What the Hex Going On?

「セルグレイブの魔女を訪れよ」

『セルグレイブの魔女』

"Call upon the Witch of Selgrave"

"The Witch of Selgrave"

I don't have a particular preference for Dragon Quest or Final Fantasy, but I have played a lot more Dragon Quests than Final Fantasies. The only Final Fantasy I have played is VII on the original PSX (and that was actually quite recently, like two or three years ago). But yeah, in my mind, the "traditional console RPG" will always be Dragon Quest, not Final Fantasy.

Like always, college student Toshiaki was walking his dog in the morning, but when they arrived in the local park, master and pet came across an anomaly in their routine. The discovery Toshiaki made in the bushes of the park shocked him greatly in two ways. First of all, anyone would be traumatized by the sight of a murdered girl only five or six years old, left behind the park. But what perhaps disturbed Toshiaki even more was the note pinned to the little girl's back, which held the message: "Call upon the Witch of Selgrave." To most people, this message would be nonsense, but not to Toshiaki and the rest of his old classmates. Nine years ago, when he was still a student of the Tsubamegaoka Elementary School, one of his classmates disappeared. Nobody knew what had hapened to Hosoya Tomoki, whether he had been kidnapped or had run away from home on his own, or even if he were alive or dead. At the time, a note was found in his room which too said "Call upon the Witch of Selgrave." The line came from the RPG Dark Redemption, a popular videogame at the time where one of the final quests involves the hero being told to visit the Witch of Selgrave, who in the game world, is known to kidnap children. While at first the note was thought to be related to Tomiki's disappearance, it was eventually assumed it was just a memo written while Tomiki was playing the game, as a reminder as how to proceed. But now nine years later, this message has resurfaced again, but why? The answer lies in Takase Mie's horror mystery novel Selgrave no Majo ("The Witch of Selgrave", 2009).

A few years ago, I reviewed Gyakuten Idol and Gyakuten Kuukou, which were both original children's mystery novels featuring the characters of the excellent mystery videogame series Gyakuten Saiban/Ace Attorney. The books, published in a children's label, were obviously written for a relatively young audience, but they were also really good mystery novels. They may have been a tad simple, but the plotting and clewing were done by someone who knew exactly what they were doing and I have read enough mystery novels aimed at "adults" that aren't even remotely as neatly plotted as these two novels. I was thus very curious to read more mystery novels by the author. The author, Takase Mie, has a long resume featuring both videogame novelizations and original novels based on existing popular videogame franchises, including Kirby, Persona, Growlanser, Style Savvy and Fire Emblem. The list of her own, original novels was quite a bit shorter though, and most of them were fantasy or horror novels. Selgrave no Majo however caught my attention as it was billed a horror mystery novel, rather than pure horror, and the videogame theme of course also interested me.

Still, most of the time, you'll be reading Selgrave no Majo as a horror novel, and a fairly entertaining one too. The narrative jumps between various characters, from Toshiaki and some other of his classmates from Tsumabegaoka Elementary School, to characters like Tomiki's mother and Tomiki's aunt Reiko and a few others too. Each of these vignettes will give you insight in the thoughts of the respective characters, as they learn about the new murders of the young girls (yes, more follow) and unveil their ties to the disappeared Tomiki and several of them will also try to figure out who the murderer is and how all these events tie back to "Call upon the Witch of Selgrave." The way the focus of suspicion keeps shifting is quite exciting, and the horror lies not only in the horrible murders of the girls, but especially in the hidden, sad past of all these victims (it's not monster horror, this is 'god why are humans such monsters' horror). Don't expect to be doing much detecting yourself though, as a lot of information is only conveyed to the reader as the characters make their own guesses (giving the reader little room to come up with ideas themselves), and most of the time, it's more like instinct/guesses ("He looks so suspicious!") than real deductions, but of course, that's how things go when you have a serial murderer prowling around a small, residential area, with all the people living there pointing fingers at each other behind their back.

Dark Redemption, the game referred to in the novel is of course not a real videogame, but think of traditional fantasy RPGs with heroes, witches, dragons like Dragon Quest or Final Fantasy and you're close. I was surprised how well Takase had fleshed out the story of Dark Redemption though. Of course, Dark Redemption plays a big role in the story, and the line "Call upon the Witch of Selgrave" left on all the victims is a deliciously alluring line, but if there was a real Dark Redemption, I'd really want to play it for the story.

I was a bit disappointed Selgrave no Majo wasn't a pure puzzle plot mystery like the Ace Attorney novels by Takase I read, but that said, eventually, the novel does show why it's touted a horror mystery novel, and not just a horror novel. Again, most of the revelations will unfold 'automatically', with little space for the reader to really figure things out for themselves, but all the way at the end, there's a segment that's completely fairly clewed, and quite neatly so too. The true fate of Tomoki can be deduced on your own, and while it's no locked room/alibi trick/grand whodunnit or any classic mystery set-up, Selgrave no Majo does show how Takase knows how to properly spread hints and clues across a narrative and build up to her conclusion.

Selgrave no Majo is most of the time more a horror novel than a mystery novel, and somewhat of a departure of what I normally review on the blog, but I quite enjoyed it in the end. It's really different from the other novels by Takase I have read, but that's not a bad thing. The novel has a rather dark mood, but Takase makes good use of it to create a novel that addresses several themes that are quite contemporary and grounded in real Japanese society, and while at times the novel does sound a bit stereotypical in regards to its themes, I think it ultimately works as horror novel that also has a fairly-clewed mystery element to it. I think people who like Higashino Keigo will like this novel too considering its human angle.

Original Japanese title(s):『セルグレイブの魔女』

Candidate for Crime

この大空に翼を広げ

飛んで行きたいよ

悲しみのない自由な空へ

翼はためかせ行きたい

「翼をください」（赤い鳥）

I want to spread out my wings

And soar through the wide sky

Towards a free sky, where there is no sadness

That's where I want to go flapping my wings

"Give Me Wings" (Akai Tori)

I try to point out nice covers when I come across them, but let me also point out that the cover of today's book is really one of the laziest efforts I've seen, as it's nothing more than a simple collage of existing character artwork slapped together. It is so devoid of any inspiration, it actually looks almost identical to the previous book in the series (which was also a lazy copypasta). As they have an illustrator doing original art for the inside of the book, you'd hope they'd let them design the cover too, though I guess they'd prefer recognizable official artwork from the main series...

Young attorney Odoroki Housuke had a nice holiday planned: first he'd visit an old friend in the city of Uminobe, and then step on a plane at Uminobe Airport. At the baggage checkpoint, Odoroki notices something lying on the ground. As he picks it up, the man before him suddenly cries out and staggers back, falling on top of Odoroki. As people start to gather around them, Odoroki realizes the man is bleeding. It doesn't take long for everyone to notice that the man is in fact dead, and that the object Odoroki picked up from the floor --and is still holding in his hands-- is in fact an ice pick that fits rather well with the wound on the victim. Odoroki is immediately arrested as the murder suspect. Naruhodou, Odoroki's boss at the Naruhodou Anything Agency, is determined to prove the innocence of his subordinate in the courtroom, but the fight won't be easy: the victim was one Uranashi Masamichi, a popular and influential local politician, so there is a certain pressure to wrap up the case swiftly and Naruhodou's opponent in the court is prosecutor Garyuu, a former rockstar who is a lot sharper than you might expect. Can Naruhodou save Odoroki and find out who the true killer is in Takase Mie's Gyakuten Saiban - Gyakuten Kuukou ("Turnabout Trial - Turnabout Airport", 2017)?

2016's Gyakuten Idol was the first original full-length novel based on the Gyakuten Saiban/Ace Attorney franchise, a long-running courtroom mystery videogame series (and if you have been reading this blog for a while now, you will have noticed that I'm quite a big fan of the series, and that I review not only the games, but also the books, the musicals, the film, the manga, the stageplays etc.). Gyakuten Idol was released in Kadokawa's Tsubasa Bunko label, a line specifically aimed at children. At first, I had no high expectations of the novel, but author Takase Mie (who had a lot of experience writing novels based on game franchices like Fire Emblem and Kirby) managed to surprise me very pleasantly. Yes, the language used in the novel was indeed simple, and yes, the novel was short, and yes, on the whole the plot was not particularly complex, but it was fun! The story and the clues were plotted very well and you could clearly see Takase had experience in writing good mystery novels, as well as for children. Heck, I have read many mystery novels meant for an older audience that weren't even half as tightly plotted as Gyakuten Idol. The book did well enough, it appears, as we now have a sequel, once again written by Takase Mie and featuring original character designs and illustrations by Kikuyarou, who also does some official artwork for the Japanese e-zine for the Ace Attorney series.

And yes, with Gyakuten Kuukou Takase once again delivers a mystery novel that is clearly written for children, but is still enjoyable for adults as it is very well plotted mystery novel. The main problem is one of an impossible kind: while the victim was stabbed with a poisoned weapon, Odoroki himself insists nobody besides himself was in the vicinity of the victim at the time he cried out. The murder happened at an airport, and all the other potential suspects had already passed the security checkpoint, so they couldn't even have carried a weapon on their bodies. The whole premise sounds like it could've come from an early Queen novel, with a murder that happens in an open, public location and people being searched for potential murder weapons. Now I think about it, Gyakuten Idol had some Queenian qualities too, with once again a murder happening in front of an audience, and location maps and character movement being part of the plot (which is the same for this novel). The way the real murderer managed to get rid of the murder weapon is actually quite neat in the sense that is an original method, and that it is very neatly clued throughout the story. Again, it's not a difficult problem, and I wouldn't be surprised if quite some readers catch on what happened once the clue appears, but nonetheless, the way all the clues are scattered across the narrative effectively is a skill many authors actually have trouble with.

As per series tradition, most of the revelations are made in the courtroom, with Naruhodou pointing out contradictions in the testimonies of all the witnesses, thus slowly revealing the truth. Naruhodou (and the reader) seldom know in advance what the witnesses will testify about, so it's always a surprise to them, which leads to dynamic story developments. Because Gyakuten Kuukou is a novel, and not a game, the distinct flow of a trial from the games is slightly altered, but it works in the context of this format (non-interactive novel), and it still feels exactly like a true Ace Attorney story. But in general, it's still the same set-up as in the games: whereas a lot of mystery novels try to solve everything at the end, this series has always been about solving a lot of smaller mysteries/contradictions after another, which eventually reveal the whole picture, similar to Columbo.

While this book is definitely accessible for those who don't know the game series, it's of course mainly aimed at fans who are already familiar with the series. And there's a lot for them to find in this novel too. The story definitely feels like it could've appeared in the games, including its cast of original characters. But there's also a lot of interesting situations to be found in this novel for those are very familiar with Ace Attorney lore. For example, funnily enough Odoroki (Apollo Justice in the English localization) was the only employee of the Naruhodou Anything Agency who had never been a defendant in a case before, so this was an interesting first (though it's a shame he didn't get to defend himself in court). Prosecutor Garyuu (Klavier Gavin in the localized version) is also a bit of a forgotten character lately, so seeing him in the courtroom again, against Naruhodou no less, is something longtime fans will probably find interesting. This novel series in general is very good at recreating the atmosphere of the games actually. This is partly because of the very simple prose, but the way the characters are written, and some of the ideas show that Takase knows her source material. For those interested, the book is set a bit before the events of Gyakuten Saiban 6.

Gyakuten Saiban - Gyakuten Kuukou was thus once again a more than solid mystery novel, that should also satisfy the fans of the franchise. In my review of Gyakuten Idol, I concluded my text by saying I hoped they would turn this into a series. And as we can see now, the results were great, so I definitely hope they'll bring out more of these in the future. A new volume every six, seven months would be great!

Original Japanese title(s): 高瀬美恵　『逆転裁判　逆転空港』

Through the Curtain

うなれパンチ　とどろけキック さみしいときには

アニソンでシャウトして涙吹き飛ぶわ

燃えてシンギング　ヘッドバンキング 切ない時には　

太鼓ドーンドン　響けカッカッ　ほらね忘れちゃう　

ワワワワンダーモモモモーイ　これぞファンタジーな七不思議 

「ワンダーモモーイ」（桃井はるこ)

Cry out, my punch! Roar, my kick! When I'm lonely

I sing and shout anime songs and these tears fly away

Burn! I'll be singing and headbanging and when I'm sad

The taiko drum goes baaaam-bam, and again boom-boom, and see, I already forgot!

Wowowowonder Momomomoi This are my fantastic seven mysteries!

"Wonder Momoi" (Momoi Haruko)

I usually try to avoid posting reviews of the same franchises in a row, but ah well, since both are recent releases...

The office of Naruhodo houses not only a trio of talented defense attorneys best known for their miraculous feats as in the courtroom, but also a talented magician in the form of Naruhodo's adoptive daughter Minuki. Minuki has been booked together to perform at a live event at the newly opened Pegasus Town shopping mall, together with two other young and rising stars of the entertainment world: the self-proclaimed "comedy artist' Choukakkou Nadare, and the fruit-cutting idol Momogaya Sumomo, known for cutting fruit art while dancing and singing on stage. As the head of the Naruhodo Anything Agency, Naruhodo naturally comes along to see his daughter perform, but also to meet wit Minuki's fellow performers and of course the mall manager who organized the event. After the event however, Nadare is found dead in his dressing room, stabbed in his chest with Sumomo's knife, which makes her the prime suspect. Asked by Minuki, Naruhodo decides to defend Sumomo in court, but things are not easy: two witnesses place Sumomo at the scene of the crime, while prosecution is also led by Yugami, a master in psychological manipulation. All seems hopeless in Takase Mie's 2016 novel Gyakuten Saiban - Gyakuten Idol ("Turnabout Trial - Turnabout Idol"), but that's how every day goes for Naruhodo.

While there have been short stories before, Gyakuten Idol is actually the very first novel published based on the long-running videogame Gyakuten / Ace Attorney series. I already mentioned it in my review of the latest game, Gyakuten Saiban 6, earlier this week, but the successful mystery game franchise has explored all kinds of media besides the videogame form, like like film, musicals and manga. The book is an all-original story, set several months after the events of Gyakuten Saiban 5 and features original illustrations by Kikuyarou, who also does some official artwork for the Japanese e-zine for the Ace Attorney series.

To be perfectly honest, I had not very high expectations of this novel when I first heard of it. It's being published through the Kadokawa Tsubasa Bunko label, which is a label specifically aimed at children. The fact the cover art consisted of a badly made copypasta of existing artwork for the videogames wasn't really encouraging either. On the other hand: author Takase Mie is a veteran writer, specializing in mystery novels, light novels and novelizations of popular game series like Kirby, Persona, and Fire Emblem. So there was definitely a chance that this would turn out to be a good book.

And it was. I was pleasantly surprised by Gyakuten Idol, because it's really a fun mystery novel based on the Ace Attorney series. Like in the games, the case starts out simple, but witness testimonies quickly make the situation worse for Naruhodo and his client, and he has to point out contradictions in the witness testimonies in order to save Sumomo. Naruhodo, and the player, usually know very little about what the witnesses will say at the witness stand in the courtroom, so the contents as well as the implications of each testimony are always a surprise, leading to exciting and dynamic story developments. Like with the games, a lot of smaller mysteries are solved one after another, which all lead to the solving of the 'greater' mystery. This structure keeps the story exciting throughout, instead of pushing all revelations to the end of the story, like a lot of other mystery novels do.

And it's a pretty tightly structured mystery story too. And while the novel is definitely short and obviously aimed at younger readers, written with easy-to-read prose, it's also clear this was plotted by someone with a lot of experience with writing mystery stories, so I really did enjoy it. Heck, I was genuinely excited when I first opened the book and saw it included a map of Pegasus Town. Things like that would make any mystery fan excited, right? As a mystery novel meant to be read by younger readers, I really have no complaints about Gyakuten Idol.

Fans of the Ace Attorney series should be able to enjoy this book, as it does have all the elements you'd expect from such a story. From the outrageous characters to the way the story develops and the in-jokes, it never feels out-of-place. The short story featured in the Ace Attorney-themed guidebook Gyakuten Houtei for example didn't really feel like a real story set in the universe, but Gyakuten Idol is a story I could easily see as being part of the actual universe.

So yeah, I enjoyed the book, because it's precisely what it should be. An amusing, well-plotted mystery story aimed at younger readers, set in the universe of the Ace Attorney games. I definitely wouldn't mind seeing more of these in the future.

Original Japanese title(s):　高瀬美恵　『逆転裁判　逆転アイドル』