Showing posts with label Sakaguchi Ango | 坂口安吾. Show all posts
Showing posts with label Sakaguchi Ango | 坂口安吾. Show all posts

Wednesday, October 24, 2018

This Won't Kill You

"We're sorry to bother you at such a time like this, Mrs. Twice. We would have come earlier, but your husband wasn't dead then."
"Police Squad"

It's not like I write a review on every piece of mystery fiction I consume, but still, sometimes I really don't want to write about a book, or just wish I had read something else instead. Usually, that's not even for bad books, but simply books I feel indifferent about. It's usually also reflected in the quality of the review, so err.. yeah, sorry in advance.

Sakaguchi Ango (1906-1955) was a prominent novelist and essayist in early post-war Japan, who also wrote several mystery stories. His first, and also most famous mystery novel is Furenzoku Satsujin Jiken (1948), though many people might know his name through the 2011 anime mystery series Un-Go, which was also based on his writings (though in a completely different setting than the original work). I haven't seen Un-Go myself, and my own experience with Furenzoku Satsujin Jiken was that it was a rather tiring novel, as it featured like thirty characters with everyone having some motive to kill someone else and more shenanigans like that. So he kinda fell of my radar, but now it's time read a few of his short stories. Noumen no Himitsu ("The Secret of the Noh Mask", 1976) collects eight mystery short stories by Sakaguchi, originally published between 1950 ~ 1955. These stories were most famously written by Sakaguchi as an intellectual game for his own entertainment, as he had read everything that was available to him at the time.

To be honest, I found this collection to okay-ish, at best. Most of these stories are very short, but the mystery plots and tricks are seldom really surprising, and are often far too obvious, as the ideas behind them are too simple. Take for example Shougo no Satsujin Jiken ("The Noon Murder Case"), where a writer is shot to death in his home at noon (duh), with only possible suspect in the house, who of course denies having killed the man. The solution to this conundrum is almost ridiculously simple, and very likely the first answer to pop up in the reader's mind as they read the story. Some others included in this collection, like Yama no Kami Satsujin Jiken ("The Mountain Deity Murder Case") and Kage no Nai Hannin ("The Undetectable Culprit") are far too simplistic too, or barely a mystery story (a story with a proper mystery, and a logical conclusion/solution to that mystery). These stories are all written around one core idea,but this core idea is never what you'd really want from a proper mystery short story, but something far, far simpler. The title story Noumen no Himitsu ("The Secret of the Noh Mask") is about a man who died in a fire in a manor, with a blind masseuse as a vital witness, but again the most uninspired way is taken to deal with this familiar trope of mystery fiction.

Nankinmushi Satsujin Jiken ("The Nanjing Bug Murder Case") is a story I want to highlight not because it's such a good mystery story (it's not really), but as an oddity in Japanese language. The story starts with an elderly policeman and his daughter (who is also a police officer) chasing after two men who had left the home of a beautiful pianist in a rather suspicious manner, but not only do the father and daughter lose the two men, they also find out the pianist was killed in her home and that it was determined she was "Miss Nanjing", a notorious dealer in drugs and smuggler of "Nanjing bugs". I had never heard of the "Nanjing Bug", and looking it up tells you that Nanjing Bugs are the Japanese name for bed bugs. Which made no sense, as why would someone deal in bed bugs? It took me a while for me to learn that long, long ago, small wristwatches for ladies were called Nanjing Bugs. And that was a more sensible object to smuggle. Anyway, sometimes you come across really weird slang in these post-war stories. As a mystery story, Nankinmushi Satsujin Jiken is sadly enough not as interesting.

Senkyo Satsujin Jiken ("The Election Murder Case") and Shinrei Satsujin Jiken ("The Spirit Murder Case") are somewhat similar in the sense that they ultimately focus on the question of motive. The first story is about a factory owner who recently has decided to run for Diet member. His campaign is extremely strange though, and it seems he's not really trying to become a Diet member, but why is he holding a campaign then? A journalist suspects something dirty is behind this all and this results in a story that features a surprising, and original motive, but that lacks convincing power. Shinrei Satsujin Jiken features a murder during a seance: the Scrooge-like victim had never given his offspring much financial help, but lately, he's told his four remaining children that their oldest brother, who had died in the war, had come to him in a dream: he had actually survived the war and was living in Birma, and got married there and had children. Yet the dream also revealed his eldest son would really die soon, so now his father wanted to use a spirit medium to trace his son's whereabouts in Birma to find his grandchild. The other four children can't believe their old man would go all that trouble to chase after such an impossible story, yet a spirit medium is invited to find out the whereabouts of the Birman grandchild. It's during the seance, held in a pitch-dark room, that the victim is stabbed to death. The solution of how is not that important, though I have to say the motive is extremely original. It makes no sense why a certain character thought a certain action was best taken in this way, but still, I was really surprised by the motive behind the murder and it was a properly clewed one too. Certainly one of the best stories of this otherwise disappointing collection.

Pitcher Satsujin Jiken ("The Pitcher Murder Case") is the longest story in this collection I think, and also the most "traditional" as a puzzle plot mystery story: it has no less than two diagrams and even a Challenge to the Reader! The titular baseball pitcher is having an affair with an actrice, who has a rather stubborn husband: he will only divorce her for a very high stack of cash. The baseball pitcher is an upcoming star, so he decides to contact some scouts here and there in an attempt to sell himself to a new team to get the necessary sum of money. He eventually manages to secure a new contract, together with the sum of money he needed in cash, but he is murdered the same night, with all the money gone. As a whodunnit story, with a true Challenge to the Reader, Pitcher Satsujin Jiken is a bit simple, as there's basically only one base clue that points to the identity of the murderer, and from there it's a straight line to the finish. There's an alibi trick in this story too, which works pretty well in conjunction with the whodunnit part of the story, but again, it's all a bit too easy. As a pure puzzle plot mystery, Pitcher Satsujin Jiken is easily the best of the whole bunch, but even then, it leaves you wondering whether it couldn't have been just a bit more than what was actually served.

In the end, I didn't manage to say much about Noumen no Himitsu save that overall, the stories are just too simple and not particularly inspiring or original, and I guess that in a way, this rather sloppy review reflects that. There's just little to say about this collection, as you will have seen most of what appears here in other stories, only better and/or worked out in more impressive forms. As for Sakaguchi Ango's work, I think the only significant mystery story by him I haven't read are the ones that form the basis for the anime Un-Go, but I do not know whether I will ever read the original novel, or watch Un-Go, as up until now, my experience with him have not been bad per se, but not exceptionally entertaining either.

Original Japanese title(s): 坂口安吾 『能面の秘密』:「投手殺人事件」/「南京虫殺人事件」/「選挙殺人事件」/「山の神殺人事件」/「正午の殺人事件」/「影のない犯人」/「心霊殺人事件」/「能面の秘密 」

Saturday, June 22, 2013

UN-GO

Two's company, three's a crowd

With more and more English-language blogs on detective fiction popping up, I always hope more on Japanese detective fiction appear... but it never happens. I'll just keep waiting.

During the Second World War, the narrator (a writer) had been staying at his friend Utagawa Kazuma's family mansion. Now two years after the war, the narrator is once again invited to the Utagawa mansion, together with a group of other artists who had been staying there too during the war. However the narrator is relunctant to go, because there are bound to be troubles. Among the guests are: three men, all vying for the hand of Kazuma's sister. Kazuma's wife's ex-husband. Kazuma's ex-wife and her current husband. Another couple of which the wife is in love with Kazuma. And complex human relations is just half of the problem. A threatening letter has been sent to Kazuma, while another letter asking for a detective's help signed by Kazuma was sent, even though he denies having written one. And the day all guests are gathered, a murder happens. And then a second. And a third. But what is the motive behind these seemingly disconnected murders in Sakaguchi Ango's Furenzoku Satsujin Jiken ("The Non-Serial Murder Case")?

A classic scene: the detective (most probably Poirot) gathers every suspect in the drawing room and states everyone in the room had the motive for wanting to have killed the victim. It's only after extensive fingerpointing that he moves on to the real suspect. In Furenzoku Satsujin Jiken, this method would have been a bit troublesome because this novel works, and in a way fails, because everyone has a motive for something.

This works at one hand, because the main problem of this novel is the mystery behind the motive(s) behind the many murders. Is it a serial murder case all done by one and the same person? Or a non-serial murder, with multiple murderers working at the same time? Just as you think you found a pattern, another murder pushes your ideas towards a different direction, keeping you on your toes all the way to the conclusion. You can't accuse Furenzoku Satsujin Jiken of being boring, or at least not after the first murder.

But the story also fails on the other hand, because it is too complex at times. By which I mean, what the heck are all these characters doing in this story?! There are way too many characters here, who are all interconnected. A is married to B but in love with C who is love with D who hates B and E but like F etcetera. So A might have motive to kill C and D, but not E and maybe F. And B might want to kill A, C and D but not F, but.... I didn't count them, but according to Wikipedia, 29 persons, including the servants, are running around the Utagawa mansion and that is just... confusing. Especially with the ridiculous relations between them. Even if you consider that fact that people get killed off rather easily and fast in this novel,Furenzoku Satsujin Jiken overdoes it. There is no correlation diagram in this novel, but I advice people who are going to read this to make one yourself: it will save you.

Also, most characters are absolutely horrible and it makes no sense at all for them to all be at one place. When you read a detective, you won't be surprised when it turns out that everybody had a motive to kill the old man, but you might wonder why the old man allowed all those people who hated him to gather at one place, right? Here we have the Utagawa mansion, where everybody is having an illicit relation with somebody else, or at the very least hoping to have one and they are all artists, which is usually used as another word for 'unpredictable', 'crazy' in these kind of books, so of course something is going to happen. But it is a riddle why all these people would gather here on their own free will! Most of the time, I couldn't care less about who died, as nobody appealed to me. Which is rare.

Oh, and for those interested in linguistics and the Japanese language, this is another of those books where the use of words like kichigai (madman) and semushi (hunchback) is still intact: they are not allowed to be used on TV anymore (political correctness and stuff), but you still occassionally come across them in novels.

Overall, Furenzoku Satsujin Jiken is an okay story. I really did like the main problem, but the book does suffer from misuse of characters. In the Touzai Mystery Best, this book ranked 19th. I certainly wouldn't rank it higher, but it indeed has it's good points. Also, for those interested in Sakaguchi Ango, and not-literate in Japanese, the animated series UN-GO (Ango) is based on his mystery works and available for streaming on websites like Crunchy Roll.

Original Japanese title(s): 坂口安吾 『不連続殺人事件』