Showing posts with label Manga | 漫画. Show all posts
Showing posts with label Manga | 漫画. Show all posts

Thursday, December 19, 2024

Broadway Malady

"The show must go on"
Phrase in show business 

Note to self: typing with just one hand because of a broken elbow is time consuming. That is why this post is a bit shorter than usual.

Detective Conan volume 106 was released in October 2024, about six months after the 2024 film Detective Conan: The Million-Dollar Pentagram, but it's main story is closely related to that film's plot and functions as a kind of epilogue, so it is worth it to first watch the film before reading this volume to get the intended effect. However, the volume itself starts with a fairly normal story: The SOS Message Delivered by Torakage started in the previous volume and has Conan and the gang notice a neighborhood playing with a piece of paper, on which someone called Saori asks for help. Meanwhile, Inspector Sato and Takagi are chasing after a kidnapper, who manages to escape, get rid of his jacket and disappear in a restaurant in the Yokohama Red Brick Warehouse. Because the kidnapper saw Sato, it's Takagi and Shinagawa traffic police officer Chihaya who enter the restaurant (posing as a couple) to find the kidnapper.

As you can guess, this story develops on two fronts: Conan and the Detective Boys found a note signed by the kidnapped Saori, meaning she should be nearby, while the plot set in the Yokohama Red Brick Warehouse is a classic "which of the three suspects" set-up. I have to admit nether side really managed to impress me: the ultimate step to determine who the kidnapper is, is something the reader can't predict (any of the three could have been the kidnapper even with the decisive clue obtained), so it doesn't really feel fair, while the plot about the search for the kidnapped girl rvolves a lot around coded messages, and those often feel just like trivia storiees, like it did here.

The Enamoto Azusa Abduction Case starts in Cafe Poirot, where Ran, Sonoko, Sera and Conan are having a drink while watching Azusa and Amuro helping the other customers, When they run out of a certained herb-infused salt, Conan says he knows a shop in the neighboring district that stocks it, so he and Azusa go out for groceries, but they soon realize they're being followed. They try to make it back to Poirot, but are abducted right in front of Amuro and the others. A bystander overheard Conan and Azusa cry out the kidnapper was someone with a cough who was just now in the cafe: three men appear the main suspects: one who seemed intent on getting the recipe for Poirot's beef stew, another customer who asked Azusa to keep something secret and a man who was having coffee at the counter. Meanwhile, Azusa wakes up to find herself and Conan chained in a dark room and to her great surprise.... she sees a decapitated head in a glass jar. Have they been kidnapped by the notorious serial killer who's been terrorizing the city lately?

This was a simple, but okay story, considering its limited space. When Azusa wakes up, she uses Conan's Detective Boys badge to contact the people at Poirot, just as the abductors enter the room. Amuro and Sera overhear the culprits mentioning they will get rid of Azusa and Conan in four hours, once it's midnight, but then the kidnappers notice the badge and destroy it. However, this does allow for the story to do some  The Nine-Mile Walk-esque deductions about what's so special about midnight and how it could pertain to the three suspects. Ultimately, the story is not that grand and many may easily guess where it's going, but I liked it. I wonder if the story's plot came from sonething Aoyama himself experienced....

 The Curse of The Demon Puppeteer is a long story and the sequel to volume 102's Kyoto Sweets and Poison. The stage play based on Mouri Kogorou and Hattori Heiji has finally been performed, despite the death of the director in the previous story. Kogorou, Ran and Conan, as well as Hattori and Kazuha are of course present in the audience as the show is done in Osaka. After the succesful show however, one of the actresses falls of a building, followed by her phone falling next to her, with a message signed by "the Demon Puppeteer", the nickname of the deceased director because of he controlled his actors. It seems a lot of jealousy is going around backstage among the actors, and soon more deaths follow, all signed by the the Demon Puppeteer...

Oh, and there's of course still that subplot where Hattori is looking for the perfect place to confess his love to Kazuha...

I'm torn on this story! It's not one to be really memorable on its merits of plotting and tricks per se: as a mystery, the elements Aoyama used are likely to feel familiar one way or another and I don't like the clewing that much. On the other hand, I defintely liked how this tale built further on Kyoto Sweets and Poison and introduced an interesting cast (literally) for this series of murders. The story also has some implications for the ongoing story and introduces a new character in a way that is probably not as surprising as intended. So a story I can appreciate for its story/characters, but I had hoped for something grander trick-wise, as lately, a lot of the stories seem to rely too much on trivia or otherwise using the latest fad.

I can't say Detective Conan volume 106 really managed to overturn the trend of somewhat mediocre stories mystery-wise the last two years or so, but I think I liked it better than the previous one on the whole. The next volume has no official release window announced by the way, so I guess it'll release around April when the 2025 film hits the theaters... Really looking forward to that film by the way, so I'll try to review it as soon as I can!

Original Japanese title(s): 青山剛昌 『名探偵コナン』第106巻 

Saturday, September 7, 2024

Mischievous Scientist

Once we were a race of beings roaming the universe on the search for answers and knowledge, but only found more questions and misery. Eons have passed before the first member of our people realised that there was a deeper structured process behind the common reality we were able to see and live. 
"Mystery of Time and Space"

A non-fiction book for a change!

While Detective Conan is at the core a fair-play mystery manga, it remains a series that also has a lot of unrealistic elements that are a part of the series identity: the core premise of high school student detective Kudo Shinichi being turned into a child due to an experimental drug is of course the prime example, but because the rom-com and action genres are also a fundamental part of Conan, we also see characters sometimes pull off things that would be completely impossible in a "realistic" setting, and if their feats were part of the mysteries, it'd definitely feel unfair, but usually, these superhuman scenes only occur after the core mystery has been solved. That said. sometimes it's fun to think a bit more about these superhuman feats. Kuusou Kagaku Dokuhon ("The Fictional Science Reader") is a long-running series by Yanagida Rikao that explores the science in anime/manga/tokusatsu/games etcetera. Can our current knowledge of science explain how a certain scene in an anime played out? Or how much strength would be needed for someone to pull off that one memorable scene? Earlier this year, Yanagida released a special crossover volume with Detective Conan: Meitantei Conan Kuusou Kagaku Dokuhon ("Detective Conan: The Fictional Science Reader" 2024) looks at the long-running mystery manga with a wink, exploring questions like "How does the drug that shrunk Conan's body work?", "How many murder cases *does* Conan encounter on average?" and "How hard can Ran kick people?".

Many years ago, I wrote a short piece about how I wanted to see more reference/guidebooks on established mystery series: I referred to a Conan guide among others, that had short summaries for each case, including a focus on the important clues/trick/murder weapon, and a Gyakuten Saiban/Ace Attorney guide that had timelines for each case, showing what everyone was doing at what time. I haven't seen many interesting guides released since then, sadly enough. But while Detective Conan: Meitantei Conan Kuusou Kagaku Dokuhon isn't exactly what I was talking about at the time, I think this was a pretty funny book for fans of the series, though not really for general mystery fans.

In the book, Yanagida explores several memorable scenes and pivotal moments from the Detective Conan series, focusing specifically on the manga until volume 105. He then uses science to muse about these scenes: a funny example is from one of the earliest chapters in the series, when Ran kicks a kidnapper and he flies a few meters until he lands on the ground. Obviously, it would be impossible in real-life for her to kick a grown adult so far: if she *could* be so strong, it'd mean other people in this world could also be so strong and use their strength to pull off what appear to be "impossible" crimes for us. But as I mentioned earlier, Ran's "super strength" (and that of other characters) is only seen after the core mystery plot has been resolved, so it's not really jarring, as you can easily see this is just "comics reality". Which is why it's so funny when Yanagida starts calculating how much force it'd require for Ran to kick that man the way she did, and ending up with the conclusion she has the kick strength of nearly 600 kickboxers.

There are some other interesting statistical analyses that are more mystery-related. It turns out that over the course of the first 105 volumes, there were "just" 202 murder cases,  a number which surprised me a bit, but I guess with the anime and other media around, you just get the idea there are more. As in-universe, not even a full year has passed since the first volume, Yanagida then uses that to compare Conan's "murder encounter" rate to that of the average Japanese civilian and to that of homicide detectives in Tokyo, which... of course makes it too clear Conan is really a death magnet. And if you count all the non-murder (but criminal) cases, it turns out Conan even averages over 1 incident per day. Something you kinda expect when reading the series of course, but it's more amusing by seeing the scientific support for the gut feeling. Life in Beika City is also shown to be a real dystopia, considering the murder rate in one single city...

Other funny musings are about the efficiency of Conan's tranquilizer wristwatch and his other gadgets like his turbo skateboard and ball-dispensing belt, the speed required for Kyougoku Makoto to dodge a shotgun shot at point-blank range, how painful would it really be to have a bag full of gold fall on you from a meter or ten (spoiler: very painful). Most of the scenes picked will be very familiar to Conan fans, and seeing them "nitpicked" like this is more than entertaining.

But as I said, this is really just for Conan fans, and not for mystery fans in general. But! I was thinking, it would be cool if there was a mystery-focused volume of Kuusou Kagaku Dokuhon, just not focusing on one specific IP, but exploring several famous mystery novels. Sure, it'd be full of spoilers, but imagine Yanagida going over the science behind the locked room murder trick in Honjin Satsujin Jiken/The Honjin Murders or all of those Kitayama Takekuni locked room murders. Going over the physics behind physical locked room tricks would of course be the major attraction, but I could also imagine a shorter column going over how poisons are shown to work in the novels and checking whether they really work like that. 

Anyway, Meitantei Conan Kuusou Kagaku Dokuhon is a fun coffee table-type of book for Detective Conan fans, with just the right about of "seriousness" about silly subjects. Because it's mostly about really specific scenes, I can't recommend it to anyone else, but it does show a lot of potential for a more "general mystery" entry in this series, and I hope that in the future, such a volume will be released!

Original Japanese title(s): 柳田理科雄『名探偵コナン空想科学読本』

Sunday, July 14, 2024

There Wolf

"The killer is not wolf! It is werewolf! You must hunt it down, and kill it!"
"The Beast Within: A Gabriel Knight Mystery"

Warning you now already: there will be no Werewolf-themed manga next week, despite the trend set by today's post and last week's post...

Mobile Suit Gundam is one of those franchises you'll hear about sooner or later once you start reading manga or watching anime. It is an enormous franchise, and even if you have never seen any of the many anime series, you might know the series through for example the video games, or the plastic Gundam models. The franchise originally started as an anime series created by Tomino Yoshikyuki and detailed the space war between the Earth Federation and the Principality of Zeon, known as the One Year War. In the world of Gundam, long-range precision warfare is made impossible due to Minovsky particles, which disrupts communications and inferes with electronic circuitry. Military tasks are therefore conducted with mobile suits, piloted bulky robots which excel in close and semi-close combat quarters: the titular Gundam is a special type of mobile suit, featuring more advanced weaponry and technology, but usually therefore also not suitable for all pilots. While the series was not a huge succes initially, it has now grown into one of the best known Japanese franchises in the world and probably the one franchise you think of when you think of mecha anime. The franchise is huge with probably hundreds of different works, so it was actually surprising there never had been a mystery Gundam entry before, at least, not until 2023.

It is the year Universal Century 0087: the aftermath of the One Year War has resulted in a three-way conflict between the Titans, an elite unit created by the Earth Federation; the Axis of Zeon, consisting of remnants of the Principality of Zeon, and the AEUG, the Anti Earth Union Group which opposses the militaristic Titans taskforce. The Hecate is a Pegasus class carrier of the Titans with a secret mission: to test out a new experimental Gundam model. However, somehow information on their mission leaked, and they find themselves attacked by mobile suits of the AEUG. Because Gundam W.E.A.R. Wolf is still in the testing phase, it is not deployed, to the chagrin of the test pilot Rasaid Grendon. Most of the mobile suits of the Hecate are destroyed during the surprise attack, but the carrier itself manages to escape, though not unscathed: its propulsion system has been hit, and they find themselves now drifting in a lonely part of the Zebra Zone. When they find themselves attacked once more, but this time by the Axis, it seems clear they may have a intelligence problem, but this time, Rasaid can't sit still. He strongarms mechanic Makami Talbot into preparing Gundam W.E.A.R. Wolf. W.E.A.R. Wolf's immense might soon forces the enemy to retreat, much to the relief of the crew of the Hecate, who welcome W.E.A.R. Wolf back into the hangar. When Rasaid doesn't appear out of the cockpit however, they fear he might have gotten injured during the skirmish, despite the Gundam not having any external damage. The ship's doctor is standing by as the cockpit is remotely opened, but to everyone's shock, they find Rasaid shot through the heart. But as the Gundam itself is undamaged, it means Rasaid was shot while inside the cockpit after the skirmish. This would of course have been impossible: the cockpit was opened in front of everyone, and considering the small size of a cockpit, it would have been impossible for a murderer to hide in the cockpit with Rasaid during the whole raid and escape unseen. This means the Gundam's cockpit was a locked room. In any way, it seems more than likely Rasaid was killed by someone on the ship, meaning the murderer is one of their own. 

Despite the physical impossibility however, mechanic Makami is accused of the murder, as he was the last one to see Rasaid alive before he boarded W.E.A.R. Wolf and because he was being bullied by Rasaid. Because they are stranded and can't contact home base, Lycus Freyburg, captain of the Hecate, makes a desperate decision: in twelve hours, the whole crew has to take a vote on who they think the murderer is. By making it a "democratic decision", Lycus hopes the whole crew will band together again and keep their morals up, having "found the murderer of the Gundam test pilot" together. Leto Shia, a reserve mobile suit pilot, however warns Makami that at this rate, it'll be he who'll be branded the murderer. Leto herself also admits she had a motive, as she was being sexually harrassed by Rasaid. She decides to investigate the locked Gundam murder in order to find the real murderer in Itou Kei's Kidou Senshi Gundam Wearwolf  ("Mobile Suit Gundam Wearwolf", 2023-).

Kidou Senshi Gundam Wearwolf is a manga which started serialization in Gumdam Ace in 2023 and is drawn by Itou Kei, with a scenario by Shigenobu Kou. At this moment, two volumes collecting eight chapters have been released, and the series is still running (with a few uncollected chapters already having been released). I myself am not at all super familiar with Gundam to be honest: I have basically only seen the original trilogy films (based on the original series) and Gundam Wing, which story-wise are not directly related to the story of Gundam Wearwolf, but despite a few names being dropped which seemed to be coming from other series like Zeta Gundam, I could still follow it pretty good, so as long as you know what mobile suits are, you should be able to follow this. 

When this manga was first announced last year, I knew I wanted to read this, because the premise just sounded so much fun: the story was going to be inspired by the social deduction game Werewolf/Mafia, but also feature a locked room murder. And let's admit: a locked room murder in the cockpit of a Gundam is an awesome premise. To be honest, the werewolf theme in turn is a bit underused: while the Gundam itself is called W.E.A.R. Wolf and allies and enemies all liken the powerful mobile suit to the monstrous werewolf as it rages in battle, the social game is not really used in the manga itself, at least, not in the first two volumes. For the story focuses very much on Leto and Makami as they investigate clues in order to find the real murderer of Rasaid, while there's not that much of seeing the other members of the crew discussing the case or really coming up with theories why X or Y could be the murderer or pointing at each other. Up to this moment, the Werewolf theme is only used effectively as a time limit to have a voting round, though this could change in coming volumes.

So while the manga is still running, the how behind the locked room murder of Rasaid has already been solved in these first two cases, which is why I decided to already discuss this manga, especially as this series runs in a monthly, so it's not moving really fast. I have to start with admitting the start was a bit rough for me: the art is alright in normal scenes, but Itou Kei's action scenes are really difficult to follow: it's very hard to make out how mobile suits are moving about or how they are even attacking each other and while it's not very important for the mystery, the chaotic action scene with which the series opens, and the ones which we occasionally see later in the series too, are rather disappointing. It makes you really appreciate again how brilliantly the fights in Dragon Ball are drawn by Toriyama, simple but so incredibly effective in showing how characters were moving in relation to each other and the environment.

But let's focus on the main mystery of these first two volumes: the locked cockpit murder. The premise is sublime, as we have seen pilots going in and out of their mobile suits since forever in this franchise, and of course many pilots have been murdered while in a mobile suit.... but usually not under impossible circumstances (i.e. being shot down or having a beam sword pierce the cockpit is not an impossible crime...). The W.E.A.R. Wolf cockpit however was a locked space: there are logs of when the cockpit is opened and closed and Rasaid was confirmed to be alive when he entered the Gundam, as he actively fought in a skirmish and commnicated with others before his return to the Hecate, but when they open the cockpit for him in the hangar, they find he has been shot with a pistol through his heart. The situation is brilliant, and I wonder why it took so long for such a mystery to be created. The Gundam franchise has a lot of sci-fi gadgets of course that would allow for interesting murder situations and tricks (like the above mentioned Minovsky particles), so while a murder mystery in the world of Gundam can feel a bit "artificial", it is also true that Gundam has such strongly established world-building, a lot of tricks, even if relying on "sci-fi gadgets" would feel very fair, because they are constantly featured in so many series.

In that regard, I found the locked room of Gundam Wearwolf a bit disappointing. The trick itself for shooting Rasaid is one I feel very indifferent about. I think the psychology why the trick would have worked in general reasonable, but it feels a bit unfair to the reader because they can't know whether Rasaid would have realized what was going on in time or not (Rasaid is the one person likely to have been able to predict it). The actual trick is one that I feel could have been used in so many situations besides an actual Gundam cockpit, which is what makes it feel a bit like a let-down: I would have loved to have seen a trick that seemed more uniquely Gundam: it comes close now, but not quite, and ultimately, it is a variation of a trick you could also imagine seeing in a modern, or even classic setting and if you had seen it there, you would probably have found it a very trite trick. A lot of the investigation scenes with Leto and Makami also ultimately don't really focus on figuring out how the murder was committed (Leto basically figures it out in a dream), with most of their poking around resulting in information about the why, which would have been more interesting if the story had focused more on the social aspect of Werewolves.That said, Gundam Wearwolf is still running, and even though the first locked room murder has been solved, there's more mystery awaiting the crew of the Hecate it seems, so perhaps the series will manage to develop itself.

At this moment, the merits of Gundam Wearwolf as a detective manga lie more in its cool premise, of combining Gundam with a murder mystery set-up, than its actual execution. In the first two volumes, we are treated to a very cool and unique premise, but its solution is nowhere as original and creative as that. The theme of Werewolves is also underutilized, though that may change if the series continues on longer: I was actually expecting this to be a relatively short series, but with the way the second volume ends (and I believe there's already enough material serialized for a third volume), this aspect of the series might be used in a more memorable way. Anyway, it's likely I will continue reading this eventually, so perhaps my feelings on this series will change in time!

Original Japanese title(s): 伊藤亰 (漫画), 重信康(シナリオ)、小太刀右京(アドバイザー) 、矢立肇・富野由悠季(原案) 『機動戦士ガンダム ウェアヴォルフ』第1, 2巻

Sunday, July 7, 2024

Werewolf in a Winter Wonderland

"Just the right size for the Big Bad Wolf to come down the chimney... unless he's already here."
"The Beast Within: A Gabriel Knight Mystery"

The voice actor of Hajime in the television anime series of Kindaichi Shounen no Jikenbo, Matsuno Taiki, passed away last week at the young age of 56... While unlike many other fictional anime characters, Hajime actually had seen a handful of different voice actors for various media, ranging from theatrical anime, games and audio dramas, Matsuno played the role for the longest time across the most well-known productions, so most people do associate his voice the strongest to Hajime. Really a great loss. I myself usually read the manga with Matsuno's voice in mind, which is what I also did when I read this story (I read it before Matsuno's death was announced)

Kindaichi 37-sai no Jikenbo ("The Case Files of Kindaichi, Age 37") had a short serialization hiatus because it had been replaced by the limited series Kindaichi Shounen no Jikenbo 30th, or The Case File of Kindaichi 30th, celebrating the franchise's thirtieth birthday, but with that series wrapping up last year, the adventures of a middle-aged Hajime reluctantly solving crimes continue. In The Werewolf Murder Case, Hajime and his assistant Marin are put in charge of providing support to a special Werewolf (the social deduction game) event. They are responsible for the logistics like welcoming all the participants and the catering, though the game itself is set-up by a different company. At the station in snowy Nagano, Hajime and Marin welcome a group of very fanatic, and well-known Werewolf players, like the influencer Mineyuki Kouta, the musician Fuyiki Gakuto and the idol Touka. Hajime drives everyone to the location where the event will take place: Schwarzdorf, an abandoned theme park themed after a quaint German forest village. They will stay in the Weiss Schloss, which consists of an East and West annex. Upon arrival, the guests all instructed to wear special robes and masks (with built-in voice changers), so they can't recognize each other. They are also each given an in-game name (Alain, Ben etc.) to be used during this game. After that, they are randomly assigned their roles within the Werewolf game (villager, werewolf etc.). One of the participants, "Henry," is assigned the task of Game Master, who will coordinate the game, so Hajime and Marin can focus on providing service. After the initial explanation of the rules, everyone is sent back to their room as the Night Phase of the game will start, where the werewolf will kill one of the villagers. Before this part of the game can start however, Hajime and Marin stumble upon the body of... Henry in the courtyard gazebo! Beneath the mask is the musician Gakuto, who has been stabbed in the chest. It seems a real Werewolf has committed a murder during this game, but the footprints in the snow in the courtyard seem to tell a curious story: snow falling from the roof had blocked the direct passageway between the east and west annex, so people can only go from one building to the other via the courtyard, but there is only one set of footsteps going from the east annex to the gazebo, with none returning. That means that the murderer can't be in the east annex: while one can go to the west annex from the gazebo without leaving any footprints in the snow due to a covered passageway, this is not the case for the east annex. So whether the murderer has a room in the east or west annex, they couldn't have gone to the east annex after the Henry murder. Hajime tries to phone the police, but their mobiles have no reception and the landline has been cut, and their van has also been tampered with. They know of course help will eventually come if they don't return as per schedule, but Hajime fears more murders will take place before they'll be saved...


It's been more than a year since I last discussed the Kindaichi Shounen series! The Werewolf Murder Case is collected in volumes 14 until 16 of Kindaichi 37-sai no Jikenbo, though I have to admit I have only read until volume 15: it's at that point the culprit starts monologuing about their motive for the murders, with the bulk of the mystery has already been solved by Hajime, so I decided to review the story already: I was planning to buy volume 16 once the story that starts there ends, together with the other necessary volumes.

As I mentioned, I have never played Werewolf myself, but I have read a few mysteries that take direct or indirect inspiration from that game (like Danganronpa Kirigiri 2), so of course, I can understand the potential of using it as a vehicle to tell a murder mystery. In this case, what I did like about the case was that it allowed for all characters to be genre savvy: they are all experts in playing Werewolf, so even after the real murder is committed, all the characters are able to come up with reasonable theories and arguments to point to or away from suspects, and it's certainly more interesting than the "I'm not staying with you in one room, one of you might be a killer!" type of character. At some times, the story tries to portray the participants a bit off, as they seem to approach the discussions about the real murder as if it were a game, with a noticable sense of excitement: Hajime does note more than a few times this is not a game and that they're dealing with a real murderer, but I felt this part fell a bit flat, as ultimately, Hajime does constantly continues the discussion on the murders, so of course, they'd approach it in the way they play the Werewolf game and use the techniques they learned there: not everyone is like Hajime and encountering a real murder every two weeks and have a specific skillset for real murders!Anyway, by having these characters, it feels like we have more delving into theories by various characters than in most conventional Kindaichi Shounen stories (save for those that have multiple detective characters of course), and in that sense, I think The Werewolf Murder Case provided an interesting set-up with far more able characters than you usually see in the series. Also: was I the only one who thought it strange some of the participants also seemed used to discussing the logic behind the footsteps, even though practicality behind the murders in a typical Werewolf game shouldn't be important? A werewolf can just kill a villager right, it's not like they have to "explain" how they got inside or away...

So in terms of the type of characters, this story was interesting, but only if the mystery was the same...

While the story starts interesting enough with all the masks, it's kind of a shame the actual murders basically take place outside the framework of the Werewolf game: not even one round of the actual game is played before Gakuto is murdered, and after that, Hajime of course cancels the game and everyone is free to take off their masks and robes. Gakuto's death isn't the only one to happen, of course, because this is a Kindaichi Shounen story, but by then, it really has nothing to do with Werewolf anymore, with tricks and situations that could have used in any nondescript setting. This was a big disappointment to me, as the Werewolf game offers so much more potential than seen in this story. At the start of the story, Hajime very briefly explains the Werewolf game to his boss, and this was a very rudimentary explanation, but that was really all you ever needed to know, as it's barely used. The main mystery revolves around Gakuto's death: the crime scene suggests the murderer must be one of the persons present in the east annex after the murder.... which of course meta-wise strongly suggests it was actually someone in the west annex, making this an impossible murder. Oddly enough, this story seems reluctant to show you a clear floorplan until relatively late in the story, though this is not really troublesome. But I think this story is far too simple when it comes to the logic pointing to the murder of Gakuto: the way the major trail of clues is laid out to point to who it was, is done so obviously on the pages, the moment the scene comes up, you know exactly what its purpose is. And because it's a one-stage clue (i.e. the clue points at one single person, instead of excluding a Y number of suspects of the total pool of X), you just instantly know who did it. From there, figuring out howdunnit is not difficult, as some parts of the story set-up and presentation stand out too much to not be involved in how it was done. There is a second murder, that also involves most characters having an alibi (a body being placed outside in the courtyard during a time when most of them were chatting together), but again, the clewing for the solution to the howdunnit is incredibly straightforward, as if writer Amagi had no idea how to properly set-up the introduction of this clue, so he just decided to just have it appear randomly on the page.  Not to mention the solution itself is very basic and not at all memorable...

Well, at least Hajime gets to do something memorable he seldom manages to do in the series, and that's cool, though I guess I still don't know what happens in the last few chapters found in volume 16...

No, The Werewolf Murder Case in volumes 14 until 16 of Kindaichi 37-sai no Jikenbo is far from being my favorite story in the series. While the idea of a real murderer taking over a game of Werewolf sounds really cool in theory, this story barely goes beyond that premise, offering a mystery story that in terms of actual content might as well have been a short story. The only thing I thought interesting, was the fact we have more characters who seemed into discussing theories regarding the murder, but that was far from enough to save this tale for me. Volume 16 with the next story is already out, but my guess it won't properly end until volume 18, so it might take another while before I discuss this series again.

Original Japanese title(s): 天樹征丸(原)、さとうふみや(画)『金田一37歳の事件簿』第14+15巻

Thursday, June 20, 2024

Mystery of the Glowing Eye

"His gaze pierces cloud, shadow, earth, and flesh. You know of what I speak, Gandalf: a great Eye, lidless, wreathed in flame."
"The Fellowship of the Ring"

Some years ago, I reviewed the animated film Doraemon: Nobita's Secret Gadget Museum, and I started the post by saying how weird it was I was going to explain what Doraemon was. Doraemon has been so immensely popular for decades not only in Japan, but the whole of South-East Asia, so having to explain what it was, was basically the same as having to explain who Mickey Mouse. In a way, having to explain GeGeGe no Kitarou today feels the same. GeGeGe no Kitarou is a series created by manga legend Mizuki Shigeru and has been very popular since it was created in the late 50s. Or is it the 30s? Originally, the story of Kitarou, a young boy with otherworldly roots who fights supernatural evil, was created in the thirties by Itou Masami and Tatsumi Keiyou as kamishibai, a form of street art where storytellers would use illustrated boards to tell serialized stories while selling candy. After World War II, Mizuki Shigeru, a talented kamishibai illustrator, was asked by the original publisher to continue the series known as Hakaba Kitarou. He would later also create comics-for-rent starring Kitarou of the Graveyard and eventually, Mizuki was given the offer to do a serialized manga series in Shounen Magazine in the late 60s, which came with the new title GeGeGe no Kitarou it is best known as now. 

While there are differences across the various iterations of the series, the core remains the same: Kitarou, born at a graveyard, is the last of the Ghost Tribe and together with his father (who after some hardships in life is now a walking & talking eyeball), the two of them help humans in need whenever they face supernatural danger. With his remendous supernatural powers and the help of other friendly ghouls & ghosts from mainly Japanese mythology, Kitarou faces youkai who prey on helpless humans and want to disturb the balance between the human and supernatural world. The series led to a genuine youkai boom in Japan at the time, reacquainting children with "old" Japanese youkai and mythology. GeGeGe no Kitarou is one of the earliest anime series to be made, but has never been gone from the Japanese pop culture consciousness since: new anime series are created every few years and multiple generations have been brought up with the knowledge Kitarou and his posse have always been there protecting them.


As GeGeGe no Kitarou is of course all about the supernatural adventures Kitarou and his friends have, I honestly never expected I'd be writing about this series here, as the franchise honestly doesn't even aspire to anything even remotely close to a detective.... until late last year. For in November 2023, the animated film Kitarou Tanjou GeGeGe no Nazo ("The Birth of Kitarou ~ The Mystery of GeGeGe") was released to commemorate what would have been Mizuki Shigeru's 100th birthday and it turns out this film is actually.... a detective film. Up to a degree!

Set in 1956, the viewer is first introduced to Mizuki, an employee at the Imperial Blood Bank who desperately wants to climb the corporate ladder. When he learns that Ryuuga Tokisada has passed away, he knows this is his once-in-a-lifetime opportunity: Mizuki is in charge of the account of Ryuuga Medicine and close to Ryuuga Katsunori, the president of Ryuuga Medicine and Tokisada's son-in-law. Mizuki expects Katsunori will become the new patriarch of the Ryuuga clan, controlling the vast fortune of the family, so he decides to travel to the very remote lake village of Nagura to convey his condoleances to the family, but more importantly, to secure himself a comfortable place in Katsunori's pocket. Arriving at the village, Mizuki meets Katsunori's daughter Sayo and her weakly cousin Tokiya, who have never left the village and dream of seeing the great capital Tokyo. Mizuki is allowed to attend the reading of the will, but to everyone's great surprise, it's not Katsunori who inherits everything, but Tokisada's son Tokimaro, a recluse with a few screws loose in his head. The will also stipulates that in the case of Tokimaro's death, Tokiya will inherit everything. The following day, Tokimaro is found brutally murdered, but the mayor and his men soon arrest a wandering stranger, who refuses to say his name, though Mizuki comes to call him Gegerou. The mayor wants to execute Gegerou on the spot, being convinced this stranger is the killer, but Mizuki insists the police should investigate Tokimaro's death properly. Gegerou eventually confides to Mizuki that his wife disappeared many years ago and that he has been looking for her since: sources have revealed to him she was seen in this village before her disappearance. Meanwhile, more people within the Ryuuga clan are killed in horrid manners, but while Mizuki is at first convinced the police must handle these incidents, he soon learns via Gegerou that supernatural powers are at play here, and while Gegerou turns out to be in possession of tremendous spiritual powers himself, solving these murders and the mystery of his missing wife is no easy task...


Let me temper your expectations right away: the finale of this film is not a denouement where Gegerou and Mizuki use logic to solve all the murders: it's all about youkai and other supernatural powers and there are more than a few battles where the combatants all have inhuman powers. This film is not really created as a fair-play mystery film, so don't come in expecting exactly that. That said, I did really enjoy this film, which delves into the story of Kitarou's father before he became a walking eyeball and as a buddy film with Mizuki and Gegerou, Kitarou Tanjou GeGeGe no Nazo is honestly a great watch with a fantastic dark atmosphere. Don't let the poster with Kitarou fool you: while this film is technically tied to the sixth anime series in terms of character designs/voice actors, this film can be surprisingly gory and it's definitely meant for an older audience than the core audience of that series (in fact, it is PG12 in Japan I believe, whereas the series is probably for all ages).

But on the whole, it is clear the production team behind Kitarou Tanjou GeGeGe no Nazo had Yokomizo Seishi in mind and certainly the first half of the film, you could honestly be fooled into thinking you were watching a film based on Yokomizo's work. The remote village is a familiar trope from the Kindaichi Kousuke novels, and the reading of the surprising will in the manor with all the family members all coveting a large share of the pie is very similar to the famous scene from Inugamike no Ichizoku, as well as the unique conditions of the will which seems to spark a series of gruesome murders among the family. The incredibly dark atmosphere, the horrifying underlying motive behind the murders and the whole "something is off about this family and the community" vibe and the sense of how everything slowly seems to crumble as more and more murders are committed, is done splendidly in this film, and I would love to see this team work on an actual Kindaichi anime adaptation, because they absolutely nailed the atmosphere they should be going for. But again, Kitarou Tanjou GeGeGe no Nazo however is not meant to be a fair-play mystery using those elements: it's not like youkai X having this or that power is meant to be a clue about how a certain murder was committed, nor does it expect you to deduce a certain youkai's identity based on the supernatural happenings in the film, so in that sense, it's very different from the other supernatural mysteries I discuss here. But the film's plot structure and main story is taken straight from a mystery story and it's fantastic in its execution of those elements. Guessing who the murderer is, might not be very difficult, but I do love some of the folkloristic clues given in the film, and of course, with talk about youkai and other religious visual imagery going on, at times you're also reminded of the work of Kyougoku Natsuhiko (who has worked on the GeGeGe no Kitarou franchise) and Mitsuda Shinzou, and that's never bad company when it comes to mystery stories involved folklore!

While the murders are the main worry of the people in the Ryuuga clan, Gegerou is of course more interested in the disappearance of his wife, and while this part follows familar mystery tropes less faithfully, I do have to say I really appreciated how this plotline ties back to important themes in Mizuku Shigeru's works, themes that are also partially reflected in the fictional character of Mizuki (who is not meant to be Mizuki Shigeru per se). The film is its own original story by the way, but does take cues from the very first Hakaba no Kitarou story from the rental comics, which tells the story of how Kitarou was born at a graveyard. Because the film features a mostly original story, set before the main GeGeGe no Kitarou series (which doesn't really have a strong chronology anyway), the film can be watched without any prior knowledge of the franchise, I think. The book-ending parts are set in the present with Kitarou, but these parts are short, and other references to the main series in the story set in the past are minor.

I doubt I will ever be writing about GeGeGe no Kitarou on this blog again, but that is also why I decided to discuss Kitarou Tanjou GeGeGe no Nazo this time, because it's just such a unique work within the franchise. I saw the film quite a few months ago, and initially I wasn't planning on writing about it, but after some reflexion, I thought: why not, actually? The film is without a doubt in essence the kind of mystery film I do like to see. It got the atmosphere down perfectly and setting aside the matter of it really being a mystery film or not: As an animated film, it's a visual and auditory delight and the relaxed Gegerou and really stressed out Mizuki work great as reluctant buddies working together. Definitely a must-see for fans of the Kindaichi novels!

Original Japanese title(s): 水木しげる(原作)『鬼太郎誕生 ゲゲゲの謎』

Sunday, May 19, 2024

The Haunted Monastery

"Our readers are children! Millions of bloodthirsty little kids, and we give them what they want!"
"Ellery Queen: The Adventure of the Comic Book Crusader"

This might the first time since I started doing reviews of both the Detective Conan manga and films that I managed to get the film review out before the corresponding manga volume...

Detective Conan volume 105 was released in April 2024, timed together with the release of the 2024 film Detective Conan: The Million-Dollar Pentagram and it also serves as the very first volume released as part of this anniversary year, as the manga of Detective Conan started its serialization 30 years ago, back in 1994. While the stories included in the volume themselves don't have any special "anniversary" themes, the physical volume itself does come in two variations: a normal one and a special edition one, which features an alternate cover that mirrors the cover of volume 1, as well as extra booklet with character sketches from when the series was still in the planning phase. Small note for collectors: the detective character introduced in the encyclopedia at the end of the volume is actually different in the special edition from the normal edition. Anyway, the contents of volume 105 itself are your standard fare for the series, so no big anniversary story. The volume opens with the remainder of Why He Became Her Butler, which started in the previous volume. Conan and Ran are travelling with Hattori and Kazuha in the express train, and it happens Hattori's self-proclaimed fiance Momiji is there too, accompanied by her butler Iori. During the trip, Iori is approached by a man, who forces the butler to cooperate, or else Momiji will be hurt. Via his phone, Iori is told to go to a certain seat in the train, where he finds a dead man, and he is ordered to find a USB memory stick this dead man has hidden somewhere. While Iori tries to deduce where the stick is, he also tries to remember where he knows the voice of the man threatening them from, which brings up memories of his time when he was a police officer with Public Security. Meanwhile, Conan and Hattori also notice Iori's acting strange...

A very, very mediocre story. The "where could the USB memory stick be hidden" mystery is just a device to tell the flashback story of Iori and Momiji meeting for the first time, fleshing out the perfect butler's background, but as a mystery, it's incredibly minimalistic and most of it is resolved before the reader gets any chance to even think about it. So a very character-focused story, which might entertain people who have become fans of Momiji and Iori ever since they were introduced around 2016, but not if you're just hoping to read a cool mystery once every five months...

So when I write my reviews of the Conan manga, I get the story titles from the official Shonen Sunday website for the series: the titles of the stories often will be used as the titles for the episodes when they are later adapted for the television anime, but sometimes they are changed, with the manga story titles retroactively changed to the anime story titles. Usually, this site is updated when the new volume releases, but for some reason, the site has not added volume 105 yet, meaning I don't really know the "official" titles for the following two stories.

Anyway, the second story is clearly one meant to tie in with the 2024 film The Million-Dollar Pentagram and set before the film, as Hattori is still planning to confess his love to Kazuha at a spot with a great scenery, and Ran, having learned Hattori's plans, has found the perfect spot: Mt. Washio, which offers a great sunset view. So Ran, her father, Conan, Hattori and Kazua go mountain hiking, but a sudden rain forces them to find shelter at a Buddhist temple on the mountain. Luckily for Hattori, Ran learns there's a great view from the temple too, so they stay here until the rain stops. During their stay, they learn about a monk who disappears some time ago, and that there are rumors of will-o'-wisp sightings here. The gang takes a look at the room where the monk had disappeared from, which is accessed via a small staircase. Later however, the gang witnesses the will-o'-wisp themselves as the fire moves up the staircase, and it is then they realize Mouri himself has also disappeared. What is happening at this temple? Not much interesting here, I'm afraid. What appears to be a potential interesting locked room mystery, provides you with the most unsatisfying solution ever, and while there are other mysterious events at the temple which are connected in the end, the events unfolding at the temple just don't really interest me, while at the same time, you know the Hattori plotline is going to be carried over to The Million-Dollar Pentagram, so none of this story feels even remotely engaging.

The final complete story in this volume features phantom thief KID, who is also a major character in The Million-Dollar Pentagram, so no surprises about him being featured here. Suzuki Jiroukichi has once again set-up another trap using a big jewel as bait to catch the thief. This time, he has rigged a special small exhibition room on the Bell Tree Tower, like a small box attached to the side of the tower. Because of its size and it being suspended mid-air, it's seen as the perfect trap, especially as the only entrance to the room (from the tower) has security cameras aimed at it, as well as other security measures, with the idea that if KID does manage to get inside the room, it'll lock from the outside, making escape impossible. A special team specializing in security has been hired to set-up this system, and they finish up just before KID's announced time of the theft. Conan is of course here to stop KID, and when the time arrives, things start to happen that prompt Conan to run to the security room to confront the thief. When he gets inside the room however, he finds not only KID, but the dead head of security too. Has KID finally stooped to murder? Well, of course not, and Conan too believes the thief didn't kill the man, but the situation doesn't look good for KID, as he was the only other person in the room besides the corpse and cameras had been aimed at the exhibition room entrance all the time, meaning the corpse appeared out of nowhere, and KID is known to be able to conjure up things out of nowhere.... To win some time, KID decides to "disguise" himself as high school student detective Kudou Shinichi (it's not really a disguise, as the two look remarkably similar), pretending to be here at the scene to catch KID too. Together with Conan, he tries to figure out who committed the murder and tried to pin the crime on him, but the duo run into a little, big problem: KID's rival, Hakuba Saguru, has returned from the United Kingdom, and this detective soon starts to have suspicions about "Shinichi's" actions at the scene...

By far the best story of the volume, as it's both funny and has a more robust mystery compared to the previous two stories, though because of the very, very specialized set-up of the room, and the manner in which Conan and KID discovered the body, I have a feeling many will find it easy to at least make a general guess about how the murder was committed, even though cameras had been aimed at the door entrance and they didn't register a thing besides the time KID forced entry into the room. Conan reluctantly doing his investigation while "tolerating" KID as Shinichi is funny, and the mystery does get a bit fleshed out due to the inverted mystery-element of the story: KID and Conan are being detectives as they try to solve the murder, but they are also "the culprits", trying to hide the fact KID has disguised himself as Shinichi, with Hakuba Saguru acting as the detective in that storyline. So you have a two-pronged mystery plot that gives this story some depth. There are some story seeds sown here that get reaped in the film too, so as also shown with the Hattori story, you'd better read this volume before you watch the film.


Oh, by the way, I did read this volume too before I went to the theatre, I just postponed writing this review for some time... They had some neat promotional material in the bookshop by the way: they had a newspaper about the exploits of the phantom thief KID (setting up the story of the film), as well as the newspaper featuring Shinichi on the frontpage seen in the very first chapter of the manga, and always shown in the opening scenes of the animated films each year.

Detective Conan 105 is not a really interesting volume mystery-wise, to be honest, and that's continuing a trend that's been going on for some time now, so I do find it harder to become really enthusiastic now for each new release. It wouldn't be so bad if we had the older release schedule of a new volume every three months, but nowadays it's basically one volume every half year... The volume does have ties with the film, so you'd better read 105 before watching the film, as you'll see more clearly how author Aoyama does try to "hype things up" for the film in the manga itself too. Anyway, we'll have to wait months again for the next volume unfortunately, but considering this is the 30th anniversary year, I do hope the next volume features a more substantional mystery tale, one that doesn't need to tie in with ongoing storylines or feels the need to flesh out characters. Just a six chapter story solely dedicated to telling a large mystery story. Please?

Original Japanese title(s): 青山剛昌『名探偵コナン』105巻

Friday, May 10, 2024

The Secret of the Knight’s Sword

Meeting you with a view to a kill
Face to face in secret places, feel the chill
"A View to a Kill" (Duran Duran)

This is actually the first post I have written in over four months...

Detective Conan manga & movies:
Part 1: Volumes 1 ~ 10
Part 2: Volumes 11~20; The Timebombed Skyscraper (1) / The Fourteenth Target (2)
Part 3: Volumes 21~30; The Last Wizard of the Century (3) / Captured in Her Eyes (4)
Part 4: Volumes 31~40; Countdown to Heaven (5) / The Phantom of Baker Street (6)
Part 5: Volumes 41~50; Crossroad in the Ancient Capital (7) / Magician of the Silver Sky (8) / Strategy Above the Depths (9)
Part 6:  Volumes 51~60; Private Eyes' Requiem (10) / Jolly Roger in the Deep Azure (11)
Part 7: Volumes 61~70; Full Score of Fear (12) / The Raven Chaser (13) / Lost Ship in the Sky (14)
Part 8: Volumes 71~80; Quarter of Silence (15) / The Eleventh Striker (16) / Private Eye in the Distant Sea (17)
(You will find the links to the reviews of volumes 70, 72~76, 78, 82~104 and the films Quarter of Silence (15), The Eleventh Striker (16), Private Eye in the Distant Sea (17), Dimensional Sniper (18), Sunflowers of Inferno (19), The Darkest Nightmare (20), The Crimson Love Letter (21), Zero the Enforcer (22), The Fist of Blue Sapphire (23), The Scarlet Bullet (24), Bride of Halloween (25) and The Black Iron Submarine (26) in the library or via the Detective Conan tag)
 
High school student detective Hattori Heiji is attending a major kendo tournament in Hakodate, Hokkaido and he hopes to confess his love to his childhood friend Kazuha while they're in Hakodate, as Hokkaido features several spots with beautiful scenery, perfect for such an occassion. However, at the same time, the wealthy Onoe Takuzou, an Hakodate inhabitant, has received a notice from the notorious phantom thief KID, who declares he'll steal his two antique wakizashi swords, which were once gifted to Hishikata Toshizou of the Shingengumi. While wondering why KID is after the sword, as he usually only targets jewels, Hattori and Conan (high school student detective Kudou Shinichi who has been turned into a child and is hiding his identity) manage to fend off KID. However, Onoe's attorney's dead body is later found in the city, with a characteristic X-slash across his chest. Based on his belongings, the gang deduces the attorney had illegally brought another Japanese sword back from Dubai to Japan on orders of his employee, which now has been stolen. They eventually learn the swords were all made by swordmaker Higashikubo Eitatsu. Onoe Keizaburou (Takuzou's grandfather) had more sets of swords created during the war, as he was a high-ranking supplies official and rumors have it he hid a treasure somewhere in Hokkaido, with the swords serving as a clue to its whereabouts. Besides KID himself and the murderer, who is seen wearing a fox-mask, more parties appear on the scene who seem after the treasure, starting a race against the clock to see who can first obtain all the swords and find Onoe's treasure in the 2024 theatrical film Detective Conan: The Million-Dollar Pentagram.
 
Wait... a Detective Conan film review... in this time of the year? Yes! This is the first time since 2012's The Eleventh Striker where I didn't need to wait for the home video release, but got to see it in the theatres again! First time I saw a Conan film in 4DX too by the way, and while I do complain about the recent films being so more much action-focused at the expense of the mystery plot, I do have to admit watching the modern films in 4DX is a lot of fun!


Detective Conan: The Million-Dollar Pentagram is the 27th Detective Conan film and marks a return of mystery writer Ookura Takahiro as the screenwriter for the film. I wasn't too big a fan of the mystery plot of his Detective Conan: The Fist of Blue Sapphire (2019), but I consider Detective Conan: The Crimson Love Letter (2017) as one of the best Conan films overall, especially mystery plot-wise, and at the very least, one can definitely say Ookura has an excellent grasp on the characters, often inserting very fun character interaction scenes throughout his films. Like The Crimson Love Letter, Detective Conan: The Million-Dollar Pentagram focuses on the relationship between Hattori and Kazuha, with the film providing a conclusion to a storyline that has been running in the manga for some years now, with Hattori trying to confess his love to Kazuha at a memorable spot. For the character-focused fans of the franchise, The Million-Dollar Pentagram has a lot of great moments, from seeing Hattori finally confronting KID after their first clash in 2019, to the "big secret" of KID which the trailers have been talking about (Thought to be honest I.... don't like the reveal... I really don't) and some cool cameos. What I do appreciate about this film in general is that like The Crimson Love Letter, it's so much more accessible than some of the previous films, which built too strongly on the complicated character relations in the series. With so many character being (double) spies, having their own agendas and complicated pasts, some of the films would demand a lot of a viewer with nil knowledge of Conan, while this film keeps things relatively simple, with a murder mystery/treasure hunt plot, plus a simple rom-com plot of "boy wanting to confess love to girl", and not expecting you to remember that in volume XX, this and that character discussed this together. The previous two films (Black Iron Submarine and Bride of Halloween I both described as films that do "... things I hadn't expected a Detective Conan film to do, but also didn't do a lot of things I expect, or at least hope to get from a Detective Conan film." In that sense, I felt The Million-Dollar Pentagram was much more like a conventional Conan film, being universally easier to see for a wider audience.

As a mystery film however, The Million-Dollar Pentagram is really not especially memorable. While technically it is a murder mystery, the plot is mainly focused on the treasure hunt aspect, with all the parties trying to figure out 1) what Onoe's treasure was and 2) where the treasure is. While fortunately, the treasure hunt isn't reliant on one of those wordplay riddles you often see in the series, the actual puzzle-solving aspect of this film isn't really interesting, and you'll probably just be passively watching everything unfold, rather than really trying to solve any of this yourself. The mystery of the murderer is fairly simple too, partially due to a very small pool of viable suspects, and while there's a very minor piece of misdirection I feel is executed quite well on screen, I won't be recommending this film on its mystery merits. Fortunately, I was watching this in 4DX, so I did physically enjoy all the outrageous clashes between the various parties while chasing after the treasure!

Still, I do wish we have we get a more mystery plot-focused film soon again... I really loved The Crimson Love Letter, as I think it struck a great balance between the plot and the modern focus on action. As always, we already got a sneak preview/teaser of next year's film at the end of The Million-Dollar Pentagram, and while it honestly could go anyway, the teaser did suggest a focus on a set of characters that usually come with pretty robust mystery plots...

I happened to have been watching the 2008 Gegege no Kitarou animated film before this film, where they did a lot of local tourism PR by having Neko Musume visit various places briefly in the film, and I did think The Million-Dollar Pentagram felt a bit like a PR film at times. When the Conan films are set in Tokyo, they are usually set in fictional Beika, or use fictional landmarks like Touto Tower and the Bell Tree Tower instead of the Tokyo Tower and the Skytree. This film however features a lot of real Hakodate (and Hokkaido) landmarks, and with modern visuals, these sights are presented photo-realistically, as compared to the more drawn style we see in the earliest Conan films. Not really a bad thing per se, but seeing a hyper realistic Hakodate in this film did feel a bit weird as usually, real-life locations are drawn in a more stylized fashion in the television anime series.

Oh, and while not really related to this film, but I might as well mention it here: I did visit the special Detective Conan 30th Anniversary exhibition that's travelling across Japan now. Pretty interesting to see the original drawings and all of that. While it is understandably very character-focused, so not especially interesting for those who are only interested in Conan for the mystery stories, there were some fun displays for the mystery fans too, like this showcase of the various murder weapons used. Would be fun to see more of these mystery-focused exhibitions. Imagine how fun it'd be to visit sets of murder scenes of famous mystery stories!

Anyway, Detective Conan: The Million-Dollar Pentagram is a film that is probably best enjoyed by long-time fans of the series, who want to see characters like Hattori and KID interact with each other (and the conclusion to Hattori's attempts at confessing his love to Kazuha), while also being somewhat involved in a murder mystery. The film is better enjoyed for its action scenes than the mystery, but at the very least, it's a lot more accessible than its immediate predecessors as it does work as a standalone rom-com too.  That said, I do hope next year's entry will be a bit more substantial mystery-wise.

Original Japanese title(s): 『名探偵コナン 100万ドルの五稜星』

Wednesday, March 13, 2024

Mystery of the Samurai Sword

"For all who take the sword will perish by the sword."
"Matthew 26" (New Revised Standard Version)

Reading these books does bring back memories as while Spiral was far from the first anime I ever saw, it was one of the first series I encountered once I started to actually look for mystery anime series after Conan and Kindaichi Shounen.
 
Ayumu, piano and deductive prodigy, solved two murder cases that occured at his high school, but never had he expected to find himself dueling a teacher of his school. Kuromine Kiriko is one of the best swordfighters in Japan and now Ayumu, who has never even picked up a sword in his life before, is standing in a dojo, facing this terrifyingly cold martial artist. Ayumu is to win one point by hitting Kiriko in one of the vital points of Kendo, but how is a complete amateur going to win even one point against a swordmaster? The reason why Ayumu is in this predicament? The murder on Sakurazaki Kengo. Kengo and Kiriko had been Kendo-rivals since their youth and had been polar opposites. Kengo fought with passion and would overwhelm his opponents with his blazing energy, Kiriko fought calculated, striking with cold preciseness. Both also happened to enroll in the same dojo, and were the top students there. Jinpachi, the master of the dojo had to decide who would become the next master and inherit the centuries-old sword Yuugao. While it was clear Kengo, who was not only dating the master's granddaughter, but with his warm personality, was obviously the better "people's person" when it came to leading a school, Kiriko in the end was the better swordsman and out of the many duels between Kengo and Kiriko, it was usually Kiriko who became the victor. However, when the master had Kiriko and Kengo have one final duel to win Yuugao, Kengo managed to win, and with that, he'd became the next master. Seven months ago, Jinpachi handed Kengo the sword Yuugao. While Jinpachi had to go to the hospital afterwards, his granddaughter of course celebrated the occasion with Kengo, and even Kiriko stopped by to congratulate him. However, the following morning, Kengo's dead body was found in a burning car, a stake having been driven through his chest. The murderer was never caught, even though Himeko is sure Kiriko killed her brother. And now seven months later, Kiriko is set to receive Yuugao, as Jinpachi also passed away in the meantime and the dojo needs a new master. The police never managed to find evidence Kiriko killed Kengo, so Himeko at least want to damage his reputation as a swordmaster by winning a point on him, but Ayumu decides to look in the case, as he perhaps can figure out how Kiriko killed Kengo despite having an alibi, but he then finds himself having to fight Kiriko himself... Can Ayumu win this duel and prove who killed Kengo in Shirodaira Kyou's Spiral ~ Suiri no Kizuna 1: Swordmaster no Hanzai ("Spiral ~ The Bonds of Reasoning 1: The Crime of the Swordmaster" 2001)? 
 
Spiral ~ Suiri no Kizuna or Spiral ~ The Bonds of Reasoning, the mystery(-themed) manga created by writer Shirodaira Kyou and artist Mizuno Eita, was about Ayumu, whose brother Kiyotaka disappeared two years ago after a final phone call with Ayumu where he mentioned the phrase "Blade Children". At the start of the series, Ayumu, who like his brother is a prodigy in both the piano and reasoning, gets involved in a murder case that occurs at his school, but with the help of the school newspaper club president Hiyono, he manages to prove his innocence, only to learn that this murder involved the Blade Children. This spin-off book was the first of four to be released, and is set extremely early in the series. It basically has no connections whatsoever with the main series save for the presence of Ayumu and Hiyono and tonally, it's also fairly different, so it really feels like a spin-off.

While this is the first novel, I have already read the second and third ones because I don't read books in order, so I already expected this book to be a bit different in tone compared to the main series. Which is why I was pleasantly surprised by the media res opening scene where Ayumu faces Kiriko in a Kendo duel where Ayumu has to deduce his way to winning a point against a swordmaster. This is the type of "logic battle" we often saw in the main series, where Ayumu had to outsmart his opponents in life-or-death games involving bombs, guns or... a ball game, so this scene felt very much like Spiral. Like in those situations, Ayumu can actually logically deduce what to do in a Kendo duel, and while this sounds weird at first, he comes up with a very logical conclusion to what to do in this duel in order to win a point over Kiriko. It all makes surprisingly sense, and is cleverly clewed in a fair way, which you wouldn't expect for a sword fight, which makes it all the more fun. It also ties in well with the past problem about Kengo's murder, because if you figure that out, it gives you strong hints about Kiriko's actions in the duel, so those parts are really well integrated.
 
Like the other novels, this book consists out of one short novella (the titular The Crime of the Swordmaster) and two short stories, so ultimately, the main story isn't that complex. The Kengo murder is... okay, considering it's a short story. I think one part of the misdirection is a bit too weak, and once you realize what that misdirection was intended to do, you also know the how and why behind Kengo's death. So it's a bit short and straightforward as a mystery story. It also depends on a few characters acting in certain ways to have this mystery work in the first place, though I think the motivation for these characters is supported well enough. But as a perfect alibi story, it's fairly weak, and I think the way it ties back to the duel scene, is the more memorable part of this book.

The book also includes two stories which were originally published online, which focus on Ayumi's brother Kiyotaka when he was a police detective. The stories were originally published in two parts, a Problem and Solution part, so I suppose the idea was you had a week or something like that to guess who did it between the posting of the first and second parts. While they are okay short mystery stories, one about a woman being killed by a jellyfish stuffed in her mouth, and the other about a braindead woman who'd die anyway being stabbed in the heart, I don't think they really work well in this format of "guess the solution", because the type of mystery these stories are about aren't really that straightforward. Ellery Queen-esque reasonings where you cross off suspects off a list one by one work better for these kind of puzzle challenges I think. I do think the second story, about the stabbed braindead woman, was good as a mystery story, just not as one that is intentionally split up in two parts.

Overall, I'd say Spiral ~ Suiri no Kizuna 1: Swordmaster no Hanzai is a pretty decent first spin-off novel. While it is still quite different from the main series, I'd say that of the three I have read now, it comes closest to the tropes we know of the main series, so it feels the most as part of the Spiral world. As a mystery story, the second one is the best, but it also feels barely connected to the main series. Anyway, one more to go!

Original Japanese title(s): 城平京(著) 水野英多(イラスト) 『小説 スパイラル~推理の絆1 ソードマスターの犯罪』