Wednesday, May 19, 2021

Running On Fumes

" It is probably speeding on its way thither at the present instant as fast as steam can take it."
"The Adventure of the Second Stain"

This reminds me I want to try Steam Detectives one day...

It's finally time for Ema to start thinking about her future and decide on her apprenticeship. In an age where highly advanced steam and aether engines have made everything possible in this world, the future is bright and possibilities are unlimited. And while following her father's footsteps sounds alluring, travelling across the world as the captain of a flying aether-engine ship, her mind is set on becoming a detective, like the highly esteemed private detective Murie. She manages to arrange to be taken on as Murie's apprentice when her father returns to the metropolis from an important scientific mission: their airship moved to the atmosphere to research outer space for a while, but the expedition returned with a very odd capsule, which seems to hold a boy of Ema's age. She accidently opens the capsule, releasing the boy, but he appears to be normal boy. He is put in Murie's charge while Murie becomes involved in an investigation related to the space expedition and the mystery of why the boy was in the capsule, but meanwhile, Ema and the boy Yuujin get involved in all kinds mysteries that happen in the city, from with a locked room murder in a hotel where a scientist is knocked on the head with a rock to a man being stabbed with a knife while standing in the middle of a long corridor made completely of glass, with only Ema and Yuujin nearby and nobody else who could've approached the victim unseen. What they don't know is that they're about to uncover an insidious plot in Ashibe Taku's Steam Opera (2012).

Sometimes you come across a novel where you just know that the author not only greatly enjoyed writing the work, but also that the book was perhaps not so much written for a certain audience, but mostly for the author themselves. That's definitely the case with Steam Opera, which really feels like a book where Ashibe just went loose and decided to tackle all kinds of themes he himself likes. Of course, that's always been his forte to a degree: his bibliophilic tendencies is usually very prominent featured in his stories with lots of reference to literature and history, and often his plots also go deep into these themes. But Steam Opera feels like it was completely built upon Ashibe's personal interests, which is not a bad thing, mind you. 

When you're reading this mystery novel, with a steampunk alternate universe setting (with steam-powered trams, escalators, everything!) and written like a Jules Vernes-esque adventure novel with a distinct light novel-ish tone, with a young girl detective as the protagonist, it almost like you're ticking off a list of themes Ashibe likes. His love for late nineteenth century adventure novels is something you clearly see in his other works, as is his interest for the female detective protagonist as a trope, and the last years he's also been dabbling in light novel writing, so Steam Opera is really a book where he just throws together. And for the most part, it does work. The opening chapters of the book are exciting, as they introduce the reader to a steampunk world with aether engines and other familiar tropes of the steampunk genre and you know this distinctive universe will also be the setting for some interesting mysterious cases. Ema is pretty fun as the strongminded and usually quick-minded protagonist and the story combines the tropes of the classic science fiction adventure novel with more distinct light novel-conventions like the banter, but resulting in a world that you're not likely to find in many other mystery novels. That said, personally, I would've preferred a little more focus on the mystery side of the story, as sometimes the adventure-ish sides of the story don't seem to go anywhere than just to show off the characters.

Soon after the return of Ema's father's ship however, several mysterious murders occur in the steam-powered capital. They are of an impossible kind and the experienced reader of course knows that because we're now in a world with highly advanced steam and aether engines, solving the mystery will a be a lot trickier than let's say a mystery set in our own world. The first murder in that regards is perhaps a bit disappointing, about a man who's knocked on his head with a heavy stone in a locked hotel room, though it does utilize elements unique to this world. The situation in the Crystal Palace gardens is far more interesting: a man is stabbed by a knife in a corridor made completely of glass, allowing everyone around to have a clear view of the victim. With the victim standing in the middle of the curved corridor and Ema and Yuujin on either end of the corridor, nobody could've approached the victim to stab him, and yet there's a knife sitting neatly in the victim's body. I kinda had an idea what was likely the trick behind this murder, because the first case gave me a hint, but I think it's ultimately worked out really neatly in this novel. Speaking of which, the book builds to a climax that makes great use of the unique steampunk setting, but it also fits the almost fantasy-like story premise with a boy found in space. It's a grand conclusion that didn't quite manage to surprise me as much as it probably should have, because by mere coincidence, I had played with a similar idea but more as a joke theory, but Ashibe manages to convincingly work out this idea to write an ambitious work of steampunk fantasy mystery, but I don't think that everyone will like it: like I said, I first thought of it as a joke theory because I thought it'd be funny in such a novel and some might even find it unfair. If you didn't see it coming, it will hit you like a rock, and then you'll realize that you could've seen it coming, but it's a conclusion that really could've only worked in this specific steampunk world and it's a memorable one.

I do think that Steam Opera would perhaps have worked better in the form of something like an anime series. It already has the light novel atmosphere, but I also think that the steampunk world itself could've also used more time to really settle, as sometimes the set-up for some relevant elements of this world feels inadequate, whereas more runtime would've prepared the viewer more thorougly. The novel itself isn't really short, so but a more deliberate episode-by-episode structure would've made this a better experience.

Steam Opera is a book that's obviously written by Ashibe, for Ashibe, but that doesn't mean it's not amusing on its own. While the mystery subplots take a bit of time to really take off, the book does work to a conclusion that's memorable because of the way it utilizes the unique steampunk setting to present a mystery that you won't find anywhere else. That said, the storytelling at times feels more focused on the comedic steampunk adventure-side of the story, so if you're just reading this for the mystery, things will be a bit slow and longwinded perhaps.

Original Japanese title(s): 芦辺拓『スチームオペラ』

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