The Haunted Monastery

"Our readers are children! Millions of bloodthirsty little kids, and we give them what they want!"
"Ellery Queen: The Adventure of the Comic Book Crusader"

This might the first time since I started doing reviews of both the Detective Conan manga and films that I managed to get the film review out before the corresponding manga volume...

Detective Conan volume 105 was released in April 2024, timed together with the release of the 2024 film Detective Conan: The Million-Dollar Pentagram and it also serves as the very first volume released as part of this anniversary year, as the manga of Detective Conan started its serialization 30 years ago, back in 1994. While the stories included in the volume themselves don't have any special "anniversary" themes, the physical volume itself does come in two variations: a normal one and a special edition one, which features an alternate cover that mirrors the cover of volume 1, as well as extra booklet with character sketches from when the series was still in the planning phase. Small note for collectors: the detective character introduced in the encyclopedia at the end of the volume is actually different in the special edition from the normal edition. Anyway, the contents of volume 105 itself are your standard fare for the series, so no big anniversary story. The volume opens with the remainder of Why He Became Her Butler, which started in the previous volume. Conan and Ran are travelling with Hattori and Kazuha in the express train, and it happens Hattori's self-proclaimed fiance Momiji is there too, accompanied by her butler Iori. During the trip, Iori is approached by a man, who forces the butler to cooperate, or else Momiji will be hurt. Via his phone, Iori is told to go to a certain seat in the train, where he finds a dead man, and he is ordered to find a USB memory stick this dead man has hidden somewhere. While Iori tries to deduce where the stick is, he also tries to remember where he knows the voice of the man threatening them from, which brings up memories of his time when he was a police officer with Public Security. Meanwhile, Conan and Hattori also notice Iori's acting strange...

A very, very mediocre story. The "where could the USB memory stick be hidden" mystery is just a device to tell the flashback story of Iori and Momiji meeting for the first time, fleshing out the perfect butler's background, but as a mystery, it's incredibly minimalistic and most of it is resolved before the reader gets any chance to even think about it. So a very character-focused story, which might entertain people who have become fans of Momiji and Iori ever since they were introduced around 2016, but not if you're just hoping to read a cool mystery once every five months...

So when I write my reviews of the Conan manga, I get the story titles from the official Shonen Sunday website for the series: the titles of the stories often will be used as the titles for the episodes when they are later adapted for the television anime, but sometimes they are changed, with the manga story titles retroactively changed to the anime story titles. Usually, this site is updated when the new volume releases, but for some reason, the site has not added volume 105 yet, meaning I don't really know the "official" titles for the following two stories.

Anyway, the second story is clearly one meant to tie in with the 2024 film The Million-Dollar Pentagram and set before the film, as Hattori is still planning to confess his love to Kazuha at a spot with a great scenery, and Ran, having learned Hattori's plans, has found the perfect spot: Mt. Washio, which offers a great sunset view. So Ran, her father, Conan, Hattori and Kazua go mountain hiking, but a sudden rain forces them to find shelter at a Buddhist temple on the mountain. Luckily for Hattori, Ran learns there's a great view from the temple too, so they stay here until the rain stops. During their stay, they learn about a monk who disappears some time ago, and that there are rumors of will-o'-wisp sightings here. The gang takes a look at the room where the monk had disappeared from, which is accessed via a small staircase. Later however, the gang witnesses the will-o'-wisp themselves as the fire moves up the staircase, and it is then they realize Mouri himself has also disappeared. What is happening at this temple? Not much interesting here, I'm afraid. What appears to be a potential interesting locked room mystery, provides you with the most unsatisfying solution ever, and while there are other mysterious events at the temple which are connected in the end, the events unfolding at the temple just don't really interest me, while at the same time, you know the Hattori plotline is going to be carried over to The Million-Dollar Pentagram, so none of this story feels even remotely engaging.

The final complete story in this volume features phantom thief KID, who is also a major character in The Million-Dollar Pentagram, so no surprises about him being featured here. Suzuki Jiroukichi has once again set-up another trap using a big jewel as bait to catch the thief. This time, he has rigged a special small exhibition room on the Bell Tree Tower, like a small box attached to the side of the tower. Because of its size and it being suspended mid-air, it's seen as the perfect trap, especially as the only entrance to the room (from the tower) has security cameras aimed at it, as well as other security measures, with the idea that if KID does manage to get inside the room, it'll lock from the outside, making escape impossible. A special team specializing in security has been hired to set-up this system, and they finish up just before KID's announced time of the theft. Conan is of course here to stop KID, and when the time arrives, things start to happen that prompt Conan to run to the security room to confront the thief. When he gets inside the room however, he finds not only KID, but the dead head of security too. Has KID finally stooped to murder? Well, of course not, and Conan too believes the thief didn't kill the man, but the situation doesn't look good for KID, as he was the only other person in the room besides the corpse and cameras had been aimed at the exhibition room entrance all the time, meaning the corpse appeared out of nowhere, and KID is known to be able to conjure up things out of nowhere.... To win some time, KID decides to "disguise" himself as high school student detective Kudou Shinichi (it's not really a disguise, as the two look remarkably similar), pretending to be here at the scene to catch KID too. Together with Conan, he tries to figure out who committed the murder and tried to pin the crime on him, but the duo run into a little, big problem: KID's rival, Hakuba Saguru, has returned from the United Kingdom, and this detective soon starts to have suspicions about "Shinichi's" actions at the scene...

By far the best story of the volume, as it's both funny and has a more robust mystery compared to the previous two stories, though because of the very, very specialized set-up of the room, and the manner in which Conan and KID discovered the body, I have a feeling many will find it easy to at least make a general guess about how the murder was committed, even though cameras had been aimed at the door entrance and they didn't register a thing besides the time KID forced entry into the room. Conan reluctantly doing his investigation while "tolerating" KID as Shinichi is funny, and the mystery does get a bit fleshed out due to the inverted mystery-element of the story: KID and Conan are being detectives as they try to solve the murder, but they are also "the culprits", trying to hide the fact KID has disguised himself as Shinichi, with Hakuba Saguru acting as the detective in that storyline. So you have a two-pronged mystery plot that gives this story some depth. There are some story seeds sown here that get reaped in the film too, so as also shown with the Hattori story, you'd better read this volume before you watch the film.

Oh, by the way, I did read this volume too before I went to the theatre, I just postponed writing this review for some time... They had some neat promotional material in the bookshop by the way: they had a newspaper about the exploits of the phantom thief KID (setting up the story of the film), as well as the newspaper featuring Shinichi on the frontpage seen in the very first chapter of the manga, and always shown in the opening scenes of the animated films each year.

Detective Conan 105 is not a really interesting volume mystery-wise, to be honest, and that's continuing a trend that's been going on for some time now, so I do find it harder to become really enthusiastic now for each new release. It wouldn't be so bad if we had the older release schedule of a new volume every three months, but nowadays it's basically one volume every half year... The volume does have ties with the film, so you'd better read 105 before watching the film, as you'll see more clearly how author Aoyama does try to "hype things up" for the film in the manga itself too. Anyway, we'll have to wait months again for the next volume unfortunately, but considering this is the 30th anniversary year, I do hope the next volume features a more substantional mystery tale, one that doesn't need to tie in with ongoing storylines or feels the need to flesh out characters. Just a six chapter story solely dedicated to telling a large mystery story. Please?

Original Japanese title(s): 青山剛昌『名探偵コナン』105巻

Death Takes a Dive

 (KICK) ルール破りの(JUMP) 悪の超人

さあお遊びはココまでだ！

(ATTACK)ラスト５秒の(FIRE)逆転ファイター

俺は炎のキン肉マン

炎のキン肉マン（串田アキラ）

 

(KICK) Those cheating (JUMP) Evil supermen

No more playing games now!

(ATTACK) I'm the fighter who turns things around (FIRE) In the last five seconds

 I am the blazing Kinnikuman

"The Blazing Kinnikuman" (Kushida Akira)

 

 I'm always interested if a non-mystery series tries to do a mystery story, even if often, the result is not likely to be a particularly original story. But it's always fun to see how an existing fictional world is used to tell a puzzle plot mystery story, especially if the original work is far removed from the mystery genre in the first place, allowing for surprising mix-ups.

So I was both surprised and interested when earlier this year, it was announced there'd be an original mystery novel set in the world of Kinnikuman! Kinnikuman (Or also known as Muscle Man) is an extremely long-running comedy action series by the duo Yudetamago, about an alien prince Kinnikuman who wants to become a superhero, and eventually becomes an intergalactic wrestler, fighting with and against other crazy super-powered wrestlers both good and evil. I don't know the series very well, but it's very well-known in Japan, and at a time, its popularity was also seen in schools with the collectible Kinnikuman Erasers (Kinkeshi), small erasers in the shapes of the many, many, maaaany wrestlers from the series. At any rate, it wasn't a series I'd immediately associate with the mystery genre, but that was what made the announcement so interesting, so I eventually picked up the book Kinnikuman Yojigen Sappou Satsujin Jiken ("Kinnikuman: The Four-Dimensional Murder Art Murder Case", 2023), written by Oginuma X and supervised by original creators Yudetamago. The book starts with the arrival of Meat on the planet Earth: Meat is the best friend of Kinnikuman and his chief vassal, but Kinnikuman, who is now king of the planet Kinniku, has gone missing. Meat suspects his loafing king has returned to Earth yearning for the old days and he first swings by Kinnikuman's old Earth home, where he stumbles into Kinkotsuman. a rival wrestler who also heard rumors Kinnikuman had returned and came here to pick a fight. Meat and Kinkotsuman decide to work together to find the missing Kinnikuman and start looking in other places where he could be, mostly locations where other super-powered wrestlers are likely to be, but each time they run into a mysterious murder. Meat is certainly not among the strongest wrestlers, but he has a brilliant mind, and he is determined to solve each crime if it brings him closer to finding his king.

My first reaction: huh, this is a licensed book in the Kinnikuman franchise, and Kinnikuman isn't even the focal character of the book? I mean, the book is about his disappearance, so the title character barely appears in it!

As mentioned, I am not very familiar with Kinnikuman, but I do know the wrestlers in this series are really, over-the-top super-powered beings, with abilities like flight, teleportation and superhuman strength, so I was instantly interested to see how those kind of powers would be used in a puzzle plot mystery. That said, I was also worried my little knowledge of the series might be an obstacle in terms of being able to enjoy the book, as it is obviously mainly aimed at fans of Kinnikuman, and not general mystery fans. So how does it fare?

Well... let me start right away with the message I can't really recommend this book to just general fans of mystery fiction with no interest in Kinnikuman whatsoever. It drops too much on the reader with minimal context, and while I could still understand it, there was a lot I knew would be more interesting if I knew about these characters and their powers better. It doesn't help that this book mainly has Meat as the protagonist (and not title character Kinnikuman) and it is clearly more a 'for the fans' book. The book has an prologue, and epilogue and four stories for Meat to solve, but each story introduces "new" characters for the reader, which the fan is likely to recognize immediately from the main series, but each story does only the bare minimum to introduce each character, so everything feels very rushed, and characters start to blend together really quickly because some of them have barely five lines before Meat starts explaining whodunit.

In the four chapters, Meat and Kinkotsuman encounter different murders and a theft during their search for Kinnikuman, prompting Meat to solve them quickly because he is in a hurry to find the king. The murders themselves are fairly mundane, but things quickly become crazy when you learn what kind of powers each of the involved wrestlers have, from opening interdimensional wormholes to being able to basically stop time. But this isn't only true of the suspects, but also of the victims, who often have outrageous powers too. So in the end, we do have "normal" mysteries in the sense that the victims and murderers were "equal" in power, only due to the fact everyone has a different range of powers, it can be difficult to figure how each crime was committed. And here we have the main problem of the book that is connected to what I said above: you see, the book has pretty interesting murder set-ups that make good use of the various powers established characters have, using them in original ways to come up with impossible crimes, but because the book is so short and has to rush through every story, each story simply has not time to properly set the stage and tell a story. I have a feeling each story needed to be at least twice as long to properly introduce each suspect, explain their specific powers and play about with pointing fingers at the suspects and thus have a more satisfying tale of detection. As the stories are told now, they may be sufficient for someone who knows who say Buffaloman is and what his personality and power range is, but here it feels a non-fan reader is always two steps behind. So sometimes, things feel unfair, even though they really shouldn't feel as such as they could've been explained and set-up more properly if each story had been longer, instead of presenting new information in the conclusion of each case to the reader. 

In the story The Key of 10 Million for example, Meat has to protect a jewel from being stolen by the phantom thief wrestler Lupine, only for the thief to succeed, but solving this case requires some information that probably makes perfect sense for a Kinnikuman fan, but not for me, and it is only explained in the conclusion. Other stories like the title story The Four-Dimensional Murder Art Murder Case and The Revived Victim have good ideas here and there that make good use of the powers of these super-powered wrestlers, but they are explained so poorly they barely feel fair. The final story, The Junikukan Hotel Murder Case, has actually a brilliant, and absolutely horrifying trick, but it really needed at least double the amount of pages to really set-up the whole ordeal and play around with the suspects. The whole book has moments like these, that show the writer does know how to write a mystery story with these characters in the world, but for some reason, they didn't enough necessary meat to the core plot.

So as mentioned in the beginning, Kinnikuman Yojigen Sappou Satsujin Jiken is mostly interesting for existing fans of Kinnikuman, who want to see their familiar characters used in what is essentially an original and adequately written mystery short story collection. For those with basically zero knowledge of the series however, it's written far too hastily, making it feel more unfair than it actually needs to be, as a lot of the problems I have with the book are not with the plots themselves, but more with it being too brief on a lot of relevant topics. The book might be interesting to read if you're fan of shounen battle manga, and want to see how for example a series like Saint Seiya might also work as a mystery story, but otherwise, I think you can safely skip this one.

Original Japanese title(s):おぎぬまX（原）、ゆでたまご（監修）『キン肉マン 四次元殺法殺人事件』

Judge Not

 子どものころに わかりかけてたことが 

大人になってわからないまま

「胸がドキドキ」(The High Lows)

 

The things I started to understand as a kid

I still don't understand as an adult

"The Pounding of my Heart" (The High Lows)

So for some reason I thought that volume 100 of Detective Conan was released very early this year, but looking back now, it turns out it was released back in October, even before the home video release of The Scarlet Bullet. Huh. I guess I'm finally getting used to the slower release schedule Conan has had these last few years, because even though nowadays the wait between volumes has doubled compared to the old schedule (about three months) the wait doesn't feel as drastic anymore compared to when they switched to the slower release pace...

Volume 100 of Detective Conan was overall a great volume, with an absolutele banger for a main story featured in the middle, a tense thriller that seemed to merge the bombastic action of the films of Conan with the more sober mode of the manga perfectly, resulting in a spectacular suspense tale that still felt firmly set within the manga universe. And I have read enough Detective Conan to know that after such a high point in terms of story, author Aoyama Goushou tends to slow down a bit again in the following stories, usually following up with smaller stories as he has to restart the game board again, laying down his pieces once more for the build-up for the next big moment. So to be honest: my expectations for volume 101 of Detective Conan, released last week, were not very high because I had seen the pattern more than once. Even the promise of a confrontation between fan favorite mystery character Amuro Tooru and the elusive Phantom Thief KID on the obi of the book wasn't really exciting me. To spoil the conclusion already: I was right, this was a very okay volume that doesn't really stand out particularly, even if you can tell Aoyama is again moving his playing pieces around for a future event. 

The opening story Search for the 13-year old Voice has Conan and the rest of the Detective Boys going to school on a Sunday to tend to the rabbits in the garden, when suddenly a man approaches Haibara and addresses her by the name... Miyano Shiho. Terrified that her cover has been blown, Haibara turns around to learn that the man is actually an alumnus of Teitan Elementary and that his old class, Year 19, is here for a class reunion. Haibara learns that her older sister Akemi used to go to school at Teitan Elementary for a while, and that she had shown her classmates photographs of her and Shiho back then, which is why the man seemed to recognize Shiho in Haibara, but of course, they realize that Akemi's sister Shiho must also have become an adult herself now too, so they assume it's just a coincidence that Haibara resembles Shiho so much. Three of Akemi's old classmates are now looking for their class time capsule: Akemi was the one who hid the time capsule, but she hasn't appeared at the reunion (her classmates don't know she died) and the only clue she's left is a code. Conan instantly realizes the three classmates seem rather worried upon seeing the code, and also learns that Akemi left a message for her sister in the time capsule, so he volunteers to help solve the code and find the time capsule.

Another code cracking story, which seldom make me really excited. Even connecting this story to Haibara's sister doesn't really change things much: the reveal that Akemi went to Teitan Elementary of all places when she was little is of course a biiiiiiit forced and story-beat-wise, this story also reminds too much of previous "Akemi left some message for her sister at some place" stories we have seen two (?) times before in this series. The reason why the three classmates seem shocked by the code is rather easy to guess, though I guess the misdirection ("false solution") of the code, and the true solution are quite solid, both like natural conclusions to the code and not really forced. But ultimately this is just a really compact, small scale story that is not memorable at all despite the minor "bigger" connections.

And the same holds for Meeting With the Goddess of Wind. Agasa is mistaken for the president of a security company, of which a vault was recently stolen which can only be opened by the president. The two criminals kidnap Agasa, severely wounding him in the process and the plan is just to keep the president alive long enough to open the safe, and then get rid of him. Conan chases after Agasa with the help of the police, but they manage to disappear and sneak by police barricades. But how? Another story that mystery-wise is again very minor. The trick of how the abductors managed to slip by the police checks even though their car model had already been identified is, at the core, an okay idea, but this story is basically just that idea when it comes down to the mystery, even though that idea isn't really enough to support a whole three chapter story. Usually, author Aoyama does a great job stringing multiple of these minor ideas into something bigger, but this story also doubles as an introduction of a new character, Chihaya, a traffic police officer who is the sister of the late Hagiwara Kenji, a character who's already dead at the start of Detective Conan, but who's appeared in flashbacks, and these two years Hagiwara also appeared prominently in the Conan spin-off Wild Police Story as well as the 2022 Detective Conan film The Bridge of Halloween which is currently running in theatres. Due to the focus on Chihaya though, Meeting With the Goddess of Wind's mystery side of the story ends up rather underwhelming.

The final full story in this volume is KID VS Amuro Tooru, which has the phantom thief targeting the Robanov (not Romanov) tiara The Queen's Bang, which is currently featured in a local exhibition. At the museum, Ran, Sonoko and Conan also run into Amuro and Azusa, who have a day off from cafe Poirot because of renovations. Sonoko's great uncle Jiroukichi and Inspector Nakamura are of course ready for KID's attack, but Public Security is also present at the venue, because in a few days, Selisabeth, Queen of Ingram, will be visiting Japan in three days, and one of the stops in her schedule is this exhibition. Public Security fears the Queen may change her plans if the tiara is stolen, which would upset security plans, so they want to be sure the Queen's Bang will be safe. Meanwhile, Conan is allowed to stay as the notorious "KID Killer", as is Amuro, the number one disciple of the Sleeping Kogorou (self-proclaimed). The tiara is held inside a stand with a cover and if anyone touches the stand while the security system is on, the whole ceiling comes falling down to crush the thief. At the announced time, a white mist suddenly appears in the room where the tiara is kept, which turns out to be white pain in mist form. Even though their sights is obstructed for a moment, everyone is sure nobody could've approached the stand with the tiara. Conan himself checks the stand, but when he opens it, he finds it completely empty! How could KID have made his way in the mist to steal the tiara?

We have seen this type of KID story more than once, so this tale never manages to truly surprise the reader. It's a well-constructed impossible heist story, but there's honestly really little to differentiate it at a plotting level from KID VS Kyougoku Makoto, Sera Masami or Koumei. Like always, we know KID has disguised himself as one of three members in the cast, adding a whodunnit element to the story, and we also have to figure out how KID managed to steal the tiara. While the core idea behind how KID managed to spirit the tiara away is really, really simple, I like how Aoyama plotted the clewing for this hesist, and also how he hid the simple solution from the reader with misdirection. The idea is so easy to figure out if it had been used "as is", but Aoyama knows just how much misdirection to use to fool the reader, without overdoing and leaving enough clues. There's also misdirection concerning which of the three suspects is actually KID, and while I don't think it's really hard to guess which of them is actually KID, the misdirection (the main red herring) is pretty clever and the type of clues I have come to love of Conan. So I dont think this is an exceptional KID story, but certainly not a bad one and easily the best story of the volume. The volume ends with the first two chapters of  The Case Memos Left by Date, which is about an old case Takagi's mentor Date worked on the week before he died, but which apparently was still on-going one year later. Not really an exciting story up until now, but perhaps the last chapter(s?) can turn things around.

Like I mentioned at the start of the post: even before reading this volume, I knew I didn't need to have high expectations of volume 101 of Detective Conan, because the previous volume had been a clear high point in the series, which is basically always followed by a few slower stories. In that sense, this volume didn't "disappoint" me, because I knew what was coming and even the fact there's not a single murder in this volume doesn't surprise me. The three stories (and partial fourth story) would have been okay additions in any "regular" volume, but having three of these one after another does feel a bit too slow for me personally, so I hope we'll be out of the "expected story dip" by the next volume, which is scheduled for a ... winter release. Sigh. I guess it will release after the home video release of Detective Conan: The Bride of Halloween... I guess I should watch a few anime originals again soon...

Original Japanese title(s): 青山剛昌 『名探偵コナン』第101巻

The Adventure of the Lion's Mane

「握った拳の中にまるで何があるように思わせるのがマジシャンで、

その拳を開く前に中身を言い当てるのが探偵だろ？」

『名探偵コナン　紺青の拳（フィスト）』

"A magician can make you believe he's holding something in his fist, but it's a detective who can guess what's inside the fist before it's even opened."

"Detective Conan: The Fist of Blue Sapphire"

Many reviews of mystery fiction in a visual format lately!

Detective Conan manga & movies:
Part 1: Volumes 1 ~ 10
Part 2: Volumes 11~20; The Timebombed Skyscraper (1) / The Fourteenth Target (2)
Part 3: Volumes 21~30; The Last Wizard of the Century (3) / Captured in Her Eyes (4)
Part 4: Volumes 31~40; Countdown to Heaven (5) / The Phantom of Baker Street (6)
Part 5: Volumes 41~50; Crossroad in the Ancient Capital (7) / Magician of the Silver Sky (8) / Strategy Above the Depths (9)
Part 6:  Volumes 51~60; Private Eyes' Requiem (10) / Jolly Roger in the Deep Azure (11)
Part 7: Volumes 61~70; Full Score of Fear (12) / The Raven Chaser (13) / Lost Ship in the Sky (14)
Part 8: Volumes 71~80; Quarter of Silence (15) / The Eleventh Striker (16) / Private Eye in the Distant Sea (17)
(You will find the links to the reviews of volumes 70, 72~76, 78, 82~96 and the films Quarter of Silence (15), The Eleventh Striker (16), Private Eye in the Distant Sea (17), Dimensional Sniper (18), Sunflowers of Inferno (19), The Darkest Nightmare (20), The Crimson Love Letter (21) and Zero the Enforcer (22) in the library)

The Fist of Blue Sapphire is an enormous jewel that once was the symbol of the King of Pirates, but the fist-sized treasure had been sleeping in a wreck on the bottom of the ocean for centuries until it was finally located and salvaged by the Singaporean entepreneur Zhonhan Chen. Because Chen's a lover of martial arts, he has decided to organize a karate tournament, and the winner awaits a champion's belt with the coveted Fist of Blue Sapphire imbedded inside. One of the participants in the tournament is Kyougoku Makoto, the unrivaled high school student martial arts prodigy who also happens to be the boyfriend of Sonoko. Sonoko has invited Ran, her father Sleeping Detective Mouri Kogorou and Shinichi to come to Singapore to see the tournament. As Shinichi's body got shrunken and is now living under the assumed name of Conan (who has no passport), Conan can't travel abroad. At least, not legally. The phantom thief KID decides to tag along with Sonoko's party disguised as Shinichi, and he even kidnaps Conan to come along to Singapore. The gentleman thief's goal is of course to steal the Fist of Blue Sapphire, but he also needs Conan's help here in the Lion City because he's been framed in a murder case in Singapore. At the center of all events is the enigmatic Leon Lowe, an expert on criminal psychology who is known as the Great Detective of Singapore. Leon's is not only responsible for the security surrounding the Fist of the Blue Sapphire, but he seems to have a personal link with the murder victim. Conan needs KID's help to be able to return to Japan, so Conan pretends to be a local kid called Arthur Hirai (ha!) and takes up the job of investigating the murder KID's accused of, as well as the protection of the Fist of Blue Sapphire in the 2019 theatrical release Detective Conan: The Fist of Blue Sapphire.

The twenty-third theatrical film of Detective Conan was released in April 2019 (the home video release came out last week) and marked the seventh year in row in which it broke franchise revenue records. To put in context: the twenty-first movie The Crimson Love Letter was the highest grossing domestic (Japanese) film of the entire year. So this parallel movie franchise based on the original comics by Aoyama Goushou has been doing really well the last few years, pulling a lot of visitors. In fact, The Fist of Blue Sapphire even managed to steal back the number one ranking in Japan from Avengers: Endgame in the latter's fourth week, making Japan the only place where Endgame wasn't the top-rated movie in the world that period, because that little detective outplayed all those superheroes.

Something old, something new, something borrowed, something blue. The blue MacGuffin in this story is of course the fist-sized Blue Sapphire, but to start with the old in this movie: The Fist of Blue Sapphire sees Ookura Takahiro return as the writer of this movie's story. The author of the Columbo-inspired Lt. Fukuie novels came up with the very impressive The Crimson Love Letter (arguably the best Conan movie in a decade), so I was really looking forward to the film, though the trailer seemed to suggest this one was more action-oriented (more on that later). And there's also a lot of new stuff to digest in this twenty-third feature. This is the first time Kyougoku Makoto got a prominent role in the movie franchise and this is the very first Detective Conan movie that is not set in Japan, but abroad (Singapore). We also have a new director, after last year's Tachikawa Yuzuru. Nagaoka Tomoka is the first female head director of the Detective Conan film franchise, though she's been a part of the franchise for a long time as senior artist and director. Tachikawa definitely had a very unique take on the franchise, so I was also interested to see how Nagaoka would present her Conan.

I have to start with saying that as a mystery film, The Fist of the Blue Sapphire is nowhere near the heights of The Crimson Love Letter. Whereas the latter presented a great mystery that cleverly mixed the romance-comedy, sports and mystery elements of the story in one delightful flick, The Fist of the Blue Sapphire is less synergetic. Most of the film it's actually not even clear to KID and Conan (Arthur Hirai) what's happening around them. Why was KID framed for the murder? Why was the victim murdered anyway? Why is Leon Lowe trying to rig the karate tournament? Who is trying to frame KID even further? These questions drive the first half of the story, but with no clear answers found, the viewer is just along with the ride as new developments follow after another, without clear connecting tissue. Mind you, the first half is actually quite enjoyable as an action-comedy with romantic elements. The way KID blackmails Conan/Arthur into helping him in Singapore, Ran getting all lovey-dovey with Shinichi not knowing he's actually KID, KID's antics as he plans to steal the Fist of Blue Sapphire and even a deeper look at the relationship between Sonoko and her stoic boyfriend Makoto: it's genuinely fun to watch for the Detective Conan fans and if anything, Nagaoka has a penchant for a good presentation of the story to tell.

But the core mystery plot is not quite at the same level as the presentation. It's for example kinda hard to believe that the first murder (yes, there are multiple) could've been committed like that without anyone noticing (and the clewing wasn't really done well either) and there are more scenes that seem more like they were just thought off because they looked cool on screen, and given a rather lame 'explanation' later. The gruesome image of the Merlion Fountain spewing blood (red water) in the prologue for example was awesome: the explanation for that utterly ridiculous. The motive for the major culprit is also rather difficult to believe, which is really a shame as both The Crimson Love Letter and Zero the Enforcer did really good things with a well-themed murderer. Here you're left wondering what the hell the culprit really wanted to accomplish and whether this was really the smartest way to do that. What doesn't help either is that the film tries to juggle a lot of balls at the same time. The slogan for this movie was Trinity Battle Mystery, but in practice, it means the film wants to show you KID and his impossible heist attempts, Conan uncovering a grand conspiracy plot, Kyougoku's action and his relation with Sonoko and more, but often, the connection between these various plotlines feels quite flimsy.

Is The Fist of Blue Sapphire a complete dud then, like Sunflowers of Inferno? No, that it really isn't. Like I said, the first half of the movie does a really good job at capturing the romantic comedy elements of Detective Conan, which has been one of the main pillars of the series since it runs in Shonen Sunday. The banter between the characters while they interact with a murder mystery really feels like you're used to from the original comics, especially from the larger stories of the last few years like The Scarlet School Trip storyline. The way this film picks up the rivalry between master thief KID and Kyougoku Makoto, who was once hired as the "best security system on Earth" (volume 82), works surprisingly well too. KID as a person framed for a crime he didn't commit is also a lot easier to swallow than the "has KID gone rogue?"  angle of Sunflowers of Inferno, which really didn't work there because it was unbelievable as a driving force for a story. Having KID kidnap Conan to have him solve that mystery, while he himself tries to steal a jewel? Yep, that's what fans want to see. Leon Lowe as the Singaporean Great Detective was pretty interesting, especially as he's quite different from other "Great Detective" characters in this series, focusing more on profiling and psychological manipulation. As per custom, the movie becomes more action-oriented as the ending nears, with this year's climax being really grand. Talking about something borrowed, I'd say that this year's movie seems to borrow from the old James Bond movies with its climax, and it was pretty interesting to see, as I really doubt we'll see anything similar any time soon in this film series.

There are some really nice scenes in the film that really work well as scenes on their own with good composition or cute shots of the characters, and the scene where Conan/Arthur and KID go over the facts of the murders is absolutely phenomenal to see in a mystery movie. But like I said, the film sometimes has trouble presenting itself as a consistent whole, with some scenes not being necessary plotwise. Zero the Enforcer was in many ways not really a Detective Conan movie, but a deep police procedural that happened in the Conan universe, but it was really good at presenting a mystery plot with a consistent theme which it explored throughout its scenes. The Fist of Blue Sapphire is a film I enjoyed as a piece of entertainment, with funny and exciting scenes that look great, but which as a mystery or crime film feels lacking due to poor clewing (though the short theft scenes are good!) and poor character motivation.

When the credits rolled, I asked myself the question: did I like Detective Conan: The Fist of Blue Sapphire? Ultimately, I think my answer is yes. As a standalone mystery film, it's definitely not a standout in this series (at times even sloppy), but as a Detective Conan movie, as a once-in-a-year event which puts the familiar characters in otherwise unbelievable situations, I really did like watching the movie. It's highly enjoyable as a mainstream comedy-action movie, but I wouldn't recommend The Fist of Blue Sapphire as a mystery movie to someone who had never seen anything of Detective Conan, while I could with for example The Crimson Love Letter. On the other hand, I'd say The Fist of the Blue Sapphire does a great job at being an enormously entertaining flick. Anyway, another custom of these movies is that the film ends with a teaser for next year's feature, and while it's not completely clear what the theme'll be, I have to say I'm at least intrigued! Next year, same time, same Bat-Channel!

Original Japanese title(s): 『名探偵コナン　紺青の拳（フィスト）』

The Secret of the Forgotten Cave

"The bug is to make my fortune."

"The Gold Bug"

Four years ago, I read my first novel written by Kim Nae-seong (1909-1957), who is commonly seen as the father of the Korean detective story. Kim was born one year before the Great Korean Empire was annexed by Japan, and thus he grew up during the period Korea was a colony of Japan. He moved to Japan, where he studied at the famous Waseda University in Tokyo. It was there that he made his debut as a mystery author in 1935 with the short story Daenkei no Kagami, published in the magazine Purofiru (Profile). The story was, of course, written in Japanese, and he'd publish a few more short stories in Japan (reviews/details here) and even meet with some of the major Japanese mystery authors of the period, like Edogawa Rampo, before he returned to Korea where he'd continue his work in the genre (with stories written in Korean this time). Like Rampo, his stories often have a pulp detective adventure feel to them. His detective character Yu Bu-ran in fact is supposed to be named after (Maurice) Leblanc, whose Lupin novels are of course famous examples of pulpy detective adventure stories. For those interested, I also have an English translation of Muma, a non-series short horror-esque story by Kim.

Oh, and a small note, I am not completely sure about the romanization of the names in this review. Most of them will be correct, but from the little I studied of the language, I know sometimes consonants will aspirate or change in other ways in certain combinations and with a name like Baekhui (白姫) for example, I have no idea whether that is the correct romanization, or whether it'd change to Baekkhui or Baekgui or something like that.

Earlier this month, a new translation of two of Kim's better known works was released in Japan. Shirokamen collects two juvenile mysteries written for the Korean audience by Kim in 1937-1938, which are in spirit quite like Edogawa Rampo's Boys Detective Club series. The first of these two stories is the titular Shirokamen, or in Korean Baekgamyeon ("The White Mask"), which is also considered the juvenile mystery title of 30s Korea. The White Mask from the title is a mysterious international thief who wears a white skull mask, who has been succesfully stealing all kinds of artifacts all over the world. Like any decent thief, he (or she!) is always kind enough to send a letter to his potential victims about what he will steal and when, and of course, the White Mask always succeeds despite all the precautions taken. London, New York and Paris have all become victim to the thief, and now the crook has gone to Korea. His latest victim is Professor Gang, the leading scientist of the country who has been working on a very secret project, which should never fall in the wrong hands. After a day at the circus with his son Sugil and his friend Daejun however, Professor Gang is kidnapped by the White Mask despite efforts of Sugil and Daejun. They quickly decide they need to help of the famous mystery author and detective Yu Bu-ran, but after learning he is out for a few days, they decide they themselves have to capture the White Mask. Professor Gang managed to drop his secret notebook with all the plans for his project during the kidnapping, which the children find, but the White Mask is quick to send them a letter to say he will be stealing the notebook from them that day.

You can really tell this is an innocent children's adventure novel the moment you learn that Professor Gang actually wrote SECRET NOTEBOOK on the cover of his notebook.

As a mystery novel Baekgamyeon is mainly about the adventure the boys have and less about the mystery solving. There are the usual Scooby-Doo! shenanigans like wild chases and disguises and an overdramatic narrator who addresses the reader every three or four sentences about how mysterious or baffling events are. The few "mysterious" events (including the disappearance of the secret notebook from the custody of Daejun) are unlikely truly to surprise the (adult) reader, but the adventures Sugil and Daejun have as assistants of Yu Bu-ran are entertaining enough for the juvenile reader. Though I am not quite sure about Yu Bu-ran's qualities as a detective in charge of his own Baker Street Irregulars. At more than a few times it seems like Yu Bu-ran's really bad at taking care of children. During a chase scene with the White Mask for example, he decides to delegate the remainder of the chase to the two children (this happens literally mid-chase), while he himself goes off to do some research within the comforts of his own home. I'm pretty sure that normally, you should not leave two kids to chase after a dangerous thief so you can go home. Yu Bu-ran and the kids have a few skirmishes with the White Mask across the length of the fairly short novel and while eventually, we'll learn the true goal of the phantom thief which is a bit more than meets the eye, there's just too little depth to the novel to truly impress. It's fairly fun as a children's mystery adventure novel, but it doesn't ever leave Scooby-Doo! territory.

The second story in this volume is titled Hwanggeumgul ("The Golden Cave") and starts at an orphanage. Baekhui is a young girl who has been put in the orphanage after the death of her father, and there she becomes friends with the boy Hakjun. She tells Hakjun about the Buddha statue she got from her father before he died. According to her father, he used to travel the world when he was young and one day, he was near the Himalayas when he came across a wounded woman riding a horse on the run for some pursuers. He quickly disguised himself as the woman and hid her, and rode off on the horse to lure the pursuers away. When he came back, he found the woman had died of her injuries, but not without leaving a letter for Baekhui's father, expressing her gratitude for his kind act. She also explained she was of the Kshatriyas caste in India, and that her pursuers were after a family treasure. The hint to the location was hidden within the Buddha statue she left Baekhui's father. After telling this story to Hakjun, the two dream of finding the treasure themselves to help out all orphans, but to Baekhui's great shock, she learns some suspicious Indians have been hanging out near the orphanage. Hakjun goes out to investigate, but never comes back, so Baekhui tells everything to the director of the orphanage, who immediately seeks help with Yu Bu-ran in order to find Hakjun and find Baekhui's treasure.

Yep, this is a treasure hunt story, and as such, has even fewer mystery elements than the first story. This is an all-out adventure and while the hint to the location of the treasure is in code and needs the mind of Yu Bu-ran to be solved, it's not a fair code as it alludes to completely fictional locations and therefore not solvable to the reader. What remains is a rather kooky treasure hunt story where Yu Bu-ran once again proves he should never be in charge of children. Over the course of the story, we learn a group of Indians is after the treasure (and because there are absolutely no other Indians in Korea, every Indian our heroes come across belongs to the criminal group). But what does Yu Bu-ran do? He has Baekhui and Hakjun and even more children from the orphanage tag along as he chases a group of adult Indian criminals across the sea who have already proven earlier in the story they aren't afraid to kill. And then there's a part where there's a shoot-out on an island, and where Yu Bu-ran first tells Baekhui to watch how he'll shoot down one of the Indians, then boasts to the little girl how much fun that was, and when the girl says she's scared (as they are in a friggin' shoot-out), Yu Bu-ran tells her to watch closely again as he'll shoot another Indian.

Yep, Yu Bu-ran is the bad guy here.

I wouldn't say the two novellettes collected in this volume are required reading. They're obviously juvenile mysteries (for the younger part of this group) and they work work enough as such, even if nothing outstanding per se. But I definitely had more fun with the other works by Kim Nae-seong I read earlier, and a novel like Main for example also invokes the adventure novel spirit, but is a bit more engaging than these shorter tales. Considering their similarities with Edogawa Rampo's Boys Detective Club novels however and their position as both works of the father of the Korean mystery story, and as important juvenile mysteries from 30s Korea, it might be interesting to read these books if you want to learn more about those topics.

Original Korean title(s):김내성 （金來成）《백가면과 황금굴(白仮面&黄金窟》

The Stolen Turnabout

「いや、奴はとんでもないものを盗んでいきました。あなたの心です」

『ルパン三世　カリオストロの城』

"No, he did manage to steal something very precious. Your heart."

"Lupin III - The Castle of Cagliostro"

It's been a while since I did a review of a short story collection, let alone one where I actually discuss all of the stories!

Resort towns across Japan have been hit by a nasty series of jewel thefts lately and all of the incidents all have one thing in common: the capers, some of them committed in what seems to be impossible circumstances, were all done with both genius and audacity, which has led to the police's conclusion the thefts were all committed by one and the same person. This thief is indicated with the codename S79 in the police files and a special task unit was formed to investigate, and capture S79. Just like how Lupin had his Ganimard, S79 has to watch out for inspector Tougou and his subordinate Ninomiya, who see S79 as their arch-enemy and will stop at nothing to capture the brilliant thief. Awasaka Tsumao's Youtou S79-Gou ("Phantom Thief S79", 1987) collects all twelve of the S79 short stories with impossible capers and more.

Awasaka Tsumao (1933-2009) should be a familiar name on this blog now. The mystery author and stage magician has written some of Japan's finest mystery stories, from the wonderful A Aiichirou  short stories (many of the A Aiichirou stories rank among the best impossible shorts from Japan), while I have also been enjoying his novels as of late, with 11 Mai no Trump being a true gem in the genre. Youtou S79-Gou marks a return to his short stories for me, though I have to remark that Youtou S79-Gou is a linked short story collection, like Yamada Fuutarou used to write them: while the short stories (originally published between 1979-1987) can be read apart, the best experience is gained by reading them in order, as they are actually interlinked and there are often references made to events from earlier stories or characters reappearing.

Youtou S79-Gou is also a remarkably varied short story collection. In essence, the S79 stories are 'phantom thief' stories in the spirit of the Arsène Lupin stories, with the focus lying on the mystery of how S79 manages to pull off some of these fantastic thefts, though there are also some interesting differences with what you'd usually expect from such a collection. For example, there is no one single detective character in this series. S79 always manages to escape with the loot, but the character who eventually figures out how the theft was committed is not limited to only police detectives Tougou or Ninomiya: a character who only appears in that one particular story is just as likely to solve the impossible crime. The stories aren't all (impossible) capers either: many of them are 'traditional' howdunnits, but there are some screwballs there too, and some of the impossible capers become really impossible to solve if you focus only on the impossible aspect.

The collection starts with three fairly traditional howdunnit capers. In Ruby wa Hi ("Ruby is Fire"), we first learn about the thief S79 when a ruby is stolen at a small beach at a resort, with only a few people on the beach. Inspector Tougou and Ninomiya had been watching the place all the time, so while they don't know who S79 is, they know that one of the people present on the beach must be the thief. They figure that a simple body search should solve the problem of S79, but to their surprise, nobody is possession of the ruby, so how did S79 get rid of it? While the solution is simple, it's also very cleverly clued, and there's even a good fake solution! Ikiteita Kaseki ("The Living Fossil") is the direct sequel to the previous story, as Inspector Tougou is still convinced one of the people on the beach was S79. He has invited all of them to a exhibition featuring an extremely rare seashell, hoping that he'll tempt S79 into trying to steal the shell. The seashell is kept inside a glass display, watched by guards and with an alarm that'll go off the instant somebody touches the glass. And yet, the seashell disappears from the watching eyes of the guards, the policemen and other visitors! The solution is highly original, but also highly unlikely to be succesful in real life.  Sapphire no Sora ("Sapphire Sky") has S79 help a young girl stage a fake kidnapping, as the girl doesn't like her stepmother. She only wants to see her stepmother suffer, so she asks for her sapphire as the ransom money and wants to see it fly away into the sky tied to a balloon. S79 can keep the sapphire if the thief can figure out how to retrieve the balloon. But even with policemen tracking the balloon the moment it is released from the top of a temple, S79 manages to do the impossible: the container tied to the balloon holding the sapphire only has a thank you letter from S79! This is an ingeniously plotted impossible situation, which had a great piece of misdirection, but also some minor points which make the whole trick a bit less practical than you'd think. Still a surprising good story.

The following four stories are not all howdunnits, and are perhaps more surprising in seeing how more obsessed Tougou is becoming with S79, imagining the thief behind everything. In Koushinmaru Ibun ("The Curious Tale of the Koushinmaru"), Tougou and Ninomiya received tickets for a New Year's performance of a "hyper-realistic" performance of the kabuki play Sannnin Kichisa. The performance is hyper-realistic, so the actors not only speak normal dialogue instead of 'theater dialogue', they also all speak "realistically" (i.e. not loud so the audience can actually hear them), and other elements like their hairstyles and even the fights are done 'hyper-realistically'. Near the end of the play though, Tougou suddenly announces to the whole audience S79 is in the theater! The mystery lies in how Tougou figured out that S79 was connected in any way to this play, and the solution is brilliant. This story is similar to many of the A Aiichirou stories, where you'd never even suspect you're reading a mystery story until it's suddenly set loose upon you and you see how much foreshadowing there was. Kiiroi Yaguramasou ("Yellow Cornflowers") has Tougou and Ninomiya set a trap for S79 during an elementary school's sports competition, as they know a necklace the thief stole is hidden in the school garden. The way S79 manages to get away with the necklace is brilliant, and incredibly funny. In Moebius Bijutsukan ("The Moebius Museum"), two museums receive letters from S79 that some paintings will be stolen, and despite Tougou and Ninomiya making their rounds in the museum, S79 does manages to get away with the paintings. This is a very tricky story, as there are several plot-lines running simultaneously, but the way in which the thief manages to fool Tougou and Ninomiya in order to steal the painting is brilliant, yet very, very impractical, as it's unlikely nobody would've noticed (as there were other visitors in the museum). By Mizunotototori Kumi 129537 ("Water Rooster -  129537"), Tougou is really seeing S79 everywhere, as he suspects with no real reason that the thief will try to cash in on a lottery using a proxy representative. A suspicious figure does appear who wants all the money cash, but no matter how hard they look, the lottery ticket Water Rooster -  129537 seems genuine, and the man leaves with the money. The policemen tail him, but a simple, but smart trick shakes the men off. The way how S79 managed to get the lottery money is devilishly simple, yet effective, though in no way could it ever work in the modern day and age. There's a nice piece of misdirection too.

In the following three stories, S79's targets are rare pieces of art and while they are technically impossible capers, you aren't likely to solve them by focusing on the impossibilities, as the solutions require some very out-of-the-box thinking. Kurosagi no Chawan ("The Black Heron Tea Cup"), Nanpo no Yuurei ("The Ghost of Nanpo") and Himouji no Kannnonzou ("The Kannon Statue of Himou Temple") are similar in the sense that a piece of antique art manages to disappear from a place under observation. Kurosagi no Chawan is interesting as this caper happens within Ninomiya's home. The theft is a bit simple, but there's an interesting subplot running too that makes the thing more complex and entertaining. The other two stories hinge upon a similar idea actually, but you'll never recognize that in time, and the way these pieces of art managed to disappear is absolutely stunning. 

The collection ends with S79-Gou no Taiho ("The Arrest of S79") and Tougou Keishi no Hanamichi ("The Crowning Achievement of Superintendent Tougou"). In S79-Gou no Taiho, Tougou and Ninomiya travel to France, as it appears S79 has been active in Paris for some months now. S79's latest target was an art piece in the possession of the Sernine (ha!) family. While Ninomiya recognizes the Japanese woman visiting the Sernine family as their main S79 suspect, she still manages to walk off with a priceless piece of art due to a brilliant piece of misdirection. A very surprising story, as besides the theft, there's another very clever trick pulled by a different person. The S79 series ends with Tougou Keishi no Hanamichi, which isn't a mystery story per se, but it has Tougou finally figuring out who S79 really is and gives a happy ending to the story (complete with everyone from previous stories appearing again).
  
Youtou S79-Gou is a very good, at times absolutely excellent short story collection that manages to mix brilliant originality with very humorous characters. While some of the tricks are arguably repeated within this collection, Awasaka is very good at redressing these tricks into completely different ideas, with different results and new surprises. There's also a lot of variety within these stories, from normal capers to kidnappings to stories that only reveal themselves to be proper mystery stories at the very end. While I'd say the A Aiichirou shorts are still the best I've read from Awasaka, Youtou S79-Gou is certainly worth the read.

Original Japanese title(s): 泡坂妻夫 『妖盗S79号』：「ルビーは火」/「生きていた化石」/「サファイアの空」/「庚申丸異聞」/「黄色いヤグルマソウ」/「メビウス美術館」/「癸酉組一二九五三七番」/「黒鷺の茶碗」/ 「南畝の幽霊」/「桧毛寺の観音像」/「S79号の逮捕」/ 「東郷警視の花道」

Identity Crisis

「このカクテルの名はXYZ―つまりもう後がないということさ」

『シティーハンター』

"The name of this cocktail is XYZ... In other words, the end of the line."

"City Hunter"

I adore the covers for Yokomizo Seishi's novels for publisher Kadokawa. They were all done by Sugimoto Ichibun, and really capture the creepy atmosphere often found in Yokomizo's novels. Though to be honest, today's book wasn't that creepy.

Mikoshiba Susumu might still be young, but he has already made a name for himself as the "Detective Kid", for his help in solving various crimes. When he's not out solving crimes though, our Detective Kid also has earn a living (as he lives alone with his older sister), which he does at a local newspaper as an assistant. However, he often finds himself on the trail of crime while doing his odd jobs for the newspaper, and many of these cases involve Phantom Thief X・Y・Z, a notorious gentleman-thief and expert in disguise whose only virtue is that he has never taken a life during the execution of his crimes. See how the Detective Kid fares against X・Y・Z in the three stories collected in Yokomizo Seishi's Kaitou X・Y・Z ("Phantom Thief X・Y・Z", 1984).

Yokomizo Seishi is of course best known for his Kindaichi Kousuke series, arguably the quintessential fictional Japanese detective, as Kindaichi, who is always dressed in a hakama, goes around solving crimes especially in rural postwar Japan, within small communities where old traditions still reign. Yokomizo started out as an editor for no-one less as Edogawa Rampo before World War II, and he had also written some mystery stories himself, but he really made it big right after the war with the phenomenal Honjin Satsujin Jiken, the first novel starring Kindaichi Kousuke, and he'd mostly stick with writing Kindaichi afterwards, which feature bloody murders and horrifying scenes.

Kaitou X・Y・Z however is interestingly a juvenile mystery. The three stories collected in this volume were originally published in 1960~1961 and are only a small selection from the Mikoshiba Susumu/Detective Kid stories. The comparison with Edogawa Rampo's Shounen Tantei Dan is one which presents itself immediately of course. Rampo's iconic series was also a juvenile mystery novel series, starring a young detective solving cases involving a phantom thief obviously inspired by Arsène Lupin. In reality though, the comparison stops here, as Rampo and Yokomizo do very different things with this premise.

The most important difference is that in Rampo's series, the Fiend with Twenty Faces is really an evil person. Sure, he doesn't like to kill, but he's still a rather dastardly thief who is clearly the nemesis of both young detective Kobayashi and his mentor the great detective Akechi Kogorou. He has to be evil, because we know from other novels that Akechi and Kobayashi are good. Yokomizo's Phantom Thief X・Y・Z on the other hand is very much modeled after Arsène Lupin, the gentleman-thief. In his appearances in the stories featured in this book, X・Y・Z actually does very little crime. The stories are told from the point of view of Mikoshiba Susumu/Detective Kid, so he always looks at X・Y・Z as his enemy, but X・Y・Z actually helps the Detective Kid a lot during his investigations, as X・Y・Z is never the true culprit behind the story. The result is actually very odd. X・Y・Z acts like Arsène Lupin, as a true hero character helping others while doing some light crimes, but as the story is told from the Detective Kid's point, the narrative is always saying what an evil thief he is, even though he just totally saved Detective Kid's life and all. X・Y・Z is a very sympathetic character, but for some reason he's not made the protagonist. And by the way, the Detective Kid is okay, but certainly not a brilliant detective. The true hero of these tales is definitely X・Y・Z. In Rampo's stories, Akechi served as the 'safety net' and responsible adult who would take care of Kobayashi if things got too dangerous, but in these stories, it's actually X・Y・Z himself who plays the same role in regards to the Detective Kid, as they (unknowingly to the Detective Kid) work together to find the real culprits.

I'm not going to discuss the three stories in this volume in detail, as they are quite simple in set-up and execution.  All three stories, Kieta Kaitou ("The Disappearing Phantom Thief"), Nazo no Juuendama ("The Mysterious 10 Yen Coin") and Daikinkai ("Gold Bullions") basically follow the same structure: The Detective Kid is sent on some assignment by his newspaper, he comes across some murder, finds a clue that proves X・Y・Z is involved, X・Y・Z helps the Detective Kid a couple of times on the way with or withous his knowledge, and finally the murderer is caught. I guess some of the premises are interesting, like Nazo no Juuendama starting with a scene with somebody trying very hard to obtain a ten yen coin in the possession of the Detective Kid (something like an everyday life mystery), but even as juvenile mysteries, I'd say these stories are rather simple.

Interesting is the world of the Detective Kid though. The Detective Kid is working at the same newspaper as Mitsugi Shunsuke, a journalist whom I first met as the assistant of Yuri Rintarou, another detective created by Yokomizo Seishi. Mitsugi is featured in all the three stories, helping the Detective Kid in his investigations (and also acts his boss, as the Detective Kid is supposed to be his assistant). Another familiar face who appears in all three stories is Inspector Todoroki, who often cooperates with Kindaichi Kousuke in his investigations. So it's here where we see that there is actually a kind of Yokomizo World, where characters like Kindaichi Kousuke, Yuri Rintarou, Mitsugi Shunsuke, the Detective Kid and X・Y・Z all live together. I hope someday, there'll be a drama not only of Kindaichi Kousuke, but of this whole extended Yokomizo World.

Anyway, as a juvenile mystery, Kaitou X・Y・Z is nothing special, to be honest. The three stories are very simple, and also a bit confusing as the true hero of the stories is portrayed (clumsily) as an antagonist. As a note in Yokomizo Seishi's bibliograpy though, I do find this an interesting read, both as the notion of a juvenile mystery written by someone I really do not associate with the genre, as well as a work that connects the worlds of different series by Yokomizo together. Try it if you're very interested in Yokomizo's work.

Original Japanese title(s): 横溝正史　『怪盗X・Y・Z』:　「消えた怪盗」 / 「なぞの十円玉」 / 「大金塊 」

The Rules of a Gentleman Thief

「いつ何時なりとも、ポーカーフェイスを忘れるな」

『まじっく快斗』

"No matter the time or place, never forget to put on a poker face."

"Magic Kaito"

The gentleman-thief KID has been a very popular character in Detective Conan ever since his first appearance in volume 16 of that series and has proven himself to be a flamboyant rival to the pint-sized detective, who uses his gift for disguises and a whole reportoire of fantastical illusion tricks to stage impossible capers. Whether it's walking on air or teleporting to the top of a building in an instant: anything seems possible with this magician-thief, and it usually takes all of Conan's wit to fight back. In recent years, KID has also found a rival in the stinking rich Suzuki Jiroukichi, who has sworn he'll catch the thief, usually by luring KID with some big jewel he purchased into the most crazy security contraptions he can come up with, but the thief always manages to break through these security measures like it's nothing, even if at the end of the day Conan always manages to see through his tricks.

What some people might not realize is that KID is actually not a character from Detective Conan. He actually predates Conan, and starred as the protagonist of Magic Kaito, the very first running series Aoyama Goushou ever worked on. As we mostly see the cool side to KID in Conan, some might be surprised to learn that the KID in Magic Kaito is quite different, as it is more a comedy-adventure series filled with slapstick humor. Magic Kaito started in 1987 and introduces us to Kuroba Kaito, son of the world famous magician Kuroba Touichi and a gifted magician himself. Kaito is shocked to learn his father was also once known to the world as KID, an elusive phantom thief who could commit the most wondrous of crimes. His father died eight years ago during one of his show performances, but it appears he was actually murdered by a mysterious gang who wanted KID to find the Pandora Jewel, a legendary jewel said to hold the secret to immortality. Kaito thus decides to don the costume of KID himself to find the Pandora Jewel first in order to lure out the gang that killed his father.

What makes his capers difficult however is the fact that his childhood friend Aoko is the daughter of Inspector Nakamori, who was once the nemesis of the original KID and now of the second KID. Kaito is also classmates with some strange characters like a genuine witch and Hakuba, a genius teenage detective who is hailed as a modern-day Holmes and who more-or-less knows Kaito is KID, which usually leads into the most crazy of situations as Kaito juggles between his work as the phantom thief and the increasingly difficult effort of keeping his secret identity safe from the outside world. The tone of Magic Kaito is quite different than Detective Conan, as Kaito fights off witches/killer robots/death traps as a thief while pretending he's just a normal student, usually resulting in rather hilarious situations as Kaito's both lives collide (for example: having a date with Aoko as an alibi while pulling off a caper). There is little of the cool-headed, charismatic KID from Conan to be found in the early chapters of Magic Kaito.

While Magic Kaito was a moderate success as Aoyama first series, it was put on a side-track when his comedy-action series Yaiba hit off in 1988. Magic Kaito was not cancelled though, but put on hiatus, and Aoyama did indeed return for a few chapters to Magic Kaito in 1993-1994. But then Detective Conan started in 1994, which put Magic Kaito on hiatus again. KID's appearance in Detective Conan volume 16 was actually a big surprise for longtime readers of Aoyama's works, as it was only revealed the worlds from his two series would crossover at the very end of the chapter, as he had purposely avoided the name "KID" throughout the story until his actual appearance. KID's popularity grew with each appearance in Conan, but this also meant that Magic Kaito could not return to a regular publication schedule. Nowadays, Aoyama creates perhaps one new Magic Kaito story every five years or so, which means that it takes decennia for new (collected) volumes to appear. There was a fourteen year gap between volume 3 and 4 of Magic Kaito for example. There have been two seperate anime adaptations by the way: a limited series titled Magic Kaito, which aired irregularly in Detective Conan's slot between 2010 and 2012, and Magic Kaito 1412, a series seperate of Conan which aired in 2014-2015.

But imagine my surprise when the previews of Detective Conan 92 showed that Magic Kaito 5 would finally be released in July 2017! It has been ten years since the last volume, and while KID's been appearing quite regularly in Conan, it's still great to see him appear in his own series, as that has a very different feel to it. Volume 5 collects three stories originally published irregularly between 2011-2017, as well as a bonus story that has never been published in a magazine before. Some of the stories had already been adapted for television in the Magic Kaito 1412 series by the way. The book starts with The Phantom Lady, a story I actually already reviewed in the past, as I had read the serialization! There's no real caper going in this tale, but it provides some insight into how Kaito's father became the phantom thief KID in the first place. A sinister figure lures Inspector Nakamura (in truth a Kaito in disguise) and his daughter Aoko to Touto Tower, as the fiend's convinced that Nakamura himself is KID. The man reveals he had a run-in with KID eighteen years ago and wants revenge, which makes Kaito realize that this man is actually talking about his father. We are then treated to a flashback that reveals how Kaito's father Touichi first donned the costume and became known to the world as a phantom thief, while also juxtaposing his adventure with his son's own predicament with the same opponent eighteen years later. We see a bit of the more ridiculous action of this series which wouldn't fly in the Conan manga series (it would in the film universe though...), and while this is no caper story, it's still an interesting one for those curious to Magic Kaito's backstory. The story is also a prelude to the Ryouma story in Detective Conan 70 by the way, revealing the true meaning of KID's message in the final pages.

Midnight Crow is the best story of the collection and pits KID against two new enemies. First is Harry Nezu, an infamous exposer of magicians who says he'll not only prevent KID from stealing the black diamond Midnight Crow, but also capture him with the help of the police. Meanwhile, another phantom thief appears and to Kaito's big surprise, this Corbeau is dressed exactly like him, but in black. Corbeau claims to have studied together with Kaito's father Touichi as his fellow disciple, and that he basically has the same goal as KID, to find the gang responsible for his death. Corbeau challenges KID to see who's the more worthy successor, claiming he'll steal the Midnight Crow despite Harry's precautions and dares Kaito to figure out how the caper'll be pulled off.

Now I think about it, there are a lot of masked thiefs appearing in Magic Kaito besides KID... We had Chat Noir and Nightmare in the previous volume, the Phantom Lady and Corbeau in this one... Anyway, this is a great caper story, and quite similar to the ones we usually see in Detective Conan. We are presented with seemingly inpenetrable security measures for the Midnight Crow with credits to Harry Nezumi and the Metrolitan Police Department, but Corbeau manages to get away with the diamond anyway. Usually Conan would solve the crime, but this time it's up to Kaito to expose a fellow magician's tricks, and it's serious business for Kaito as this Corbeau seemingly holds a connection to his father. The way the Midnight Crow is revealed to be stolen is absolutely brilliant, showing how a sizeable diamond can disappear even though it's inside a closed receptable, with a man sitting on top of the case, in a room filled with guards, that is super-cooled to slow the swift fingerwork of any magician-thief. Not only is the method of the theft properly hinted, this story also shows off Kaito as a gifted magician himself, as he excels in piercing right through stage illusions. And while the story feels like a KID-caper like they appear in Detective Conan, the details of this case make it much better suitable for Magic Kaito, as it shows us the miracle from the side of a rival thief to Corbeau, rather than one of the "protectors" of the jewel like Conan would be.

Sun Halo on the other hand feels much more like an early Magic Kaito story. KID's latest target is the Sun Halo, a jewel imbedded inside a Buddhist statue. But things go awry, and Kaito (as KID) and Aoko (daughter of Inspector Nakamura, but also Kaito's childhood friend) get captured by an unknown party. Aoko is reluctant to help her father's archnemesis (not knowing that KID is in fact Kaito), but as KID was stabbed in his stomach protecting Aoko during their capture, the two have to work together to get through a series of Escape-The-Room-esque environments. The big elements like someone-has-captured-KID-forcing-him-to-do-something and Kaito-desperate-to-hide-his-identity-from-Aoko are familiar tropes from the early series, but things you rarely see in KID's appearances in Conan, so it was fun to have that classic feel back again, even if the story itself is rather average.

Volume 5 of Magic Kaito ends with Sarigenaku Lupin ("A Nonchalant Lupin"), an old one-shot manga by Aoyama which served as the prototype of Magic Kaito. It was never actually published in a magazine, though this story was also once printed in a certain version of an Aoyama Goushou stort story collection. I have an older copy of that book, without Sarigenaku Lupin, so I was happy it was included in Magic Kaito 5. The story is rather ridiculous, involving a troublemaking student Rupan who, while stealing school exams, discovers his school has been illegally accepting students, and a school director who is trying to force Houmuzu Aoko, one of his students and daughter of Inspector Houmuzu, to marry the son of a notorious villain in order to get the Inspector on his side and to prevent Rupan from spilling the beans on him illegally accepting students. It's utterly nuts and not particularly good, but fans of Magic Kaito can easily see how Sarigenaku Lupin eventually evolved into Magic Kaito.

So for the fans of Magic Kaito, this fifth volume has some interesting stories to offer. The "new" batch of stories give us a bit more insight in the backstory of Magic Kaito, and while the series has obviously been influenced by Aoyama's work on Detective Conan, one can still feel that Magic Kaito is its own series, distinct from Conan. Fans of KID can thus enjoy a completely different side to the character usually not seen in Conan. I for one though hope that the next volume won't take another ten years, as three, four stories every ten years are just far too few!

Original Japanese title(s): 青山剛昌　『まじっく快斗』第５巻