The Way Up to Hades

"I have looked upon all that the universe has to hold of horror, and even the skies of spring and the flowers of summer must ever afterward be poison to me."

"The Call of Cthulhu"

There are good covers, there are great covers, and there are absolutely amazing covers.

When Amy Griffith was young, she used to play with fairies at the prehistoric standing stone monument in her home town. She was caught on photograph talking to a mysterious light by a newspaper reporter, and briefly became known as the Fairy Girl, but later the adults assumed she must have lied or just imagined things. But about a decade later, the Empire has been caught up by a spiritualist rage, and having moved to the capital to make some money for her family, Amy is now known as the Fairy Lady.... but in actuality, she's just a charlatan, using cheap parlor tricks to spice up her seance sessions. When she is visited by Darren Dunglas, a professional assessor of the Imperial Spiritualist Institution, the man immediately sees through her tricks, but for some reason he does seem to think that she can actually talk to fairies, and thus he can not understand why she's relying on parlor tricks. Both of them happen to be invited by the famous mystery writer Lenard Thorndyke to visit the infamous Blasphemy Mansion, which the author recently required. The house stands in a marshland and had been in the possession of the Davenport clan. Two hunderd years ago, Bradley Davenport was head of a secret club that worshipped the devil, and they did everything blasphemous in the house, from black magic ceremonies to orgies. Artists were also given a free hand, resulting in the house not only housing satanistic imagery like a statue of the Sabbatic Goat,  a gigantic Wicker Man in the back garden, but also rather erotic frescos and statues. The secret club is even said to have opened a hole to hell itself two hunderd years ago, which is why the courtyard is now completely sealed off: every door and window originally leading or looking into the courtyard has been bricked up. Bradley was eventually executed, though the house remained in Davenport hands, but last year, the last heir of the Davenports, Seraphina, disappeared, and Lenard quickly bought the house, as he is very interested in both spirits, as well as the treasure of the Davenports which is supposed to be hidden in the house.

For that reason, he has invited a group of spiritualists (as well as Darren) to stay for a few days at the Blasphemy House, with the idea being each spiritualist will head a seance to communicate with the spirits. The invitees include spiritualists with powers like taking ghost pictures, automatic writing, channeling spirits and giving them form with ectoplasm and communicating with spirits via rapping, though Amy is quite sure everyone is a phony, just like herself. Which is why she is very shocked to see on the very first night the first spiritualist Miranda Crandon really managing to give a ghost a material form by oozing ectoplasm out of her nose. The ghost points them to a crack in the bricked up door in the main hall, which leads into the courtyard which had been sealed for two-hundred years. They find a cross with pre-Church imagery at the center, and beneath the cross, they find the remains of a woman, which are still well-preserved, suggesting the woman has only been here for at longest a year, even though the courtyard has been closed off for two centuries! A servant is sent off to call for the police, even though the trip will be perilous due to a very heavy snow storm. The following day however, somebody has set fire to the Wicker Man, having placed the body they found inside, and then someone is killed inside the chapel, even though Amy and Darren were the last to leave the victim in that room and they had been in the drawing room ever since, and anyone going to the chapel needs to pass through the drawing room. With the snow storm going on outside, they don't even know whether the police has been notified, but as the spiritualists start to use their powers to communicate with the ghosts in the house to learn what is going on, they find out something sinister is on its way. But is the murder also the result of the supernatural, or did a living person commit this crime in Teshirogi Shoutarou's Tokushinkan Satsujin Jiken ("The Murder Case in the Blasphemy Mansion" 2023)?

I'll gladly admit the only reason this book caught my attention was the cover art. When it was announced first, I just knew I had to read this book. Of course, a cover doesn't seem much about a book's content, but assuming the cover had something to do with the story itself, the idea of the Sabbatic Goat playing some kind of role in a mystery story was interesting enough. I had never read anything by Teshirogi before, so it was a bit of a gamble, but to start with the conclusion, I was quite pleasantly surprised by the book.

At first I thought the book was going to be like Trick, with a fake psychic/spiritualist teaming up with a more science-based male partner, going up against other fake psychics. Only, that assumption was very soon discarded, as the book makes it clear fairly early on ghosts do actually exists in this world, and yes, there are also real spiritualists who can communicate with the ghosts one way or another. We do see that these ghosts generally can't directly influence the real world: some might sense the presence of ghosts and perhaps hear voices or see ghosts, but we don't actually see ghosts attacking people or moving objects on their own, so the mystery of this book fundamentally still works, as it is clear the answer to the locked room murder isn't just "ghosts did it." Even though it is surprising to see how "normal" ghosts are in this world, though it helps we see things through the eyes of Amy: she alone is the phony psychic here, and she doesn't really believe in ghosts or even fairies anymore, so like the reader, she too is quite surprised to learn at first spirits do exist.

And yes, the fact ghosts exist in this world do lead to some interesting situations mystery-wise. At one point, we even have a set of creepy twin mediums who communicate via rapping with ghosts, and they just decide to have a chat with the victim who just got killed to ask him who killed him. Of course, the mystery doesn't get resolved so easily, but we have several people with different spiritual powers, from ghost pictures to materializing ghosts with ectoplasm to a woman who can actually "time-shift" to the past and witness events that happened centuries ago. Some of these powers are used really cleverly for misdirection, and in a way that only works in this book, because we know the powers are real. In other novels, you might think there's some kind of trick behind them, but here you know you don't have to worry about that, and can focus completely on figuring out the meaning of the various seance sessions in relation to the grander mystery.  There is a a secondary plotline, where the characters try to learn more about the history of the Blasphemy Mansion, and the time when the secret club were having their orgies and doing all their black magic ceremonies, and I really like some of the misdirection that was used here in relation to the seances.

More impossible crimes occur throughout the book, like a woman's decapitated body appearing in a theater of which Amy alone held the key, but I do have to say the actual murders themselves are relatively easy to solve: while the supernatural parts are used very cleverly in terms of design to facilitate these murders, the tricks behind them are ultimately fairly familiar, so you might recognize them early on despite the, otherwise really well-done, dressing with the supernatural. But despite that, I think this book still is a very fun read, as the imagery and atmosphere are really good and you can really feel how the supernatural elements really work with these murders. The ending by the way really moves into cosmic horror avenues, and while some parts are not as strong as other parts of the book I think, like the grander motive behind the murders, it's not something I really mind as it all fits the vibe of the book.

But yeah, I really enjoyed Tokushinkan Satsujin Jiken overall. If you look at it purely as a mystery novel, it might not be as strong as you might hope despite it having some clever uses of its supernatural themes, but as a book that tries to be equal parts mystery and (cosmic) horror, it's a great success I think and I wouldn't be surprised if this one ends up on my favorite list of this year.

Original Japanese title(s): 手代木正太郎『涜神館殺人事件』

The Haunted Monastery

"Our readers are children! Millions of bloodthirsty little kids, and we give them what they want!"
"Ellery Queen: The Adventure of the Comic Book Crusader"

This might the first time since I started doing reviews of both the Detective Conan manga and films that I managed to get the film review out before the corresponding manga volume...

Detective Conan volume 105 was released in April 2024, timed together with the release of the 2024 film Detective Conan: The Million-Dollar Pentagram and it also serves as the very first volume released as part of this anniversary year, as the manga of Detective Conan started its serialization 30 years ago, back in 1994. While the stories included in the volume themselves don't have any special "anniversary" themes, the physical volume itself does come in two variations: a normal one and a special edition one, which features an alternate cover that mirrors the cover of volume 1, as well as extra booklet with character sketches from when the series was still in the planning phase. Small note for collectors: the detective character introduced in the encyclopedia at the end of the volume is actually different in the special edition from the normal edition. Anyway, the contents of volume 105 itself are your standard fare for the series, so no big anniversary story. The volume opens with the remainder of Why He Became Her Butler, which started in the previous volume. Conan and Ran are travelling with Hattori and Kazuha in the express train, and it happens Hattori's self-proclaimed fiance Momiji is there too, accompanied by her butler Iori. During the trip, Iori is approached by a man, who forces the butler to cooperate, or else Momiji will be hurt. Via his phone, Iori is told to go to a certain seat in the train, where he finds a dead man, and he is ordered to find a USB memory stick this dead man has hidden somewhere. While Iori tries to deduce where the stick is, he also tries to remember where he knows the voice of the man threatening them from, which brings up memories of his time when he was a police officer with Public Security. Meanwhile, Conan and Hattori also notice Iori's acting strange...

A very, very mediocre story. The "where could the USB memory stick be hidden" mystery is just a device to tell the flashback story of Iori and Momiji meeting for the first time, fleshing out the perfect butler's background, but as a mystery, it's incredibly minimalistic and most of it is resolved before the reader gets any chance to even think about it. So a very character-focused story, which might entertain people who have become fans of Momiji and Iori ever since they were introduced around 2016, but not if you're just hoping to read a cool mystery once every five months...

So when I write my reviews of the Conan manga, I get the story titles from the official Shonen Sunday website for the series: the titles of the stories often will be used as the titles for the episodes when they are later adapted for the television anime, but sometimes they are changed, with the manga story titles retroactively changed to the anime story titles. Usually, this site is updated when the new volume releases, but for some reason, the site has not added volume 105 yet, meaning I don't really know the "official" titles for the following two stories.

Anyway, the second story is clearly one meant to tie in with the 2024 film The Million-Dollar Pentagram and set before the film, as Hattori is still planning to confess his love to Kazuha at a spot with a great scenery, and Ran, having learned Hattori's plans, has found the perfect spot: Mt. Washio, which offers a great sunset view. So Ran, her father, Conan, Hattori and Kazua go mountain hiking, but a sudden rain forces them to find shelter at a Buddhist temple on the mountain. Luckily for Hattori, Ran learns there's a great view from the temple too, so they stay here until the rain stops. During their stay, they learn about a monk who disappears some time ago, and that there are rumors of will-o'-wisp sightings here. The gang takes a look at the room where the monk had disappeared from, which is accessed via a small staircase. Later however, the gang witnesses the will-o'-wisp themselves as the fire moves up the staircase, and it is then they realize Mouri himself has also disappeared. What is happening at this temple? Not much interesting here, I'm afraid. What appears to be a potential interesting locked room mystery, provides you with the most unsatisfying solution ever, and while there are other mysterious events at the temple which are connected in the end, the events unfolding at the temple just don't really interest me, while at the same time, you know the Hattori plotline is going to be carried over to The Million-Dollar Pentagram, so none of this story feels even remotely engaging.

The final complete story in this volume features phantom thief KID, who is also a major character in The Million-Dollar Pentagram, so no surprises about him being featured here. Suzuki Jiroukichi has once again set-up another trap using a big jewel as bait to catch the thief. This time, he has rigged a special small exhibition room on the Bell Tree Tower, like a small box attached to the side of the tower. Because of its size and it being suspended mid-air, it's seen as the perfect trap, especially as the only entrance to the room (from the tower) has security cameras aimed at it, as well as other security measures, with the idea that if KID does manage to get inside the room, it'll lock from the outside, making escape impossible. A special team specializing in security has been hired to set-up this system, and they finish up just before KID's announced time of the theft. Conan is of course here to stop KID, and when the time arrives, things start to happen that prompt Conan to run to the security room to confront the thief. When he gets inside the room however, he finds not only KID, but the dead head of security too. Has KID finally stooped to murder? Well, of course not, and Conan too believes the thief didn't kill the man, but the situation doesn't look good for KID, as he was the only other person in the room besides the corpse and cameras had been aimed at the exhibition room entrance all the time, meaning the corpse appeared out of nowhere, and KID is known to be able to conjure up things out of nowhere.... To win some time, KID decides to "disguise" himself as high school student detective Kudou Shinichi (it's not really a disguise, as the two look remarkably similar), pretending to be here at the scene to catch KID too. Together with Conan, he tries to figure out who committed the murder and tried to pin the crime on him, but the duo run into a little, big problem: KID's rival, Hakuba Saguru, has returned from the United Kingdom, and this detective soon starts to have suspicions about "Shinichi's" actions at the scene...

By far the best story of the volume, as it's both funny and has a more robust mystery compared to the previous two stories, though because of the very, very specialized set-up of the room, and the manner in which Conan and KID discovered the body, I have a feeling many will find it easy to at least make a general guess about how the murder was committed, even though cameras had been aimed at the door entrance and they didn't register a thing besides the time KID forced entry into the room. Conan reluctantly doing his investigation while "tolerating" KID as Shinichi is funny, and the mystery does get a bit fleshed out due to the inverted mystery-element of the story: KID and Conan are being detectives as they try to solve the murder, but they are also "the culprits", trying to hide the fact KID has disguised himself as Shinichi, with Hakuba Saguru acting as the detective in that storyline. So you have a two-pronged mystery plot that gives this story some depth. There are some story seeds sown here that get reaped in the film too, so as also shown with the Hattori story, you'd better read this volume before you watch the film.

Oh, by the way, I did read this volume too before I went to the theatre, I just postponed writing this review for some time... They had some neat promotional material in the bookshop by the way: they had a newspaper about the exploits of the phantom thief KID (setting up the story of the film), as well as the newspaper featuring Shinichi on the frontpage seen in the very first chapter of the manga, and always shown in the opening scenes of the animated films each year.

Detective Conan 105 is not a really interesting volume mystery-wise, to be honest, and that's continuing a trend that's been going on for some time now, so I do find it harder to become really enthusiastic now for each new release. It wouldn't be so bad if we had the older release schedule of a new volume every three months, but nowadays it's basically one volume every half year... The volume does have ties with the film, so you'd better read 105 before watching the film, as you'll see more clearly how author Aoyama does try to "hype things up" for the film in the manga itself too. Anyway, we'll have to wait months again for the next volume unfortunately, but considering this is the 30th anniversary year, I do hope the next volume features a more substantional mystery tale, one that doesn't need to tie in with ongoing storylines or feels the need to flesh out characters. Just a six chapter story solely dedicated to telling a large mystery story. Please?

Original Japanese title(s): 青山剛昌『名探偵コナン』105巻

The Secret of the Knight’s Sword

Meeting you with a view to a kill

Face to face in secret places, feel the chill

"A View to a Kill" (Duran Duran)

This is actually the first post I have written in over four months...

Detective Conan manga & movies:
Part 1: Volumes 1 ~ 10
Part 2: Volumes 11~20; The Timebombed Skyscraper (1) / The Fourteenth Target (2)
Part 3: Volumes 21~30; The Last Wizard of the Century (3) / Captured in Her Eyes (4)
Part 4: Volumes 31~40; Countdown to Heaven (5) / The Phantom of Baker Street (6)
Part 5: Volumes 41~50; Crossroad in the Ancient Capital (7) / Magician of the Silver Sky (8) / Strategy Above the Depths (9)
Part 6:  Volumes 51~60; Private Eyes' Requiem (10) / Jolly Roger in the Deep Azure (11)
Part 7: Volumes 61~70; Full Score of Fear (12) / The Raven Chaser (13) / Lost Ship in the Sky (14)
Part 8: Volumes 71~80; Quarter of Silence (15) / The Eleventh Striker (16) / Private Eye in the Distant Sea (17)
(You will find the links to the reviews of volumes 70, 72~76, 78, 82~104 and the films Quarter of Silence (15), The Eleventh Striker (16), Private Eye in the Distant Sea (17), Dimensional Sniper (18), Sunflowers of Inferno (19), The Darkest Nightmare (20), The Crimson Love Letter (21), Zero the Enforcer (22), The Fist of Blue Sapphire (23), The Scarlet Bullet (24), Bride of Halloween (25) and The Black Iron Submarine (26) in the library or via the Detective Conan tag)

 

High school student detective Hattori Heiji is attending a major kendo tournament in Hakodate, Hokkaido and he hopes to confess his love to his childhood friend Kazuha while they're in Hakodate, as Hokkaido features several spots with beautiful scenery, perfect for such an occassion. However, at the same time, the wealthy Onoe Takuzou, an Hakodate inhabitant, has received a notice from the notorious phantom thief KID, who declares he'll steal his two antique wakizashi swords, which were once gifted to Hishikata Toshizou of the Shingengumi. While wondering why KID is after the sword, as he usually only targets jewels, Hattori and Conan (high school student detective Kudou Shinichi who has been turned into a child and is hiding his identity) manage to fend off KID. However, Onoe's attorney's dead body is later found in the city, with a characteristic X-slash across his chest. Based on his belongings, the gang deduces the attorney had illegally brought another Japanese sword back from Dubai to Japan on orders of his employee, which now has been stolen. They eventually learn the swords were all made by swordmaker Higashikubo Eitatsu. Onoe Keizaburou (Takuzou's grandfather) had more sets of swords created during the war, as he was a high-ranking supplies official and rumors have it he hid a treasure somewhere in Hokkaido, with the swords serving as a clue to its whereabouts. Besides KID himself and the murderer, who is seen wearing a fox-mask, more parties appear on the scene who seem after the treasure, starting a race against the clock to see who can first obtain all the swords and find Onoe's treasure in the 2024 theatrical film Detective Conan: The Million-Dollar Pentagram.

 

Wait... a Detective Conan film review... in this time of the year? Yes! This is the first time since 2012's The Eleventh Striker where I didn't need to wait for the home video release, but got to see it in the theatres again! First time I saw a Conan film in 4DX too by the way, and while I do complain about the recent films being so more much action-focused at the expense of the mystery plot, I do have to admit watching the modern films in 4DX is a lot of fun!

Detective Conan: The Million-Dollar Pentagram is the 27th Detective Conan film and marks a return of mystery writer Ookura Takahiro as the screenwriter for the film. I wasn't too big a fan of the mystery plot of his Detective Conan: The Fist of Blue Sapphire (2019), but I consider Detective Conan: The Crimson Love Letter (2017) as one of the best Conan films overall, especially mystery plot-wise, and at the very least, one can definitely say Ookura has an excellent grasp on the characters, often inserting very fun character interaction scenes throughout his films. Like The Crimson Love Letter, Detective Conan: The Million-Dollar Pentagram focuses on the relationship between Hattori and Kazuha, with the film providing a conclusion to a storyline that has been running in the manga for some years now, with Hattori trying to confess his love to Kazuha at a memorable spot. For the character-focused fans of the franchise, The Million-Dollar Pentagram has a lot of great moments, from seeing Hattori finally confronting KID after their first clash in 2019, to the "big secret" of KID which the trailers have been talking about (Thought to be honest I.... don't like the reveal... I really don't) and some cool cameos. What I do appreciate about this film in general is that like The Crimson Love Letter, it's so much more accessible than some of the previous films, which built too strongly on the complicated character relations in the series. With so many character being (double) spies, having their own agendas and complicated pasts, some of the films would demand a lot of a viewer with nil knowledge of Conan, while this film keeps things relatively simple, with a murder mystery/treasure hunt plot, plus a simple rom-com plot of "boy wanting to confess love to girl", and not expecting you to remember that in volume XX, this and that character discussed this together. The previous two films (Black Iron Submarine and Bride of Halloween I both described as films that do "... things I hadn't expected a Detective Conan film to do, but also didn't do a lot of things I expect, or at least hope to get from a Detective Conan film." In that sense, I felt The Million-Dollar Pentagram was much more like a conventional Conan film, being universally easier to see for a wider audience.

As a mystery film however, The Million-Dollar Pentagram is really not especially memorable. While technically it is a murder mystery, the plot is mainly focused on the treasure hunt aspect, with all the parties trying to figure out 1) what Onoe's treasure was and 2) where the treasure is. While fortunately, the treasure hunt isn't reliant on one of those wordplay riddles you often see in the series, the actual puzzle-solving aspect of this film isn't really interesting, and you'll probably just be passively watching everything unfold, rather than really trying to solve any of this yourself. The mystery of the murderer is fairly simple too, partially due to a very small pool of viable suspects, and while there's a very minor piece of misdirection I feel is executed quite well on screen, I won't be recommending this film on its mystery merits. Fortunately, I was watching this in 4DX, so I did physically enjoy all the outrageous clashes between the various parties while chasing after the treasure!

Still, I do wish we have we get a more mystery plot-focused film soon again... I really loved The Crimson Love Letter, as I think it struck a great balance between the plot and the modern focus on action. As always, we already got a sneak preview/teaser of next year's film at the end of The Million-Dollar Pentagram, and while it honestly could go anyway, the teaser did suggest a focus on a set of characters that usually come with pretty robust mystery plots...

I happened to have been watching the 2008 Gegege no Kitarou animated film before this film, where they did a lot of local tourism PR by having Neko Musume visit various places briefly in the film, and I did think The Million-Dollar Pentagram felt a bit like a PR film at times. When the Conan films are set in Tokyo, they are usually set in fictional Beika, or use fictional landmarks like Touto Tower and the Bell Tree Tower instead of the Tokyo Tower and the Skytree. This film however features a lot of real Hakodate (and Hokkaido) landmarks, and with modern visuals, these sights are presented photo-realistically, as compared to the more drawn style we see in the earliest Conan films. Not really a bad thing per se, but seeing a hyper realistic Hakodate in this film did feel a bit weird as usually, real-life locations are drawn in a more stylized fashion in the television anime series.

Oh, and while not really related to this film, but I might as well mention it here: I did visit the special Detective Conan 30th Anniversary exhibition that's travelling across Japan now. Pretty interesting to see the original drawings and all of that. While it is understandably very character-focused, so not especially interesting for those who are only interested in Conan for the mystery stories, there were some fun displays for the mystery fans too, like this showcase of the various murder weapons used. Would be fun to see more of these mystery-focused exhibitions. Imagine how fun it'd be to visit sets of murder scenes of famous mystery stories!

Anyway, Detective Conan: The Million-Dollar Pentagram is a film that is probably best enjoyed by long-time fans of the series, who want to see characters like Hattori and KID interact with each other (and the conclusion to Hattori's attempts at confessing his love to Kazuha), while also being somewhat involved in a murder mystery. The film is better enjoyed for its action scenes than the mystery, but at the very least, it's a lot more accessible than its immediate predecessors as it does work as a standalone rom-com too.  That said, I do hope next year's entry will be a bit more substantial mystery-wise.

Original Japanese title(s): 『名探偵コナン 100万ドルの五稜星』

The Losing Game

「兄は兄。僕は僕ですから」

『内田康夫DSミステリー 名探偵・浅見光彦シリーズ「副都心連続殺人事件」』

"My brother is my brother. And I am myself."

"Uchida Yasuo DS Mystery - The Great Detective Asami Mitsuhiko Series: The Fukutoshin Serial Murder Case"

Last year, around this period, I had a short run of reviews of old Nintendo DS detective adventure games... I've only got one for this year though.

I think there's some kind of rule for licensed Nintendo DS games based on the works of famous mystery novelists to have insanely long titles, because after the Nishimura Kyoutarou and Yamamura Misa games, we also got Uchida Yasuo DS Mystery Meitantei Asami Mitsuhiko Series: Fukutoshin Renzoku Satsujin Jiken ("Uchida Yasuo DS Mystery - The Great Detective Asami Mitsuhiko Series: The Fukutoshin Serial Murder Case") in 2009. As the title tells you, the game is based on Uchida Yasuo's long-running Asami Mitsuhiko series: Mitsuhiko is a freelance writer for a travel magazine, who travels all across Japan to touristic destinations, and of course, he often ends up getting himself entangled in murder cases. Not rarely, he ends up being a suspect too, though the local cops usually regret detaining Mitsuhiko whenever they learn he's the younger brother of the current head of Criminal Affairs of Tokyo's Metropolitan Police Department. While the series is adapted quite often for the small screen, as far as I know, this Nintendo DS game is the first and only time the series got a game adaptation (with an original story). The story starts familiar enough: Mitsuhiko teams up with a new photographer (the player), but he also receives a letter from a girl, whose father recently passed away. This Senkawa Akihiko was one day found dead in his bed by his daughter Mafuyu, but while the police has deemed it a suicide, she can't believe her father would leave her all alone in the world. Senkawa worked in the sales department of the car manufacturer Y, so while working on his article, Asami also visits the Y headquarters along the Fukutoshin Metro Line to see whether there could be a different reason for Senkawa's death. He soon learns three months ago, Nakamori, a co-worker of Senkawa was murdered, which quickly puts a different light on Senkawa's death, and so Mitsuhiko starts digging in Senkawa and Nakamori's past.

I'll just refer to this game as Uchida Yasuo DS Mystery to keep it short. The game is, as you'd expect, an adventure mystery game of the command-style variety, where you use standard commands like "Talk" and "Go to" to visit various locations and talk with various characters to gather information. At key moments you'll be asked questions to show you're on the right track, or you have to solve small puzzles like figuring out a code. Nothing surprising here, though I must admit that right from the start, I was rather pleasantly surprised by the production values of this game. While it's not big AAA-title for the DS, I have to admit I had never expected it to be this good: there are official tie-ups with for example the Tokyo Metro Fukutoshin Line (which had only opened completely one year before the game's release) and Mercedes-Benz, there is a fair amount of animated characters and the voice work! Most characters are voiced, some by very big names like Ootsuka Akio and Tani Ikuko, and a staggering amount of scenes is voiced, not just some key scenes, but also minor scenes. The Nishimura Kyoutarou and Yamamura Misa games looked a lot cheaper than this and to be honest, I have seen enough non-licensed "for gamers" games that aren't produced with as much care as this game. Though, the music is quite... boring.

And as a mystery adventure game too, Uchida Yasuo DS Mystery is very, very boring. It's a shame the story and gameplay isn't as interesting as the production values would suggest. The story does hit all the usual Asami Mitsuhiko tropes, like Mitsuhiko being seen as a suspect by the police until they learn who his brother is, Mitsuhiko being scolded by his mother Shizue for loafing around and not marrying, we visit Karuizawa in a short segment to have our obligatory "tourist destination trip" and where we learn a bit about a local tourist spot and of course, the mystery plot focuses more on entangling human relationships and their motives, rather than solving tricks, so if you're an Asami Mitsuhiko fan, you might be satisfied with that alone (and yes, I do realize this game is of course also marketed to exactly those people, and not mystery gamers per se). I do have to say I am kinda disappointed the game is so Tokyo-centred. I get they got the Fukutoshin Line deal, but the way every location happens to be near around one of the Fukutoshin stations and one plot point was tied directly to the line felt a bit forced. But when translated to an actual interactive game, this story just doesn't really work in a way to be interesting. All you do is just go from one location to another and go through the conversations in order. The segments where you need to answer some questions correctly to show you've "deduced" something to proceed are just questions asking you repeat the little fact you learned five minutes ago, and the few puzzle segments where you solve a code aren't fun either. The game has multiple endings (bad endings), but as far as I know, they are all just directly choice-dependent, like choose to go to location A first means instant bad ending, location B first and you're fine. Which isn't really interesting either. 

The story itself I have to admit, was surprisingly on-par with other Asami Mitsuhiko books I have read. The game scenario is credited to the Asami Mitsuhiko Club by the way, the official fan club run by author Uchida Yasuo himself (it was disbanded in 2015 after 22 years). The books are not really the kind of puzzlers I prefer to read, but at least fans of the series will probably like this as it doesn't stray from the formula and feels like a genuine Mitsuhiko tale. At its core, the story does have things I do like, regarding how the whole series of murder is set up, though motive-wise, things feel a bit weak, and that way they tried to make the murderer feel symphathetic (because it's a human drama-focused mystery) didn't work at all for me. Not sure if the writers actually were trying to portray them as sympathetic, or were just overdoing the "explanation of the motive", but it was a really weird climax... Some parts felt a bit forced though, like the trip to Karuizawa, but at least we got to visit... Uchida Yasuo there.

Which was odd. In this game, Asami Mitsuhiko is actually well-known as the amateur detective, because the in-universe Uchida has written the books based on his adventures and those have been adapted for television too (like in the real world). He's at least famous enough for people to recognize him occassionally, and for Mafuyu to write him a letter in the first place. And yet there'd still be police detectives in Tokyo who don't know him? Or somehow Mitsuhiko's editor doesn't keep a better eye on him, considering Mitsuhiko's tendency to skip work to work on a case? The choice for the player being Mitsuhiko's photographer was also a bit weird. At the end of the game, you're actually being ranked for how good of an assistant you were to Mitsuhiko, but the rating system is a bit vague for that. You're ranked based on answering the questions correctly or doing the right suggestions to Mitsuhiko, but... "Mitsuhiko's assistant" isn't a character in the books, so you can't really know "how" you're supposed to act. I'm not sure why they didn't have you be Mitsuhiko himself...

But in short, the only thing Uchida Yasuo DS Mystery Meitantei Asami Mitsuhiko Series: Fukutoshin Renzoku Satsujin Jiken has going for it as basically its production values. As a mystery game, the story feels like an Asami Mitsuhiko tale, but it's not fun at all to play as a game, with too much hand-holding and not really requiring the player to ever think for themselves about the case and mysteries. Now I am starting to wonder whether there are actually games based on existing mystery novel series that are interesting on their merits as video games?  Perhaps I should try YAKATA Nightmare Project, based on Ayatsuji's House series one day...

Original Japanese title(s): 『内田康夫DSミステリー 名探偵・浅見光彦シリーズ「副都心連続殺人事件」』

The Clues Challenge

1 

 

Hey, you can hear me, right? Yeah, I know, it's weird, me calling out to you even though we can't see each other. But I know you're there, so listen to me. I need your help. I am supposed to research a book called Zarathustra no Tsubasa, but I have no idea what it is or what it exactly is I am supposed to research. I'm just not good with this thinking stuff. So I thought, perhaps I should get some advice from someone who's better at that. Yep, it's you I am talking about. So perhaps you could tell me what do do?

 

To help ⇒ Go to 2.

To not help ⇒ Go to 6.

 

2

 

Great, we're a team now, the two of us! Should we come up with a team name? No? Oh, okay, well, you might change your mind later on. Anyway, we're going to investigate this Zarathustra no Tsubasa or whatever it is called. But don't worry, I haven't come completely empty-handed. For example, did you know Zarahustra no Tsubasa is Japanese? It means The Zarathustra's Wings. What? You ask me whether I know Japanese? Well, to be honest, the English title The Zarathustra's Wings is just one I noticed on the cover of the book, as it has both a Japanese and English title. I also found out that the book was written in 1986 by Okajima Futari and that it is apparently a gamebook. What should we do first?

 

Look up the author of the book ⇒ Go to 3.

Look up what a game book is ⇒ Go to 4.

 

3

 

Oh, right, Okajima Futari. I've heard of him. Or to be exact: them. It was the pen name of Inoue Izumi and Tokuyama Junichi, who were active between 1981 and 1989. I think they also wrote Klein no Tsubo and Soshite Tobira ga Tozasareta. Apparently, this is the only gamebook they ever wrote, though Klein no Tsubo does begin with a man writing a gamebook, which is then going to be changed into a virtual reality game. Guess the theme of a gamebook must've remained interesting to them, as Klein no Tsubo was released almost ten years after The Zarathustra's Wings. But that's all we need to know about Okajima Futari for now, right? What next?

 

Add (W) to your inventory. 

Look up what a game book is ⇒ Go to 4.

Look up what The Zarathustra's Wings is about ⇒ Go to 5.

 

4

 

So I looked around on the internet, and I think a gamebook is a type of fiction where the reader participates in the story themselves by making choices, which changes the outcome of a story. They're also known as a Choose-Your-Own-Adventures.The choices you make as you progress in a story, for example by choosing to go either left or right in a maze, will lead to different narrative branches, all with varying outcomes. Some gamebooks also have more complex systems built-in, like an inventory mechanic or a story flag system which allows the game to check whether you have done certain segments already or not. Gamebooks were especially popular in Japan in the 1980s, ranging from both original gamebooks to gamebooks based on for example films like Laputa Castle in the Sky and Nausicaa of the Valley of Wind.  You even have gamebooks based on Famicom (NES) video games, like the ones based on Famicom Detective Club Part 1 and Part 2. So The Zarathustra's Wings is one of these books, huh? And there are of course (board) games like Sherlock Holmes Consulting Detective which are design-wise very close to a gamebook.

 

Add (F) to your inventory. 

Look up the author of the book ⇒ Go to 3.

Look up what The Zarathustra's Wings is about ⇒ Go to 5.

5

 

Oh, that's funny. The Zarathustra's Wings is about this detective, he's not really bright, so he needs help when it comes to the mental stuff. So he starts taking advice from some person we can't see, telling him to do this or do that... sounds familiar? Yeah, he also talks to that person directly sometimes. Anyway, the detective is hired to investigate the murder on Kashima Eizaburou, the wealthy businessman who was found dead in his study three months ago. He had recently obtained a jewel called the Zarathustra's Wings and shown it off to some house guests, but the following morning, he was found murdered in his study, and the Zarathustra's Wings were missing! What's more, the study was locked, and the key found on the desk inside the study, so this means it was a locked room murder! This detective is hired by the son-in-law to find out who the murderer is and to find the missing Zarathustra's Wings. Sounds like an interesting adventure! Should we read it?

 

Inventory check.

Do you have (X) in your inventory?   ⇒ Go to 8.

If you want to read the book  ⇒ Go to 7.

6

 

The murderer suddenly appears behind you, plunging a knife into your back. If only... we had made a different choice, I might've been able to save you...  

 

BAD END.

 

7

 

Wow, that took a bit more time than we had expected, didn't it? For the most part, it does what you'd expect of a gamebook, allowing you to choose who to interview or where to go. By using a special story flag checklist, the book also makes sure to know what pieces of information you have obtained (or not), which will become important later on. A common problem with gamebooks also seen in The Zarathustra's Wings is of course that each section of a gamebook is fairly short, so it reads quite differently from a novel: a lot of the story feels quite shallow and too much to-the-point and all the characters kinda feel the same. But at least the book makes you feel like a detective. Kinda. The book is basically divided in two parts, the first part being more focused on the murder investigation, and the second part on the search for the missing jewel. In the first half, you will be interviewing the suspects, see what you can learn from them and explore the study where the murder happened and the other rooms of the house. While the murder took place in a locked study, the trick used to accomplish this is very, very basic and the tricky part of the gamebook is basically activating all the story flags necessary to "solve" the murder: you might have a very good idea of what happened, but if you happened to miss a section and not have activated Story Flag A for example, you might fail in the "accuse segment" anyway because you didn't discover all the evidence. Perhaps this would have felt more satisfying if the trick itself had been more complex, but because the trick is so simple it almost feel like nitpicking... And in general, the necessity of "activating story flags" (= proving you obtained certain pieces of information) is a style that works very well with Ellery Queen-esque "elimination" deduction styles (where you cross off suspects of a list), but not so much as with a locked room... The second part of the book is focused on learning the whereabouts of the Zarathustra's Wings and a certain coded message is a vital key to learning its location. The code itself is in hindsight pretty simple, but there aren't really good hints beforehand, and you can't advance in the book without breaking this code: you only learn which section to go next if you decipher the coded message. When The Zarathustra's Wings was originally released in 1986 (before Internet!), apparently a lot of people got stuck there so when the book was re-released as a pocket in 1990, they added a segment with sealed pages at the end, with a hint (basically the answer) to solve the code, out of fear of people getting stuck there again. But what did you think of this second part? I wasn't a big fan of it myself, because it was so focused on the code, and if you had missed certain story flags in the first half of the book, you'd be punished here severely.

 

Inventory check.

Do you have (F) and (W) in your inventory?   ⇒ Go to 9.

If not  ⇒ Go to 6.

 

8

 

It is impossible to have (X) in your inventory. You cheat! I didn't know I was working with a cheater! Forget it, I'm outta here!

BAD END.

 

9

 

Guess we're done now. We've looked into Okajima Futari's gamebook Zarathustra no Tsubasa or The Zarathustra's Wings. I guess it's more interesting as a concept, as there aren't that many mystery gamebooks, and certainly not by mystery novelists. But the mystery itself in the book isn't super exciting: if this had not been a gamebook, but a normal mystery novel, the locked room murder trick would be very disappointing and one could also argue that a locked room murder on its own doesn't work very well with the way the gamebook handles story flags, and that a pure whodunnit would've been better perhaps. The code too is a major part of the story that might not be really what people were looking for when they opened this book wanting to play a murder mystery gamebook. So Zarathustra no Tsubasa is only worth looking into if you are specifically interested in trying a murder mystery gamebook, as there simply aren't many, but don't expect a hidden gem here. Anyway, that's it for our team-up for now. Perhaps we'll meet again, but until then, stay safe and don't make any wrong life choices.

 

The End

Original Japanese title(s): 岡嶋二人『ツァラトゥストラの翼』

Magic and Tricks

If there's somethin' strange 

In your neighborhood 

Who ya gonna call?

"Ghostbusters" (Ray Parker Jr.)

So the film didn't release on Halloween, but in April, and then the home video was released the week after Halloween... I guess the theme was Halloween because of ghost of the pasts returning, but still, they could have at least released the home video in the week of Halloween...

Detective Conan manga & movies:
Part 1: Volumes 1 ~ 10
Part 2: Volumes 11~20; The Timebombed Skyscraper (1) / The Fourteenth Target (2)
Part 3: Volumes 21~30; The Last Wizard of the Century (3) / Captured in Her Eyes (4)
Part 4: Volumes 31~40; Countdown to Heaven (5) / The Phantom of Baker Street (6)
Part 5: Volumes 41~50; Crossroad in the Ancient Capital (7) / Magician of the Silver Sky (8) / Strategy Above the Depths (9)
Part 6:  Volumes 51~60; Private Eyes' Requiem (10) / Jolly Roger in the Deep Azure (11)
Part 7: Volumes 61~70; Full Score of Fear (12) / The Raven Chaser (13) / Lost Ship in the Sky (14)
Part 8: Volumes 71~80; Quarter of Silence (15) / The Eleventh Striker (16) / Private Eye in the Distant Sea (17)
(You will find the links to the reviews of volumes 70, 72~76, 78, 82~102 and the films Quarter of Silence (15), The Eleventh Striker (16), Private Eye in the Distant Sea (17), Dimensional Sniper (18), Sunflowers of Inferno (19), The Darkest Nightmare (20), The Crimson Love Letter (21), Zero the Enforcer (22), The Fist of Blue Sapphire (23) and The Scarlet Bullet (24) in the library or via the Detective Conan tag)

A Russian man blown up with a bomb which engulfed him in purple flames right in front of the Metropolitan Police Department is a shocking event on its own, but the police detectives at the Homicide division are very surprised to find among the unknown victim's belongings a business card bearing the name of Matsuda Jinpei, a police detective who was posted to the Homicide division for one week, but died in the line of duty several years ago. Conan is given information by his contacts within Public Security that in the week when Matsuda worked at the Homicide division, he and some friends he knew from the police academy stumbled upon a bomb terrorist by accident and while they failed to apprehend the terrorist, they did manage to disarm the bomb that was going to blow up a building. This terrorist has recently re-appeared in Tokyo, and the distinctive purple flames of the bombs used by this terrorist make it clear they are also involved with the death of the man who exploded right in front of the MPD. Meanwhile, the Homicide division and Kogorou are also asked to help secure the upcoming Halloween wedding of Muranaka, an old friend and co-worker of Inspector Megure, who had to retire early due to an injury, but has now finally found someone to tie the knot with. Muranaka has received threatening letters for his wedding, something sadly expected due to the many people he caught while he was with the police, but as the wedding approaches, they learn the bomb terrorist is apparently behind these threats on Muranaka and his soon-to-be wife, but why? The story comes to a climax on Halloween, as ghouls and ghosts come out to play, but some of them are carrying rather dangerous surprises in the 2022 theatrical release Detective Conan: The Bride of Halloween.

And once again, this new film managed to break the previous earnings record of this film series. Detective Conan may have been running for nearly thirty years, and even if we look at the annual animated films series alone, this is the 25th film already, but they still draw huge audiences! Can you think of a different mystery franchise that's been going so strong so consistently?

As an extension of the animated television series (itself an adaptation of the original comics by Aoyama Goushou), the theatrical releases have always been in flux, trying to find different ways to present themselves to bring the "Detective Conan" experience on the big screen. The tone and atmosphere of the films have changed greatly too in these 26 years, as they adapt to the tone and atmosphere of the original series, but also because different directors and screenplay writers try something else. The earlier movies felt relatively close to the original comic, with some added spectacle in the form of action scenes (explosions!). These films were followed by few movies that seemed to focus more on the action and in more recent years, you even had a few Detective Conan movies that seemed more inspired by political thrillers. Things come in waves however, with 2017's The Crimson Love Letter for example featuring the focus on the core mystery plot the earlier movies had, without sacrificing the bombastic action scenes we had grown accustomed to by then. Last year's The Scarlet Bullet also felt like a "modern" throwback to the style of earlier Conan films with a plot revolving around a moving vehicle, invoking earlier films like Magician of the Silver Sky (2004), Strategy Above the Depths (2005) and Lost Ship in the Sky (2010), but with a lot more stylish action and also the typical character focus we have seen in recent years.

2022's The Bride of Halloween is both a very interesting Detective Conan film, but also a very not interesting Detective Conan film. It does things I hadn't expected a Detective Conan film to do, but also didn't do a lot of things I expect, or at least hope to get from a Detective Conan film. To start with the negative: as a mystery film, The Bride of Halloween is pretty disappointing, and that's right after the also, but not as disappointing The Scarlet Bullet last year. The film kinda wants to make the identity of the bomb terrorist and their master plan a mystery, but it really isn't considering the cast of suspects is incredibly small, which reminds me of the very first film, 1997's The Time-Bombed Skyscraper, but that film at least had more "puzzle solving" segments sprinkled through the story, whereas you simply have less of that here. You do get minor mysteries like why the Russian man had Matsuda's business card and what he was doing at the MPD, or how this all connects to Muranaka's wedding, but ultimately doesn't really manage to impress because there's just too little body to the mystery. I like a certain repeated clue pointing to the identity of the terrorist, because it makes good use of the visual aspect of the film, but it also feels wasted because there wasn't really any mystery about it in the first place. So you won't be watching this film for the mystery, that's for sure.

 

So why would you watch The Bride of Halloween? Well, surprisingly, this may be the first Detective Conan film that feels so strongly connected to the main series. The previous few films already featured a bigger focus on characters besides Conan, giving them more time to shine here than they can in the original comics, but the Detective Conan films have always been something of a Schrödinger's cat when it comes to their connection to the storyline of the original comics. They never refer specifically to events that occured in the films, but often, the films will feature small segments that are absolutely canon to manga, for example having small character snippets where some background information is revealed that is considered canon to the manga, introducing new characters that are reverse-imported to the manga and Dimensional Sniper even making a big reveal before the big reveal occured! The Bride of Halloween goes further however, and feels much more tightly connected to the main storyline. The film for example starts off with very specific references to the Trembling Metropolitan Police Department storyline from volumes 36-37 that first introduced the (by that time already deceased) Matsuda Jinpei and the way the first half of The Bride of Halloween builds on that storyline, focusing on the police detectives Satou and Takagi who also starred in that previous story, makes this film feel like a kind of sequel or epilogue. The first half of the film also focuses a lot on the five characters who starred in the Detective Conan spin-off Wild Police Story, which is set quite some years before the events of the main storyline, and focuses on five young cadets in the police academy, Matsuda Jinpei being one of them. By the time the main storyline starts, they have all gone different ways, but this story brings the group together again in an extended flashback and in that sense, this film also serves as a sequel/epilogue to Wild Police Story, as we get one final look at them helping each other out again. And that is where The Bride of Halloween does manage to surprise and be captivating, as long-time fans of the series will find this film quite rewarding with its more open connections to the main series compared to previous films. I think the film is still understandable for newcomers, but it does juggle with a lot of established characters, so it's defnitely more enjoyable to longtime fans.

And wow, they dared to do that to a manga canon character in one of the films? Makes you wonder if they'll dare to do something similar in future films!

We have a new director for this film by the way and the somewhat denser pre-title card sequence can perhaps be seen as a sign of change, and the new and stylish, but still familiar opening where Conan narrates the premise of the series looks gorgeous. The above-mentioned closer ties to the main storyline may also be a sign of things to come, though I do have to say the action scenes in this film felt a bit lacking. I have grown used to the over-the-top action of the Detective Conan films of recent years, and while The Scarlet Bullet already felt more tame compared the films preceding it directly, I think The Bride of Halloween lacked... the type of dynamic action set pieces that build on the mystery element, putting Conan in a seemingly unwinnable situation, but him still turning things around with everything properly clewed. That's still here in a way, but the set pieces were just less... surprising/clever than we had seen in earlier movies. I looooved having that track back though!

Detective Conan: The Bride of Halloween will not be my favorite Detective Conan film, and as a mystery film, it's even quite disappointing, but it is still a film I can easily recommend to fans of the franchise, because of the way it meaningfully ties back to certain big storylines in the original comic, and in a way none of the films have ever done. Watch it as a kind of epilogue to both Wild Police Story and The Trembling Metropolitan Police Department and you have a film that is quite entertaining overall, even if leans a bit much on these connections to actually shine and isn't as interesting as a standalone film. The next one is already announced for of course a Golden Week release, and considering the few lines we hear in the teaser, it's clear who the focus character will be this time, and if that film will also build more strongly on specific storylines from the original manga, this might turn out to be very interesting!

Original Japanese title(s): 『名探偵コナン　ハロウィンの花嫁』

Who Ya Gonna Call?

We’re not jealous of you at Scotland Yard. No, sir, we are very proud of you, and if you come down to-morrow, there’s not a man, from the oldest inspector to the youngest constable, who wouldn’t be glad to shake you by the hand.

The Six Napoleons"

Detective Conan isn't just a big mystery series, it is probably the biggest mystery multimedia franchise that currently exists in the world, with many, many forms of media that are being constantly released, ranging from the original comics to the weekly television series, real escape rooms, spin-off series, theatrical films, mobile games and everything. And one thing that is important in a franchise like this, is timing. Ideally, you want the various Conan-related projects to have some kind of synergy. One obvious example is how every April, a new Detective Conan film is released in Japan, which is accompanied by various other projects and releases to coincide with it, and even the original manga releases are usually timed in a way so there's a new volume released in the same week as the new film premieres. In more recent years, author Aoyama Goushou has even made sure that the April release of the collected volumes of his long-running series tie in one way or another with the new film of that year, for example by writing stories that provide some minor background or supporting details to the story of the film, or by having stories that feature on key characters also featured in the film.

Volume 102 of Detective Conan, released in the middle of September 2022, is a volume that is really curious when it comes to timing. Looking at the stories collected in this volume as a whole, I would say volume 102 is not a particularly remarkable volume, as it only features short, three chapter stories that as standalone mystery stories are also quite simple and not really the type you'll remember 100 volumes later, but you can sense this volume should have either released much earlier this year, or a few weeks later. Why? Because all the stories in this volume focus heavily on secondary cast characters of the series who belong to the various branches of the police force. In fact, the promotion surrounding this volume even says this volume features no less than 19 policemen and women, some of them being around since volume 1 of this series, some introduced as recently as the previous volume. The Detective Conan film of 2022, The Bride of Halloween, was released this 2022 and also focuses on the many police detectives we see in series, both alive and dead, and many of them appear in this volume too or are connected to these stories one way or another, so volume 102 really should have been the companion volume to the April release. Oddly enough, the home video release of The Bride of Halloween is scheduled for the second week of November (....after Halloween), while it would have made much more sense to release the home video version just before Halloween, and then have volume 102 release in the same week as the home video. But volume 102, on the whole, falls a bit flat now reading it in October, as a lot of what could've worked, feel a bit underwhelming.

The volume opens with the final chapters of The Case Memos Left by Date, which started in the previous volume. A curious code found in the notes of Inspector Takagi's deceased mentor Date put the gang on the trail of a kidnapping case which actually was still on-going. The Detective Boys, Takagi, Sato and... Amuro all work together to resolve this case, as cafe Poirot seems involved too. A very unremarkable story, even with the bits and pieces we learn about Date, a character who was already dead when he was first introduced in this series. Code cracking stories are seldom the best you'll find in any random Conan volume, and the same holds here. Conan has to crack a few codes and other puzzling messages before they figure out the kidnapping case, but almost none of them are really solvable for the reader. And no, not because they utilize the Japanese language, but simply because a lot of these messages can only be solved if you happen to know about the completely fictional buildings in the city and "well-known" facts that were created solely for this story. So the codes only work in hindsight and even then they're hardly satisfying.

The Message in the Secret Base starts with Kogorou, Ran and Conan visiting Gunma Prefecture and being asked by Inspector Yamamura to help with a rather vexing case: somebody has been murdered in the parking lot of a hotel, but the man has died on the border of Gunma Prefecture and Nagano Prefecture, and curiously, the body was lying exactly on the line indicating the border between the two prefectures, and now Inspector Yamamura (of Gunma) is having an argument with Inspectors Yamato and Morofushi of Nagano about jurisdiction. The victim, a Youtuber who was staying at the hotel with three fellow Youtubers, was also found in a very curious pose, which seems to indicate a dying message. Yamamura also happens to learn that a childhood friend he lost contact with, is actually the younger brother of Inspector Morofushi, another of those new interconnecting facts in the Conan world whichmakes the world feel a bit too connected and small as everyone apparently met each other in the past one time or another, Anyway, the mystery focuses mostly on why the victim died in such a weird pose, and whether any of his three friends could be the murderer, despite most of them having either an alibi or being found not in the possession of anything that could serve as the murder weapon (a blackjack). The "dying message" is a variant on ideas we have seen earlier in this series, so as a concept it's not really original, and the only thing memorable about this specific iteration is just how outrageous the execution of the idea is. The whodunnit plot is also rather simple, with the blackjack idea probably still the best part of this story: the visual clewing is rather clever: just curious enough to attract your attention, but difficult to really figure out what it means until it's pointed out to you. Conan does this kind of clewing more often, but I think this is one of the better times it was done.

Murder at a Matchmaking Party has Inspector Yokomizo (the younger one) participate in a masked matchmaking event in Tokyo. At the party, he happens to run into Chihaya, a traffic officer from the same police department, who is definitely not looking for a potential husband, but only here planted as a beautiful woman to attract men to the party, and she's getting paid and free food for it too! During the party, Chihaya and another woman (only known as "No. 24") turn out to be the most popular of the female participatns, being the no. 1 pick of several men at the party and they are given special time so the two women can choose with whom they want to go on a date: both Chihaya and No. 24 have four potential dates (Yokomizo being one of 24's picks), and each of the men get 10 minutes of private talking time in a special room to convince the woman they are the best pick for a date.  The men leave the room through a different door than the people entering though, to avoid any problems between the various candidates. Yokomizo is the last of his group, but when he enters the room, he finds No. 24 has been shot, and the pistol is lying on the table. It appears one of the men who went before Yokomizo must've shot No. 24, but this doesn't mean the man before Yokomizo must've shot the woman, because the two men before him could also have been hidden beneath the table and forced the woman to act normally with the other candidates with the gun pointed at her. The direct clue pointing towards the murderer is pretty weak, and is rather similar to ideas we have seen very recently in this series, so not really satisfying. I love the other clue that indicates the murderer though: it's a technique used fairly often in Conan, but the execution is done pretty well, with small, seemingly insignificant events occuring in the background through the various chapters suddenly being connected to form one clear line. We get a few more hints at interconnectivity between the various police-related characters in this story, but nothing too big.

In Kyoto Sweets and Poison, we learn of plans to make a stage play based on Mouri Kogorou and Hattori Heiji, and the two visit the director of the play to discuss the script. Meanwhile, Kazuha and Ran are being driven around Kyoto to enjoy the local sweets, when Kazuha finally realizes that the Ooka Group is sponsoring the play, and that her rival-in-love Momiji is behind having Kazuha "removed" and indeed, Momiji appears at the script discussion. She brings with him Kuroda, the one-eyed managing officer of the First Division of the Tokyo MPD as a consultant for the police-related matters of the script, and Hattori, Mouri and Conan all go through the script together with the director, producer and playwright. While they're having a pizza lunch, the director takes a break and goes to sleep in the room upstairs, but when the group goes to wake up him upon the departure of Kuroda, the director does not reply at all to their loud cries, and while they don't find the door locked, it is blocked by something heavy leaning against the door. This reminds them of the recent suicide of an actress whose body was found by the director, playwright and producer in the exact same way, leaning against the door, so Hattori, Conan, Mouri and Kuroda rush to the other side of the house, climb the ladder up to the balcony of the room and see that the director is indeed lying against the door. They break the windows, but it's already too late for the director, who seems to have taken poison as his way out of life. At first sight, this seems a clear suicide committed in the same manner as the actress, but all the detectives at the scene (sans Mouri) suspect this was no suicide, but how did the murderer recreate this crime scene? As said, this volume only has very short stories, so despite Hattori, Kazuha and Momiji's appearences here this is a fairly simple mystery story. It's not a true locked room mystery, as the door could be opened partially, until they find the body lying against it preventing them from opening it further, but I think the "before" and "after" of the locked room mystery are also a lot more interesting than the actual dynamics of the murderer's main trick: the "preperation" for the murder itself is rather silly, but I like the idea itself which was used to get the victim where the murderer where they wanted him to be, and the aftermath of the murder, where the murderer has to "clean up" for the discovery of the death also features some interesting ideas. But on the whole a rather unassuming story.

Volume 102 ends with the first chapter of a story set at a family restaurant that of course also has a few police officers (and many other recurring characters too!) appear again, but we'll have to wait until the next volume, scheduled for Spring 2023 to learn more about that. Like I mentioned at the beginning, Detective Conan 102 on its own is nothing special: the stories, taken as mystery stories alone, are very simple, and often utilize ideas and concepts we have already seen in the series quite often. There are some neat ideas here and there that, as always, really sell Conan as a modern-day puzzle mystery (the masked matchmaking party is SO modern-day Japan as are the Youtubers), but I can already tell you I'll remember very little of the events of this volume. There are some seeds planted in regards to character relations, but it's hard to tell whether those tidbits are actually building towards something, or just neat little background details. So the next volume won't be released until 2023, but I will definitely review The Bride of Halloween when the home video releases in November and I've going through some anime originals again, so perhaps I'll find a few episodes that are interesting to write about.

Original Japanese title(s): 青山剛昌 『名探偵コナン』第102巻

It Runs in the Family

「論理の路はつながりました」

『春ゆきてレトロチカ』

 

"The path of logic is connected"

 "The Centennial Case: A Shijima Story"

Is there like a rule that when Square-Enix makes a mystery game, it needs to take place across time and needs to have game mechanics revolving around generating hypotheses?

One of the earliest games I discussed on this blog, and one that I still think fondly of, is Trick X Logic on the PSP. The manner in which it translates the reading experience of a puzzle plot whodunnit story to a video game is absolutely fantastic, and shows very well how a properly written mystery story should allow a reader to gather clues, build hypotheses and lead them to the one and only answer. Of course, this was not surprising, considering the stories found in Trick X Logic were written by authors like Ayatsuji Yukito, Arisugawa Alice, Maya Yutaka, Ooyama Seiichirou and more! (Disclosure: I have translated the works of some of these authors!) Each of the stories in this game was presented in a novel game style, so simply a prose story you read like any other book. As you read the story, you pick up key words and phrases. Once you're done with the "Problem" part of the story, the interactive element start: as the player, you now have to answer the question of whodunnit. How? By using all those key words and phrases from the story in question, and combining them to generate questions, insights and hypotheses. For example, if the story mentions both "X is left-handed" "X caught the ball with his right hand", you could combine these two phrases to generate questions and hypotheses like: "X is ambidextrous," "Is X actually right-handed?" "Is X not able to use his left hand?" These new phrases could also be used, for example, "Is X not able to use his left hand?" and "X fell earlier from his horse" might generate the theory "X hurt his left hand." Trick X Logic thus was a game that really showed how you are supposed to read a detective story, focus on key phrases and combining them to create all kinds of hypotheses, even if they might be wrong. And as you create more and more hypotheses and combine these with each other again, you eventually arrive at the truth. Trick X Logic is in my opinion still one of the few games that really shows how a prose puzzle plot detective story should be tackled and I have always lamented the fact it never got a sequel or never inspired other games in the same spirit.

When earlier this year Square-Enix announced they'd release the FMV (Full Motion Video) detective adventure game Haru Yukite, Retrotica ("As Spring Passes By,  Retrotica") in May 2022, I was absolutely thrilled, for it was made by the director of Trick X Logic and was clearly inspired by that game. Released in English with the less poetic title The Centennial Case: A Shijima Story and available on Switch/Steam/PS4/PS5, the game tells an epic story that takes place across a whole century, and is told through live-action drama (interestingly, the director of this game also worked on 428, which also used live-action heavily). The titular Shijima family is a clan with history, sordid history even as recently, a skeleton was found under a tree at Shijima manor. Shijima Eiji, a medical scientist, asks the mystery writer Kagami Haruka to look into the case of the skeleton found at his parental home: Eiji is a medical consultant for Haruka's mystery novels, and thinks she can find out more about the mysterious skeleton. Haruka and her editor Akari go to Shijima manor, where they are welcomed by Eiji's father and they are allowed to witness an ancient ceremony which is held once a century by the Shijima family. After the ceremony, they are to have tea, but Eiji's father is poisoned. Haruka soon learns the Shijima family not only has skeletons in their garden, but also in the closet: for the last century, members of the Shijima family have been involved in various murder cases, and each time these murders were connected to the "Tokijiku" or Fruit of Youth, a mythological fruit that is supposed to give eternal youth to those who eat the coveted food. Realizing that the poisoning in 2022 and the skeleton have to do with the past murder cases, which also all involved a scarlet camellia left at the various scenes, Haruka decides to read up on the old cases and see if she can solve those, as they are the only clues she has to solve the current poisoning case. And thus Haruka's investigation into a series of murder cases taking place across the twentieth and twenty-first century starts...

The Centennial Case: A Shijima Story is not a perfect game. It is not a perfect mystery game. But I really, really want to recommend this game to people who like puzzle plot mystery fiction, because it is basically the best next thing after Trick X Logic, and that game is hard to recommend because, well, it was only released in Japan and only on the PSP.  But while The Centennial Case: A Shijima Story has its hick-ups here and there, like its spiritual predecessor, it does really show well how a proper mystery story should lay its clues, how it should invite the reader (player) to use these clues to come up with properly built-up theories and how to combine theories to ultimately arrive at the truth. Few mystery games really show and teach you "reasoning techniques" that are also applicable to mystery in for example prose form, but The Centennial Case: A Shijima Story definitely does. Sorry for the self-promotion here, but if you liked mystery stories like The Moai Island Puzzle, Death Among the Undead, Death of the Living Dead and other puzzle-focused shin honkaku novels: this is a proper shin honkaku mystery game and you owe it to yourself to at least check it out. 

Once you're done with the game, you feel like you have watched a full season of a detective drama. The story starts in 2022 and many chapters ("episodes") are also set there, but Haruka also looks into prior cases involving members of the Shijima family, the Tokijiku and the Scarlet Camellia, some even taking place as early as in 1922!  In terms of terms of structure and gameplay, The Centennial Case: A Shijima Story is very similar to Trick X Logic as mentioned earlier. Each chapter/episode starts with a lengthy live-action drama part that unfolds like a proper mystery detective story, from the building up drama to the discovery of the crime and subsequent investigation. Once the first "Problem" part of the episode is over, Haruka starts theorizing about the case in the Reasoning part.  Here the player has to answer a few crucial questions by using the clues and observations made during the first part. You can also rewatch all the relevant scenes of the drama part, or check other important information like floorplans and character relation charts here. As you consider the case using the leading questions as a guide, you combine these questions with the gathered clue fragments to generate hypotheses (many of them actually incorrect). Once you have generated enough hypotheses and new insights, you can move on to the Solution part of the story, where you get the classic "Everyone is gathered in the parlor and the detective reveals who did it" scene: this too is presented as a live-action drama, but the player now has to use the various hypotheses they generated earlier to answer all the important questions and eventually point out who the murderer is. 

 

The process of "observation" -> "creating hypotheses" -> "combining hypotheses" -> "point out whodunnit" is really satisfying, and the game mechanic itself is an excellent translation of how one should tackle a prose detective story too. I do have to say that the controls for the Reasoning part are pretty bad, at least on a console (I played the game on Switch). You have to constantly drag clue fragments to the corresponding question, but not only is dragging these fragments across the screen very time-consuming with a controller, for some reason, you are required to move each clue fragment to a specific place (suppose a question requires three clues: you can't place clue A to the right side of the question because it has to be to the left side). And strangely enough, the touch screen of the Switch is not supported, even though that would make dragging a lot more convenient... 

Generating hypotheses is definitely one of my favorite parts of the game. The mechanic is very simple (the game is made to appeal to non-gamers) and of course, the hypotheses are automatically generated once you combine the correct clues together, but the game does a great job at showing the player how each hypothesis, correct and wrong, are properly based on the clues. Often mystery games just offer you a list of optional answers, one of them good and the rest wrong, but there is no true explanation how each of those options actually came to be. In The Centennial Case: A Shijima Story, you are shown how every hypothesis (= possible answer in the Solution part) is built, from which hints they derive and how they all make sense (up to a degree). Sometimes, you have a fairly good idea of the case already when you start in the Reasoning part, but occasionally the game really manages to throw a screwball at you because when you combine clue A and B, you not only get hypothesis D you were expecting, but the same clues A and B also generate hypotheses E and F, which on second thought actually seem pretty convincing too (because you are shown that they derive logically from clues A & B). Of course, sometimes the hypothesis you create is obviously fake, in a funny way, but that's okay too: the game always shows that a theory in mystery fiction is based on actual clues shown in the story, and not just a gut feeling of "that person looks suspicious".

As for the cases themselves, most of them are not really complex, but I found most of them quite enjoyable. This is partially because of the grand scale of the story: Haruka is not only dealing with what happens at Shijima manor in 2022, but she also reads a few records of the cases that occured in the past. These parts are of course also presented as live-action drama, and it results in quite some variety on screen: one episode you are investigating a case that occurs in the modern world, the next episode you are transported to a suspicious underground auction in 1922. The period drama parts definitely manage to convey the atmosphere of those periods despite each episode not being very long (most chapters are about an hour long in total). What is also funny is how these period drama parts actually use the same actors as in the 2022 parts: the in-game explanation is that Haruka has to visually imagine the past cases while she reads the old records, and in her mind, she "casts" every character with the faces of people she knows, meaning that her editor Akari can be "cast" as one character in 1922, and "cast" as another in another case. It kinda reminds of the Nero Wolfe television show, which also reused a fixed cast who'd play different characters in different stories. I think these historical episodes are also the most memorable, as the plots of those episodes often make good use of their historical setting, utilizing props and ideas that belong to those periods. 

 

Oh, by the way, for some reason this game doesn't actually automatically move on to the final chapter on its own after playing the preceding chapter. There are no unlock criteria or anything, save for completing the previous episode but you have to especially choose to start with the final chapter in the main menu, even though the game doesn't actually tell you it added the new option for the final chapter, so it's quite possible you think you finished the game, but haven't actually started the final chapter. It's so weird, for it really should have just moved on to the final chapter on its own after finishing the previous one, but it doesn't... The final chapter answers a lot of important lingering questions too, and really helps make this a memorable mystery game by the way, so be sure not to miss it, because without it the story of The Centennial Case: A Shijima Story is incomplete. 

And some minor trivia: voice actor Kaji Yuuki has a minor role in this game, but also the shogi player Kagawa Manao. The latter is interesting, because she also has a role in the shogi-themed mystery adventure game Senri no Keifu as herself. Is she actually a big mystery fan and that's why she has all these guest roles in mystery games???

The Centennial Case: A Shijima Story has plenty of minor faults, from its short run-time, the somewhat clumsy controls to the game being mostly a fairly passive experience. But it does present a very interesting and attractive mystery story dealing with a mysterious family, a mythological fruit and a series of murders that take place across time, and more importantly: it translates the experience of "solving a mystery story" perfectly. Like Trick X Logic before it, The Centennial Case: A Shijima Story shows how a proper detective story should be structured and how it should lay out a trail of clues for the reader to follow, and how readers are supposed to build theories based on these clues. The game mechanics of The Centennial Case: A Shijima Story are exactly how I read mystery fiction, and for example how I tackled my earlier playthroughs of Umineko: When They Cry and Higurashi: When They Cry. That is why I think that fans of puzzle plot mystery fiction really owe it to themselves to play The Centennial Case: A Shijima Story sooner or later. I think that at least for me, this will be one game that'll end up in my list of favorite mysteries at the end of this year.

Original Japanese title(s): 『春ゆきてレトロチカ』