Stonehenge.

This was the very first time I read the Professor Munakata series, but it sure won't be the last time, because I had a lot of fun with this comic. To start off: the book itself is pretty well made. Obviously, the British Museum is not a 'regular' manga publisher, so it's a surprisingly sturdy book, accompanied by an informative foreword and an interview with Hoshino himself about the adventure and his own trip to the British Museum. The font used also betrays the fact that comics aren't the British Museum's usual work, but that's just a very insignicant complaint about an otherwise good publication.

But the story is more important, right? Well, Professor Munakata's British Museum Adventure is almost the last story that was written in the series, and it shows that through its gripping and exciting storytelling, which reveal years of experience. The story manages to mix actual historical facts and the background of the British Museum expertly with Hoshino's own imaginative story of a Stonehenge hostage-taker and the result is a historical adventure of mystery and excitement unlike any other. It's very educational, as you'll learn a lot about some of the British Museum's better known possessions, but the educational parts are also intelligently woven within the fictional part of the story, and nothing is said for nothing. The story eventually leads to a crazy (in the good sense of the word!) conclusion that I want to see as a movie as soon as possible. In fact, this story would actually make for a fantastic movie, I think, similar to how The Louvre featured in All-Round Appraiser Q.

Then again, I've always had a weakness for these kinds of stories that mix history/folklore with a mystery plot, so it's no wonder I like it so much. Interesting enough, the story also touches upon the sensitive topic of repatriation of art objects (and that while this book is published by the British Museum!) Even though this story is one of the last Professor Munakata stories in Japan, it can be read without any prior knowledge of the series. Though if you're like me, you definitely don't have enough with just this one story. I'm definitely tempted to read the original Japanese version now. Readers should also check out Urusawa Naoki's Master Keaton, which might be best described as the adventures of a MacGyvering insurance investigator with an interest in archeology. 

The artwork of Professor Munakata's British Museum Adventure is neat and clean, though a bit lacking in the dynamic part. Hoshino's art is well-suited for still, contemplative panels of larger sizes and looks excellent whenever he draws big shots, but some of the (minor) action in the story looks not as intense as it could've been. I guess the style also fits his science fiction stories (which aren't of the Star Wars kind, but the slower, science kind).

The fact that Professor Munakata's British Museum Adventure was published by the British Museum is interesting on its own, but this is definitely a story that deserved publication. It's smart and fun and makes you wonder why no other publisher has picked up the rest of the series.

Original Japanese title(s):　星野之宣　『宗像教授異考録』：「大英博物館の冒険」