Wednesday, May 4, 2022

The Cyclone

" Some people without brains do an awful lot of talking, don't you think?"
"The Wonderful Wizard of Oz"

Bill the Lizard has done it again! Last time we saw our not very bright lizard from Wonderland, he got lost and somehow arrived in the Hoffman Universe (a literary universe featuring the creations of German author E. T. A. Hoffman) and got involved in a murder case there. That case got wrapped up and Bill was ready to travel again back to Wonderland, but this time, he finds himself wandering through a desert. Exhausted, he collapses near the end of the desert, where he is found by... a girl called Dorothy, a lion, a scarecrow and a Tin Man. Bill is rescued by these four, and he's brought to Ozma, Queen of the land of Oz, who as one of the few people capable of using magic in this world, might be able to help Bill find a way back to Wonderland. This is a great relief for Imori, a Japanese student in the "real" world. Bill and Imori are two sides of the same coin: both "dream" they are the other whenever they sleep, and while the two have completely different personalities, the two do share memories. Imori has been aware of this two-way avatar system for a long time now and previously, he also met other people at his university who too have avatars in the dream world. After Bill's arrival on the land of Oz, Imori runs into the human avatars of Dorothy and Jellia Jamb at his university, Dorothy, and Juria, with whom Imori argues about the way Queen Ozma rules the kingdom.

While Dorothy and the others suggest to Bill he might as well stay in the Land of Oz, Imori is determined to have Bill return to Wonderland, so the people in Oz try to figure out where Bill came from and look for a way to send him back.  It also happens to be the birthday of Queen Ozma, and a great party is prepared at the castle, but then tragedy strikes! Dorothy is found murdered in her room in the castle, and Jinjur, who was guarding the castle entrance, was also brutally killed.  Bill's adventures in the Hoffman Universe however taught Imori that if a person dies in the dream world, whether it's Wonderland or the Hoffman Universe, their counterpart avatar in the real world also dies. Imori learns that the real-world Dorothy has also died in a freak accident at college, as well as a person who was likely Jinjur in the Land of Oz. Jellia Jamb is tasked by Queen Ozma with the investigation into the death of Dorothy and Jinjur, but she soon realizes that only a select few people, specifically Dorothy's friends, would have been let into the castle, because there were strict security measures set in place due to Queen Ozma's birthday party and the many guests invited from all the corners of the world. Meanwhile, Imori and Juria try to investigate the death of Dorothy in the real life, which brings them in contact with other human avatars of people from the Land of Oz, but to their great surprise to also run into a person who claims they killed Dorothy, but who are they in the Land of Oz? That's the great mystery Imori and Bill have to face in Kobayashi Yasumi's Dorothy Goroshi (2018), also known as The Murder of Dorothy

Dorothy Goroshi is the third book in Kobayashi's Märchen Murder series which started with Alice Goroshi (which I absolutely loved), followed by Clara Goroshi. Kobayashi sadly enough passed away in 2020, which makes the next book, with Tinkerbell, also the last one in the series. Alice Goroshi introduced the concepts of dual worlds, shared dreams and the avatar system, though both Clara Goroshi and Dorothy Goroshi are set before the events of the first novel. I'd recommend strongly to read these books in publication order however, as while these stories don't straight-out spoil the events of the previous book(s), they do build on the mechanics of the avatar system, and revelations that were considered shocking in Alice Goroshi, are taken for granted in subsequent novels, meaning that the first novel is a lot easier to solve because a lot of the clever trickery employed there are used as "common knowledge" in the following books. If you'd read Clara Goroshi before Alice Goroshi, you'll find out a lot of the "reveals" in Alice are mentioned casually in Clara, taking away a lot of the surprise and that's also true up to an extent for Dorothy and Alice.

I didn't really know the works of E.T.A. Hoffman before I read Clara Goroshi, and still enjoyed it a lot, so I wasn't too worried when I started with Dorothy Goroshi, despite me not really knowing the Oz series. Which might be a bit odd? While I guess the Wizard of Oz and all the novels are probably a corneerstone of American culture, I have fairly little history with The Wizard of Oz, and I haven't even seen the groundbreaking film. In fact, I basically only know the 1986 anime Oz no Mahoutsukai (known in English as The Wonderful Wizard of Oz), and it's not like I even saw very much of that, though I guess a lot of people my age would recognize the Dutch theme song (which is really catchy!). But even as an Oz-novice, basically only aware of Dorothy and her posse and some other references like Kansas, yellow brick roads and things like that, I did enjoy the world and characters portrayed in this novel, which is also thanks to the funny dialogues Kobayashi writes. These books are very dialogue-heavy with little narration, and often have the screwball characters going on and on with nonsensical conversations (often with the clues to the mystery cleverly hidden there). I suppose some readers might find the repeating jokes and constant misunderstandings a bit tiring, but it really sells the crazy setting of this series and the writing makes this novel a really light read. It's quite effective at quickly drawing the various characters and the specific fictional world of the novel, so even if you don't know Wonderland, E.T.A. Hoffman or Oz at all, you'll be right at home.

With the murders in Wonderland, Alice Goroshi served as a great vehicle to lay out the rules of the avatar system and the dual worlds, and like I mentioned before Clara Goroshi was succesful in taking those basic rules, and build further on that to present a mystery plot that brought a new twist to those rules. I have to say that Dorothy Goroshi felt a bit disappointing in that regard, as this third novel doesn't feel like yet another step forward, but it basically runs parallel to Clara Goroshi. The mystery is also very focused on the question of who could've entered the palace, but this limits the number of suspects a lot, and I think that whole a certain piece of misdirection regarding the murderer is clever in theory, it's rather undeveloped in this novel: it's not brought up very often, so the attempt kinda falls flat, as the surprise really hinges on the fact whether the misdirection had been conveyed to the reader succesfully within those sparse moments, or not. In my case, the misdirection never managed to settle firmly in my mind, so I was constantly wondering why something wasn't mentioned, until I realized at the end that the book had tried to sell me on an idea early on without success. I imagine that if this misdirection had succeeded on me, I'd have found this book more surprising/enjoyable, That said, I did enjoy how the analysis of the Land of Oz and its characters through the eyes of Bill/Imori a lot and the book does succeed in portraying the Land of Oz as a place that seems perfect for a good bloody murder to happen!

I still think the first novel was the best at selling the dual world set-up though. In Alice Goroshi, you first had the hard split between the Wonderland characters and the real world characters, but as the story continued, the counterparts would slowly grow to resemble each other more, making for a (purposely) confusing cast. Both in Clara Goroshi and Dorothy Goroshi though, there's never that hard split between the real world characters and their dream world counterparts, with everyone already being aware of how the dual world system works etc., and a lot of the investigation/discussions seen in the real world just feel like an extension of what happens in Oz, rather than really looking at events from a different (more grounded) angle.

Overall though, Dorothy Goroshi is still an enjoyable mystery novel though, even if it is not as surprising anymore as the two novels preceding it. If you liked the previous two novels, or just like the idea of reading a murder mystery set in the Land of Oz (who doesn't!), this will provide some hours of good entertainment, but if you were never a fan of the nonsensical conversations of the earlier books, you'll definitely not find anything to change your mind. As metioned, the fourth book in the series is also the last, and I'll definitely will read Tinkerbell Goroshi once the pocket release is out!

Original Japanese title(s): 小林泰三『ドロシイ殺し』

10 comments :

  1. Greetings! Any chance you might be able to recommend one or more mystery short story collections in Japanese that you would deem useful for an intermediate learner to develop their reading ability? Wherein the writing style and vocabulary used is relatively straightforward? I would appreciate any suggestions. Thanks!

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    1. I myself started with Keigo Higashino's short story collections, so like the collections for his Galileo or Kaga series. Always very readable. Alice Arisugawa's short story collections, especially those in his Writer Alice series (usually have a "[Nationality] [Noun] no Nazo" title), are also easy to get into. Tokuya Higashigawa is great too, lots of dialogue (less narration), so the stories are easy to understand. The Nazotoki wa Dinner no Atode books are great, as are the Ikagawa City collections.

      I would also want to recommend anthologies, where you can try out multiple writers/styles, but I don't read them often myself ^_^' 『7人の名探偵』has a good selection of all the major "first wave" shin honkaku writers though and in general not very difficult to read. I haven't read tyhe two companion volumes 『謎の館へようこそ 白』and 『謎の館へようこそ 黒』, which feature stories from contemporary shin honkaku writers, some of which also write fairly simple.

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    2. Fantastic, thanks very much!

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  2. I recently finished another of Shirai Tomoyuki's short story collection (ミステリー・オーバードーズ). In particular, I really hope one day you may get the chance to review the 5th short story in it: "ディティクティブ・オーバードーズ" (the title roughly translates to 'Detective Overdose'). Absolutely strange and bewildering in its premise as his style goes, but incredible buildup to a 'very' logic-like conclusion at the end; highly recommended.

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    1. The only Shirai I read is still that one short story in Honkaku Ou 2019, where you explained his story style is indeed disgusting/uncomfortable :P But I still need to pick a book to get a real taste of his work. I see ミステリー・オーバードーズ is still fairly new, so I'll put it the wishlist to see whenever the pocket release comes or if there's some sale ^^'

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  3. It's too bad that this one wasn't quite up to the standards set by the preceding two, but I'd still like to read it. When I was eleven or so, I loved the Oz books. I read all of them (or at least all the ones written by L. Frank Baum), even the ones his publisher forced him to write after he ran out of ideas (they...weren't great...). Just reading your review brought back memories. I haven't read any of these in many years (unlike the Alice books, which I do reread from time to time, and Hoffmann, who, unsurprisingly, I didn't start reading till I was older), so this'll be nice to read just to relive old times.

    (And you're quite right about Oz being perfect for a murder. I seem to recall one or two times someone was chopped up by the villain of the week, only to be put back together by the end of the book. Not to mention the scarecrow getting unstuffed, or people being changed into inanimate objects, or becoming literally rooted in place, or...)

    Also, on a completely unrelated note, I read Death Among the Undead back in January and completely forgot to mention how much I liked it. I thought it was really clever (I solved the elevator murder and figured out the culprit, but didn't solve the whole thing) and I'm looking forward to reading the rest of the series. And, it goes without saying, the translation was first rate!

    (This comment reposed because apparently I can neither type nor proofread tonight. (Not that the new comment interface makes the latter any easier...))

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    1. Happy you liked Death Among the Undead! If you managed to pinpoint the culprit, you definitely came further than I did ^_^'

      Not surprisingly, I think the Alice/Clara/Dorothy books will be especially fun if you actually know the source material. As mentioned above, I haven't actually ever read any of the source books, and am at best somewhat familiar with adaptations of them, but still enjoy these books in general, but I am quite sure the books are full of small references only people who know the source material will understand, so I think you might like these books even better than I do.

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    2. Yeah, I bet you're right about possible nods to the source material. Especially since Kobayashi picked a rather little-known character like Jellia Jamb as one of the protagonists. (It's been so long, I had to look up who she was, even though I recognized the name.)

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  4. This series sounds phenomenal, but I'm terrified of reading it. You mentioned in the first review that there's a lot of tongue-twisters and nonsense, and that sounds daunting for someone like me who can't organically recognize legitimate Japanese from the goofiness... But you spoke so highly of the first two novels, I'm almost willing to brave it...

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    1. If you aren't confident enough in your Japanese, these books can be a bit challenging, yeah. The language used is fairly simple (because most of the characters in the fictional worlds are kinda... dumb), but what they say doesn't really make sense sometimes, so that may mess with you and make you think you don't really understand the Japanese you just read ^_~

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