Showing posts with label Norman Berrow. Show all posts
Showing posts with label Norman Berrow. Show all posts

Wednesday, September 21, 2016

Never Go Away

愛よ消えないで もう u um
I need you ずっと捜してた
『CITY HUNTER~愛よ消えないで』 (小比類巻かほる)

Oh Love, pease don't go
I need you / I've searching for you
"City Hunter ~Oh Love, Don't Go Away" (Kohiruimaki Kahoru)

Another non-Japanese review! I think that three of them on a row is usually my limit: I always come back to Japanese fiction. The only times when there are more than three reviews of non-Japanese books in a row is when I read the books and write the reviews as a series on purpose, like with the Drury Lane novels earlier this year.

The first disappearance mystery in the English town Winchingham ("Wincham" for the locals) involved a Miss Janet Soames. She had eloped with her husband-to-be, a Mr. Philip Strong, and were to stay for one night in Winchingham and marry the following day. The wedding however never happened, because Philip Strong quite suddenly and impossibly disappeared from Janet's eyes. The second disappeareance mystery starred a Mr. Stokes and his lovely secretary. The two were busy with their own disappearance act, with company money, when their car decided to stop running. Posing as a married couple, Mr. Stokes and the secretery book rooms in the Welcome Inn, just outside Winchingham. Here the 'couple' come across a room that appears just as as easily as it disappears, and even the police can't make any sense out of the mystery of the disappearing room. Finally, a Mrs. Prattley, invited over to Winchingham by a gentleman friend, becomes witness to an awfully curious murder in cul-de-sac near a rivier, but when she brings the local beat cop, they discover the whole street is gone. Lancelot Carolus Smith of the police has quite a lot to solve in Norman Berrow's The Three Tiers of Fantasy (1947).

Last time, I wrote about Norman Berrow's The Footprints of Satan. I got that book together with The Three Tiers of Fantasy. I read The Footprints of Satan first, because the cover was more attractive in design, but I now discover that The Three Tiers of Fantasy was not only written earlier, it is in fact the first book in the Detective-Inspector Lancelot Carolus Smith series, about the fairly open-minded police inspector who has to deal with a lot of strange going-ons in the otherwise 'normal' town of Winchingham.

Perhaps I should have left more time between reading the two books, because reading them one after another makes it too obvious what Berrow's strengths and weaknesses are. The Three Tiers of Fantasy shares its pros and cons with The Footprints of Satan, which is a bit disappointing. Once again, the book's strength lies in its atmosphere: the build-up to each of the disappearance acts is great and unique enough, and as we go from the disappearance of a man, to a disappearance of a room to the disappearance of a whole street, there's definitely build-up over the course of the whole book too. Berrow loves to play with suggestions of the supernatural, and each of the three 'tiers' feature some background story that ties it with the unscientific. The feeling of repetition is also strengthened by the character of Melrose, who has the same function as Ms. Pendlebury in The Footprints of Satan: 'an expert in psychic and other supernatural phenomena' who 'helps' the investigation with err... insightful opinions.

But once again, the puzzle plot is very simple. Berrow has a great knack for building up the suspense and the mystery, but when it comes to actually taking away the illusion and having to explain them himself, he shows not as much imagination as with the build-up. Each of the three mysteries is basically solved by the most obvious solution anyone would think of. These are very safe solutions: they are the solutions most people would think of because they are the most practical, the most feasible. It's the reason why I have trouble writing about the solutions of this novel. They work, okay, but I can't help but shrug at them. The gap between how much imagination Berrow shows when he writes the set-up, to how much he shows during the solution is rather significant, and it makes his books feel a bit more disappointing than they should. For they are decent mystery novels. Only the good parts are skewed towards the build-up.

That said, I once again have to stress that Berrow's stories are very plotted very well. The Three Tiers of Fantasy has more than enough hints for any reader to solve the mysteries and in terms of fair play, I'd say that few even try to play the game as fair as Berrow. In that respect, I really love reading his stories, as between the lines you can feel how he wants the reader to solve the problem and give them a good feeling, like a teacher teaching a child to solve a problem. Yet, it never feels belittling or anything like that. It's simpy the wish of a writer who wants to see a reader solving the mystery he created, rather than just baffling the reader. The only 'problem' is that Berrows solutions in the end are too simple, and thus offer not nearly as as much satisfaction as you'd be led to believe from the build-ups. I think that even a bit more complexity to the puzzle plots would have given me much more satisfaction, especially if you consider how well the rest of the stories are plotted.

This review of The Three Tiers of Fantasy is basically the same as my review of The Footprints of Satan, but I guess it couldn't be helped, because those books do share the same good, as well as the same bad points. It wouldn't be right, nor fair, to say that you can enjoy Berrow's books if you don't expect too much from them, but they do have some problems. Still, I did enjoy The Three Tiers of Fantasy in general and I might read some more Berrow later.

Wednesday, September 7, 2016

It Walks By Night

I hear your footsteps
What a spooky sound 
I hear the stairs creak 
I'm in trouble now
"Foot Steps" (Kitadai Momoko) 

To be honest, I loved the thumbnail of the cover of today's book a lot better than the illustration at full size. The composition of the cover is great, but the actual drawing is a bit rough. 

Having recently lost his wife, Gregory Cushing decides to visit his old uncle Jake in Steeple Thelming, who lives a simple life mostly consisting of his books, his faithful donkey Boomer and frequent (and somewhat excessive) visits to the local pub. One morning, after a snowfall, Greg and other locals discover a most curious set of footprints left in the snow: The prints of a bipedal being with hooves appear out of nowhere, goes up the gardens of several of the houses of the villagers, crosses fences and walls with ease, takes a walk on somebody's roof and ends at the foot of a dead tree. It is said that in a faraway past, a witch had been hanged from this very tree, but there's a very dead body hanging from the tree this time also. Who might have commited suicide, or have been hanged there by the mysterious walker. Imaginative minds quickly associate the seemingly supernatural being who made the hoof-marks with a certain ruler of Hell, and even Detective-Inspector Lancelot Carolus Smith is not really sure what to think initially in Norman Berrow's The Footprints of Satan (1950).

Norman Berrow was born in the UK, but moved down under soon after his birth, where he eventually became a fairly prolific impossible crime author. This is the first time I read anything by him, but I have to admit: when I first heard he was from New Zealand, I was expecting a story set there, so I was a bit surprised when I realized that The Footprints of Satan was set in a quaint little English town. Ah well, at least the donkey Boomer is named after a boomerang (because he always finds his way back).

The Footprints of Satan is a novel in the Detective-Inspector Lancelot Carolus Smith series and at least preceded by The Bishop's Sword (as several references are made), but can be read perfectly standalone. On the whole, I think The Footprints of Satan is an okay story. Its biggest merit is definitely the atmophere: the way the story slowly builds to the appearance of the marks, the realization that these marks aren't natural and finally, the discovery of a dead body is great. The suggestion of the supernatural is done quite well here, with a fairly entertaining character who keeps ensuring everyone, including the police, the death was caused by the ghost of a witch, while she refers to fields like philosophy and history. On the downside, some might find the initial build-up a bit slow, because nobody dies until about a third in the book.

Though now I think about it, the characters in this novel were in general all quite funny. It's not slapstick comedy or really witty writing, but the banter between the characters is acutally quite amusing.

The puzzle of the mysterious prints is an alluring one that includes quite entertaining links with the devil, but if you look exclusively at the puzzle element, I think a lot of readers will realize it's also a very simple one. In fact, the very first idea I got in my head about the whole case, including the identity of the culprit, turned out to be correct. It's basically the first solution most people would come up with given this particular impossible crime situation and there is little to make it really unique. In that sense, I'd say that The Footprints of Satan was a bit disappointing as it took the easiest way out of the situation, though I have to say that the book is also very fairly clued (which also showed me I was on the right track as I was reading it) and there's definitely nothing unfair going here.

Disappearing footprints in the snow is of course one of the better known versions of the impossible crime in mystery fiction, so in a way, doing a story on the trope means you 'challenge' all those who have tried before you. Mystery fiction might not be academic research, but it'd be nice if in terms of puzzle plot, The Footprints of Satan had shown a bit more inspiration, because while it's a competently constructed puzzle (that is: a puzzle consisting of a problem, its solution, and clues leading up to the solution), it lacks a bit of punch. Of course, not all mystery stories need to feature shocking solutions. I've enjoyed many mystery stories that were very "nice" to the reader, where you could feel the writer was leading the reader in the correct way because they simply wanted someone to solve their story, but The Footprints of Satan is like a kid on school that does okay, but could've done much better, as the initial set-up is quite compelling.

I quite liked the map on the back of Ramble House's edition of the book by the way. Apparently, the map is not part of the original book, but an addition by Ramble House, but it's definitely appreciated. Less a fan of the missing page (two sides) in the middle of the book (a POD mistake, I guess).

To recap: The Footprints of Satan's puzzle plot is a bit on the easy side, but depending on how much you value that over atmosphere and characterization, I think that a lot of readers can enjoy this simple, but fairly amusing novel.