「驚異の部屋（ヴァンダー・カンマー）をご案内します」
『C.M.B. 森羅博物館の事件目録』
"Welcome to the Wunderkammer"
"C.M.B. The Case Catalog of the Shinra Museum"
With Q.E.D. Shoumei Shuuryou Katou Motohiro created a mystery series that was perhaps never as big a commercial success as Kindaichi Shounen no Jikenbo or Detective Conan, but it was, and still is, a fairly consistent mystery series that can boast of having a loyal fanbase that has kept the series running for over twenty years now, which is an impressive feat no matter what way you look at it. In 2005, Katou started a spin-off series titled C.M.B. Shinra Hakubutsukan no Jiken Mokuroku ("C.M.B. The Case Catalog of the Shinra Museum"), which is also still a running series. The titular C.M.B. stands for Caspar, Melchior and Balthasar, the three Magi who brought gifts to baby Jesus. In the hopes of safeguarding the neverending search for knowledge for all generations, Queen Consort Charlotte in the eighteen century decided to appoint Three Magi through the British Museum, who were given the task of protecting knowledge. Each of these persons were given a ring, with the initial C, M. or B. With these rings, the Three Magi were given extreme authority to conduct research in all and every fields of science and to pursue knowledge, and the wearers of the rings are highly regarded throughout the academic world. The protagonist of this series is Sakaki Shinra, a fourteen year old boy who is the younger cousin of Q.E.D.'s Touma Sou (on Shinra's mother's side). Shinra has inherited all three C M B rings, and has thus become the sole protector of knowledge. Shinra has an own cabinet of curiosities he manages in Tokyo, where he also goes to school, but he also travels across the world to conduct research or to help people out who need his knowledge. Usually accompanying him is his schoolmate Tatsuki, who like Q.E.D.'s Kana is an athletic girl who is a lot better to handle at brawn and action than Shinra.
Lacework was originally collected in volume 24 and starts with a request by Hilda Beauford, together with her younger sister Alba the last in a British family line of nobles. Their father Oswell died one year ago, due to a heart attack while alone at sea near the coast of the Greek island of Santorini. However, before he died, Oswell tried to burn his yacht down, presumably to destroy a piece of antique lacework. Ironically, the lacework survived the fire after it fell in the sea and was retrieved. A drop of blood has stained the lacework: the blood of Oswell's younger Pat, who was killed one night when he had snuck into Oswell's Santorini home and the guard shot him, thinking Pat was a dangerous robber. Hilda however thinks her father had her uncle shot on purpose, knowing very well it was Pat and believes the lacework can prove that. She asks Shinra to investigate the case, as she wants to know the truth before she gets married. Not a story that stands out much, but a fairly focused plot that gives a pretty good twist to the mystery of why the piece of lacework was so important to Oswell. A lot of these C.M.B. stories seem to revolve around the backstory/history of the characters involved in general, I noticed after reading this volume. In this story, I'd say the jump from the clues to the motive is a bit too large to feel natural, but the road from there to the significance of the lacework is done well, and as a standalone, short story, Lacework is a solid entry, even if rather tame.
World's End (volume 14) is two chapters long and starts with the discovery of a photograph of a Colias ponteni, a legendary butterfly species thought not to exists anymore, and of which it is unknown where the butterfly originated from. The only specimens are kept at the British Museum, but after comparing those specimens with the photographs, Shinra is convinced it's the real deal, so he decides to track the original photographer, together with Sho Bentley, chief researcher at the British Museum. They travel to Argentina and visit the woman who put the photograph on the market, who says it was an old photograph made by her husband. He died thirty years ago, but she only knows the photograph was taken "at the World's End." When the group starts poking around asking about the picture and the photographer however, they learn there are people both friendly and not so friendly who watch their movements closely. This story involves larger, real-world history (specifically the period of military dictatorship in Argentina) to sketch a mystery plot that follows a thriller mode mostly (as we see people who help out Shinra being abducted by a mysterious group), but there's a fairly neat whodunnit plot hidden within the excitement: the misdirection aimed at both the reader and the group works pretty well, and blends in well with the historical background of the story.
One Hundred and Thirty Million Victims (volume 8) is a deliciously ironic story that really shouldn't be spoiled. It's very irregular as a mystery story, but heck, the motive for this crime is really original. The story starts with Chief Inspector Kujirazaki being sent a mysterious photograph of flying antlions and a threatening letter that says that on the sixth of November, at 18:00, one hundred and thirty million persons in Japan will fall victim. Soon after, the inspector is visited by Takaaki, who suspects his father might be planning something: his father was accused and sentenced for a robbery in which a baby-cart was kicked over, throwing the baby on the street. Naturally, the media were all over the heinous crime and condemned the man at every opportunity, but five years later, it was discovered that he had in fact been innocent. He wa released from prison, but this time, the media remained silent about the false sentencing and their own role in the public shaming of him. Lately however, Takaaki's father's been behaving strangely, and it seems he was the one who sent that threatening note to the police. The conclusion is something you'd hardly suspect and the kind of story you seldom see in a mystery series, and that alone makes it a memorable read.
The Bag Story (volume 25) is a very strange story to be selected, and that's actually also mentioned in the introduction. It's not really a mystery story anyway. Shinra is in Florence, where he hopes a master craftsman will finally sell him a particular splendidly crafted handbag. The man has been refusing Shinra's offer for a long time now and is still not willing to part with it. A Japanese salesman who's desperate to find the perfect imported goods to sell overhears Shinra crying about the bag, and decides to make an offer to the craftsman too. The craftsman then decides that to pose a little riddle to the two potential buyers, saying he'll give the bag to whoever can answer the question: "What is the Thinker thinking of?" The story is mostly a historical introduction to Rodin and his life in Florence, and challenges the reader to imagine what must've been on Rodin's mind when working on the Thinker, but it's not a truly fair mystery story.
Phra Kurang (volume 29) is a story of the type I like to call 'whatthehell". Whereas whodunnit, whydunnits and howdunnits have clearly defined mysteries, the 'whatthehell' often does not feature an obvious mystery plot, and it's only at the end when things suddenly come together, revealing it had been setting up something all the time. In this story, Shinra is hired by Priscilla, granddaughter of the "Oil King" Cybil Rubin, who recently died. Among his art collection, they found a Buddhist pendant, but it was obviously cheaply made and even misses a part. They hope Shinra can shine more light on the question of what it is and why Cybil would have such a thing in his collection. Shinra recognizes it as an object made in Thailand and travels there and eventually manages to trace it to a little village to a man called Shida, who as a boy was given the broken pendant. Shinra, Priscilla and Tatsuki find Shida's home, but he too has recently died. When the party has learned all they can about Shida, Shinra reveals a shocking truth behind the relation between Shida and Cybil. The set-up could've been more extensive, but man, the truth is really creepy and terrifying, making this one of the better stories in this volume even if you wouldn't recognize it as a mystery plot right away.
Shinra and his classmates are fooling around when they find themselves wandering into a little piece of nature in the city in The Grass in Summer (volume 13). The little piece of vacant land is surrounded by high-rise buildings on all sides, save for a little passage, so it's not visible from the street. They find various flowers blooming here, which is quite surprising. When they visit the place once again, they find a woman crying there. Her father recently died and left her this piece of ground, but she does not understand what this vacant lot is: after her mother died, her father simply disappeared, until she was notified of his death and learned she had inherited this piece of ground. She had hoped to find answers as to why he left all of a sudden, but the shock of learning there was nothing here caused her to cry. Shinra however is able to tell her what her father must've been doing here until his death based on the few clues left on the vacant ground. This is actually one of the more 'conventional' mystery stories in this volume, as it features proper hinting and physical clues, which allow the reader and Shinra to deduce the existence of a certain object. I think it's fairly impossible to deduce the exact reasons for the father to have done that simply based on what we're told in the story, but it works good enough for a human drama based mystery story.
The Natural History of G. Plinius Secundus (volume 17) deals with the Berlin Wall: sometime in the 1980s the Mandel family tried to cross the border to West-Germany, using their anitiquarian copy of The Natural History to pay the smuggler. The two parents hid in a special compartment beneath the truck, while the son pretended to be the little brother of the smuggler Jan Backer, who could cross the border as an engineer. At the border however, things went wrong: just as they thought they were allowed to pass, they were halted again. From inside the compartment, the parents heard how the driver suddenly cried "Everything I told you was a lie!", the boy Erik running away from the truck and a rifle shot. Both parents were knocked out when they hit their heads against the compartment walls as the truck sped off, and when they came too, they found themselves in West Germany, but the driver had disappeared and their son Erik was nowhere to be found. Later, they were sent a newspaper article about the discovery of a boy in the river near the border who had been shot. And now Shinra is presented with the copy of The Natural History and asked to find out what happened that day at the border. The mystery revolves around what the parents heard the driver cry: why had he betrayed Erik by telling the guards he had been lying to them? The solution requires the reader to simply imagine things, as it's not a problem of putting the clues together, but more one of 'how could one also interpret this line' but I do like the true meaning of the line, even if it's a bit hard to imagine that Erik would really have acted like that.
I have read next to nothing of this series, so it's hard to tell to what extent C.M.B. Shinra Hakubutsukan no Jiken Mokuroku The Best Kyouto Daigaku Suiri Shousetsu Kenkyuukai Selection can be considered a representative selection, but I thought on average, I did enjoy this volume better than the single volumes I've read of C.M.B. In form, C.M.B. does resemble Q.E.D., though it has a focus on liberal arts (history, literature, art etc.) rather than the hard sciences of Q.E.D., but I do like Q.E.D.'s better focus on a clearer mystery plot better, I think. I might still pick up the other volume edited by Tokyo University's New Moon Tea Party at some later date.
Original Japanese title(s): 加藤元浩（原）、京都大学推理小説研究会（編）『C.M.B. 森羅博物館の事件目録 The Best 京都大学 Selection』
