My first part-time job was at a nursing home actually. Well, the kitchen of a nursing home.
The Ayukawa Tetsuya Award is awarded each year by publisher Tokyo Sogensha to a promising new and upcoming author: the award includes a publishing contract for the debuting author and due to its focus on puzzle plot mysteries, I myself have greatly enjoyed the award winners: in recent years for example I have read and loved 2019's winner Jikuu Ryokousha no Sunadokei ("The Hourglass of the Time-Space Traveller"), 2017's winner Shijinsou no Satsujin ("The Murders in the Villa of the Dead") and 2016's winner The Jellyfish Never Freezes. So I always keep an eye on the announcement in the fall of each year to see what new author is coming. 2020's winner of the Ayukawa Tetsuya Award however interestingly enough had some similarities with one of the winners of the 2020 Mysteries! Newcomer Award, which is the equivalent award for short stories from the same publisher. You may remember I reviewed Yamato Hironori's short story Kamu Roujin ("The Biting Senior") last year, but that story too was about a small day nursing center for the elderly. It's kinda funny that both winners took on similar themes, even if it's kinda understandable as an aging population is a real-life social problem in Japan. n any case, a nursing home isn't a setting you're likely to associate with murder soon, but last year, we had two award-winning stories that went with such a setting. Author Senda Rio herself actually works (worked?) as a nurse by the way, so I assume that the depiction of the Azuki Home and how everything works is depicted in a realistic way. Save for the murder.
The Ayukawa Tetsuya Award winners I mentioned earlier were all written as fanciful detective stories, with locked room murders in isolated mansions or locations and other familiar tropes, so it took me a bit of time to adapt to the very mundane, realistic setting of The Murderer of Five Colors. The story itself too takes a while get going: while the book opens with the discovery of the body, the sequences after the opening scene are a bit slow as it properly introduces the setting of the Azuki Home and the many related characters and their relations: with the nursing and support staff, clients and visiting family all on scene at the time of the murder, it takes a while to get a good view on who is who and where everybody said they were at the time of the murder. Yet, the set-up is definitely necessary as there's a whole web of human relations that lie at the bottom of the case. The main suspect for example is the grandson of one of the clients of the Azuki Home: he happens to be dating the granddaughter of the victim Himeno, but lately, he's been growing slightly senile and had a one-sided fight with the suspect's grandmother, and therefore didn't like his prospective grandson-in-law at all. There are a few more instances where you need to keep a good eye on who's what to whom, as with all the information you're fed, you could make a pretty complex relationship chart of all the characters.
Things become more interesting once the main problem is presented. The matter of the missing murder weapon is of course also important, but the more baffling puzzle is of course how in heavens five witnesses could swear they all saw the fleeing suspect wearing a completely different color? If it were only two similar colors, like black and blue, you could suppose that some witnesses just didn't have eyes as sharp as the others, but with witnesses saying the suspect was red, blue, white, black or green, who knows which of them is actually right? Due to the contradicting testimonies, it's difficult for the police to pin the crime on any of the people in the Azuki Home at the time of the murder, paving the way for Haru and Mei to find out why their clients all saw a different color.
The five-color problem might sound a bit simple in comparison to the impossible murders we saw in previous Ayukawa Tetsuya Award winners, but the way in which the problem is solved is definitely what I expect from the 2020 winner. Senda manages to provide a convincing, logical explanation to why five different witnesses managed to see five different colors even though they looked at the same man at the same time. While some parts of the explanation might sound a bit familiar or could be easy to guess, it's the combination of all the ideas that manages to make this a great problem of logic: plenty of possible interpretations that a reader is likely to think off are also shown to be incorrect (yeah, it's not color blindness), so while the problem might seem mundane, it's properly worked out to be a truly baffling conundrum. The plot surrounding the murder weapon is less memorable in comparison.
The book has a great conclusion by the way, where Mei confronts her suspect and carefully lays out her deduction before the other party. It's a surprisingly tense confrontation due to some shocking events that occur before the climax, but as things are unrafelled by Mei, you'll learn there was more going on than most readers probably had noticed, and it results in a nice ending to the story, where some scenes suddenly make more sense in hindsight as you learn what their true part in the puzzle was.
Goshoku no Satsujinsha (The Murderer of Five Colors) might not be going for the familiar, classic tropes of the mystery genre and the setting and even the main problem might take some time to get used to, but once you're done with the book, you'll definitely understand why it was the 2020 Ayukawa Tetsuya Award winner. It's a fun story, utilizing an original setting to present a problem that at first seems too simple, but Senda manages to expand on it and really make this a novel-length mystery with perhaps more surpises than you'd initially expect.
I was hoping you'd review this. I read about it shortly after it came out and it sounded interesting, but I saw some reviews that talked about it almost as if it was a social-school novel with the puzzle element somewhat underplayed, so I wasn't quite sure what it was. (That said, given that it won the Ayukawa Tetsuya Award, I kind of figured that the puzzle had to be clever.)
ReplyDeleteThe setting sounds very interesting indeed, and I like the ambitiousness of the witnesses seeing five different colors. It'd be simpler to just go with two or three, but then that wouldn't be as satisfying. (And I'm glad that color blindness doesn't play a part in the solution. It's always disappointing when the first thing you think of on reading the synopsis of a story turns out to be the answer.)
While both stories are about a care home for the elderly, I'd say that Kamu Roujin (the short story that won the 2020 Mysteries! Newcomer Award) is the one that actually addresses the social problems involving a population growing old, while this book is more focused on simply using the setting as the background for its detective plot. It's definitely not mainly social school + minor puzzle.
DeleteI think the best part of the five color problem is probably that the five people saw the fleeing figure through the same door opening: if they had seen him from various angles/places, you'd also suspect something was going on, but here all the witnesses saw the same thing from the same place and still they come up with different colors!
That's a good point. It'd be a bit underwhelming if it was something like "The killer was seen wearing yellow as they fled the scene. It was their coat! Then, as they fled, they threw their yellow overcoat down the laundry chute, after which they were observed in a blue shirt and pants. Then, light from the red tinted window made them appear purple. After that..." :)
DeleteNow, this is completely off topic, but I'd like to ask for a bit of help on something. Yesterday, (for the first time since last March) I went to a local used bookstore where (for the first time since I started looking) they had a couple of Japanese mystery anthologies. One of them (マイ・ベスト・ミステリ VI) has stories by Arisugawa Alice, Edogawa Rampo, and Nikaidou Reito, so getting it was a no-brainer. However, the other one (嘘つきは殺人のはじまり―ミステリー傑作選 <43>) has only one author of whom I've heard (Kitamori Kou), so I was wondering if you were familiar with any of the authors and, if so, what you think of them. Sorry if this is any inconvenience and thanks a lot.
Of that list, I think I have only read something by Kitamori Kou and Orihara Ichi (Nanatsu no Hitsugi/The Seven Coffins last year, which was a great collection). I believe TomCat has a review of the English version of The Case of the Sharaku Murders. The others I haven't read anything of so can't really comment in any way on them.
DeleteThanks! I remember your review of Nanatsu no Hitsugi, it's on my list (which I, uh...forgot to check against. Oops.). I want back and got the anthology today. I figure that if it has at least three stories that I can be reasonably sure are orthodox puzzlers, it's probably worth $2. These came at a pretty fortuitous time, as (baring any more unexpected issues) I should be back to studying Japanese once the fall term begins.
DeleteOops, I left the name out, but to be clear: I meant that I haven't read anything by Takahashi Katsuhiko, but that I think TomCat read his The Case of the Sharaku Murders.
Delete$2 seems like a pretty safe gamble ^_^' Which reminds me, I have a pocket in the same series somewhere I once got from the university library for free because they were cleaning out, but never read it... ~_~
Good luck with your studies!
Don't worry, it was plenty clear. The book looked familiar, but the author's name did not (and still doesn't) ring a bell.
DeleteI hope that, when you do read it, your anthology turns out to be a good one.
And thanks!
Hello ho-ling, this is not related to this post sorry but it's related to one of your older post. In one of your post about the TV show called armchair detective you mentioned writing a guess the murderer story for your mystery club and mentioned that it involves holmes. I was wondering if you can translate that story of yours to English as I am very interested in reading it. Sorry that this is unrelated to this particular post. - jojo
ReplyDeleteHaha, I don't even know if I still have the file ^^' It wasn't particularly memorable though, so I'll keep this one a secret ;)
DeleteOh welp better luck next time I guess haha
DeleteThis review makes the novel sound appealing - if it's as good as the Zombie Villa Murders, it may very well turn out to be the best mystery novel I read in 2021. 🤩 But alas, it doesn't seem like it has received a Chinese translation as yet. 😕
ReplyDeleteIncidentally, I've recently purchased the Chinese edition of the Kurachi Jun novel I mentioned in your earlier post. A shame that it isn't the Kurachi Jun novel you reviewed - but I'm hoping 宛如碧风吹过 turns out to be just as good. 🧐
And of course, to maximise on shipping costs, I simply had to get some other novels too. In the end I snagged 2 other Chinese mystery novels: 密室小丑 by 时晨 (evidently has 5 locked room scenarios) and 春日之书 by 陆烨华. These 2 novels were released in 2020 under 黑猫文库推理系列, with 4 other novels. Not sure if you've heard of these 2 titles, or the series?
And incidentally, I just finished over the weekend the original Chinese novel for 雪が白いとき、かつそのときに限り by 陆秋槎. I can't quite recall if you've read this title as well, or just the preceding one set in ancient times? It adapted a locked-room scenario using snow on the ground, but in the end it turned out more Queen than Carr - in that the solution was not especially strong in its resolution of the locked-room scenario, but boasted some pleasing twists and turns in chains of deductive logic. But perhaps the overriding characteristic of the novel was its Yuri overtones. Which was slightly bizarre given the high school setting - surely there must be more boys in the school? And virtually every male character who appears is described explicitly as failing to escape the middle-age predicament of losing hair and growing pot-bellied. Those who are younger are almost uniformly weedy, long-haired or whimpering. 😅 Even a character who is meant to be male is written as female.
Hadn't heard of those titles before, doesn't seem like they're translated either. I assume that label is just doing honkaku mystery? That'd be one to keep an eye on then...
DeleteThe Queen angle does sound interesting! I only read the one set in ancient times, but that one definitely had yuri themes too! And your comment on the boys made me think of Yuureitachi no Fuzaishoumei I read last year (幽霊たちの不在証明), which did something similar. All the girls are described in detail and the boys only appear together in a group of boys who sound more or less the same ^_~