"Imitation is the sincerest form of flattery"
"Lacon: Or, Many Things in Few Words"
I like reading short story collections, I hate writing posts about them as there's usually a lot more work involved...
Last year, I reviewed three of the four books written by
Kagami Masayuki published during his lifetime. Kagami was an active writer in a very short period of only about ten years, unitl 2013, when he died young in his early fifties. In that period however, he became known as a specialist in locked room murder mysteries, who was very strongly inspired by
John Dickson Carr. In fact, his series detective
Charles Bertrand was directly modeled after Carr's own Henri Bencolin, both sharing the same background as Parisian magistrates, sharing the same appearances and also having an American narrator. The books I read by Kagami were definitely the stuff Carr fans would love, not only in terms of tone and the type of tricks used to create locked room mysteries, but also because they were full of Carr references, a lot of them I, to be honest, didn't get exactly because I haven't read that many Carrs in general, but you could feel Kagami's love for Carr everywhere. In 2022, almost a decade after Kagami's death, publisher Koubunsha released the big tome
Kagami Masayuki Mishuuroku Sakuhinshuu which also carries the English title
The Uncollected Works of Masayuki Kagami. As the title suggest, the book collects the short stories Kagami wrote in his lifetime which had originally been published in magazines or anthologies, but had not been published as their own standalone release yet. The book collects these ten stories, but very interestingly, these stories actually form a wonderful cohesive collection. Basically only one story doesn't fit with the rest of the selection in terms of theme, which is amazing considering these stories were only collected together in one book because Kagami passed away and these were "left behind."
The book opens with Waga Tomo Henri ("My Friend Henri"), which is technically Kagami's debut work: while his first published novel is Sougetsujou no Sangeki ("The Tragedy at the Twin Moon Castle"), he already had a few short stories published irregularly in anthologies in the years prior.The story is set in 1900 and narrated by Nicolas, a student studying at Haverford College. His friend Henri is from France studying there, while the twins Alexei and Ivan are from Russia. One evening, Alexei, Nicolas and Henri are hanging out in one of their rooms in their dorm, when they hear a bang from the room next door, which is the room of the twins. They go the room, but find it locked. When they finally manage to break open the door, Ivan is lying dead in the room, having been shot. They find the sign "I" next to Ivan. They of course try to warn the campus guard, but then they learn a professor has also been just shot to death and it turns out, near the professor's body was left the message "II". How could the murderer shoot two persons at about the same time, of which one victim was in a locked room? A technically sound story, though I am very indifferent about the coded message, and I can't say the solution to the locked room shooting and the way the murderer managed to kill both men in a very swift manner are very surprising: you are likely to have seen variants on the same ideas elsewhere before, but the story is constructed in a competent manner and fun to read. It's not a big surprise who Henri is, but interestingly enough, a character from this story will also appear in many other stories in this collection, acting as connecting tissue between the various stories.
In Angoumei Matryoshka - Ulyanov Ansatsu Shimei ("Codename: Matryoshka - The Order to Assasinate Ulyanov") starts with a spy discovering a plot by the secret police Okhrana to murder the revolutionary Ilyich Ulyanov. Apparently, an assassin code-named Matryoshka has already been installed in the close circle around Ulyanov. While the spy manages to escape, he is fatally shot and can only convey the presence of the assassin, and their background in German espionage missions before he dies. Meanwhile, Ulyanov, his wife and a few trusted friends are staying in a safehouse, but who of them is in fact Matryoshka? When suddenly one of the people falls from the top floor window while burning, it seems Matryoshka has finally struck, but why was their target not Ulyanov? I like the idea of how Matryoshka is identified (the specific clue), as it's the kind of clue I like very much and wish I'd see more in mystery fiction, but it feels very detached from the impossible elements of the story (there's no synergy). The room from which the victim fell, was locked, but there was one sleeping person in the same room. Physical evidence seems to indicate this person was truly lying in bed sleeping while the victim was killed, set on fire and pushed out of the window, but why would Matryoshka go such lengths to kill someone who wasn't even the intended target? The answer to how the murder was committed, could have been clewed a bit better perhaps, and a diagram of the whole house would probably have made the thing a bit more convincing in terms of character movements, but it's an okay story.
Taru no Ki Sou no Higeki ("The Tragedy of the House of Barrel Wood") is set in Manchukuo (the Japanese puppet state located in Northeast China and Inner Mongolia) and is about a Japanese man Tooru (a big fan of mystery fiction) and his Russian girlfriend Natasia, who are going to spend Christmas Eve together. They are going to visit a museum in Lüshun during the day, while returning back to Dalian at night to visit Tooru's old friend Fedorov. Tooru and Natasia have a nice day in Lüshun, but after the museum visit, Natasia isn't feeling well, leading to them taking a train later and Natasia returning home after arriving at Dalian, while Tooru visits Fedorov alone to explain how they'll have dinner together another time. When he arrives at Fedorov's home, which is built with the crooked wood from barrels, he sees a set of footsteps in the snow leading in the house, but none out. He enters the house, where he finds Fedorov dead, having been stabbed to death! But there is nobody else in the house, though he does spot a set of clothes and a mask in the garden, but no footsteps, as if the murderer just vanished in the sky. The reader with some knowledge of Japanese mystery fiction will probably recognize the name Tooru, Manchukuo and Dalian immediately, so the "twist" about who Tooru is and why a lot of the elements of this story feel so familiar, will not be a big surprise, but as a historical pastiche, this is pretty good! Yes, this story does feel very close to a certain famous Japanese impossible crime story, but this story can get away with this because it is a pastische, giving a good reason for why it feels so familiar, and it has a few original elements too that are really fun if you know your Japanese mystery fiction. This is most of all a fun story, despite a rather tragic background story that cleverly ties into some of the earlier, but also later stories.
As the title suggests, Touya ni Shisu Onitsura Keibu Manshuujidai no Mihappyou Jiken ("Death on a Freezing Night - An Unpublished Case of Inspector Onitsura In His Manchukuo Period") is an Inspector Onitsura pastiche, based on the police detective created by Ayukawa Tetsuya. Onitsura worked in Manchukuo in the earlier days of his career (like in Ayukawa's debut work Petrov Jiken), and it's always cool to see this unique setting again, as the state doesn't exist anymore as it was. The dead body of Stefan Milovski is found in an empty house in Dalian. The businessman had gone missing a few days and his assistant knows right away who killed him: Stefan's twin brother and his mother. Apparently, the twins had been seperated soon after birth when their parents had to flee Russia. Because they couldn't take care of both children, they gave away one of the twins to a woman: Rosa became the mother of the boy she'd call Rubin. But while Stefan became a successful businessman with the help of his parent's money, Rosa and Rubin always had trouble making a living. Recently, they learned about Stefan and started asking for money, claiming half of the money Stefan made thanks to his parents' money, belongs to Rubin too. Stefan refused however, which may have been the motive for murder. When Onitsura examines Rosa and Rubin's alibis for the night of the murder however, he learns they were in a completely different city, to attend to the wedding of Rosa's niece. Onitsura is convinced they did it, but how could they have committed the murder in Dalian while being hours and hours away by train? It's an Onitsura story, so of course it's an alibi-cracking story with an emphasis on train tables! A bit easy to guess due to the presence of one certain plot element that is probably going to make the reader immediately suspect *something* has occured using that. While Kagami does add a few nice pieces of misdirection, you can't help but shake the feeling the main trick is telegraphed so early, the elements of misdirection just don't do enough.
EDS Kinkyuu Suiri Kaiketsuin - Kaiki Suirika ("EDS: Emergency Detective Solution Hospital: The Strange Deductions Department") is the weird exception of this book, the only story that is not a historical work with pastische elements and the one story that is not in any way connected to the other stories via crossover characters. The EDS is a "hospital" where the "Holmeses" (doctors) also have to detect the curious deaths they oversee. In this story, the Holmes-on-duty examines a woman who called the emergency lines because her boss cut her arm off. When the ambulance arrives there, they find the woman bleeding heavily, but also her dead boss. He has bruises on his neck that appear to have been inflicted on him by a hand squeezing his throat. When the ambulance people talk to the woman, they learn her boss was crying something about a cut-off hand roaming around the house, which had been attacking him: he also cut the victim's arm off because he was surprised by her and thought she was the hand. What is going on and why is there a hand walking around? This is almost a horror story, and the solution is incredibly silly. But I think it works in this volume, as the rest of the stories are so.... serious? Like, the other stories are very serious, straightforward takes on classic locked room mysteries, Carr's work in particular, so this story brings a lot of variety. I like the idea of the EDS too, I wish there had been more of these stories (I guess this story has some traits of the Department of Queer Complaints, but it's not really like that...)
Tetsuro ni Kieta Dantouri ("The Executioner Who Disappeared On The Rails") is the big Carr-Kagami crossover story: Dr. Fell is travelling with a new friend in a train, when he sees Superintendent Hadley travelling in the same train. Hadley and his subordinate Ames are tailing Jacqueline Midget, a key figure in a smuggling ring which uses the old routes from the international master criminal Baldwin, who was arrrested some years ago by Charles Bertrand (and who would play a vital role in Kagami's second novel Kangokutou). It seems that she's finally become aware the police are after her, so Hadley and Ames followed her on the train, fearing she's trying to escape abroad. Hadley and Ames have taken the compartment next to her, in the middle of the carriage, while the remaining car is occupied by a third traveler. Because Jacqueline has remained in her compartment the whole evening, Hadley has come to the dining car to get something to eat, while Ames is watching her. But then Hadley is informed something has happened: Jacqueline is dead and decapitated. Ames had been standing on the outer deck smoking, when he saw someone come out of Jacqueline's compartment and enter the toilet. He called out for the conductor, who was in his room in the carriage, who indeed saw someone enter the toilet. Because the doors in this car lock from the inside, Ames had to ask the conductor to open the deck door for him. But when they look in the toilet, they find it empty. Fearing something had happened, they enter Jacqueline's compartment, where she was found dead and decapitated. But where did the murderer go after entering the toilet, as the train was still moving at high speed? This is probably one of my favorite stories of the volume. Partially because of the crossover elements (it's a pretty impressive Carr crossover), but as an impossible crime, it's quite memorable too. While I do think it's a bit too technical/string-and-needley for my taste (it's just hilarious imagining what the murderer would have needed to prepare beforehand and how...), the construction of the mystery is great, and I really like "that prop" that was used to actually commit the murder. The story is also enjoyable without any knowledge of the crossovers taking place here I think.
Ungadoori no Shounen ("The Boy In the Canal Street") is set in Amsterdam just briefly before World War II. A girl who calls herself Hannah becomes friends with a young American boy, Ted Smith (son of Patrick Smith, the chronicler of Charles Bertrand), playing on the Prinsengracht in the centre of Amsterdam, when they see a policeman asking them about whether they saw someone pass by here. They learn a murder has occured in a nearby trade company, Koster Trading, located in one of the Amsterdam canal houses. Ursula is friends with both Hannah and Ted, and tells them her brother was killed. During business meeting with a new business partner, Ursula's father was talking with this man when they thought it was strange Emil (Ursula's brother) wouldn't come down. When they went up to his room, they found it locked and when they looked inside via the window above the door, they saw he was dead, having been hit on the head. But how could the murderer have done that in a locked room, especially as Hannah and Ted never saw someone leave the house? The trick is simple, but I really love how it makes use of something that is very specifically something typically Amsterdam. The story also becomes a rather surprising crossover, as I think a lot of people will soon recognize names like Hannah and Margot in this time setting, and I honestly had never espected to read a mystery story that would do a crossover with that person...
Sei Alexandria Jiin no Sangeki ("The Tragedy at the St. Alexandria Chapel") is actually the very first Kagami story I ever read over a decade ago, as it was included in an anthology I have. Set in Russia, it's about the death of a priest in the St. Alexandria Chapel who was hung from the very, very high ceiling. While I can appreciate this story more now, as I know see how this story ties back to the other stories in this collection, I'm still not a very big fan of it because it's just... mechanical as a locked room mystery, and even with the diagrams, it's pretty hard to understand what really went on there.
Kubitsuri Hanji-tei no Kimyou na Hanzai - Charles Bertrand no Jikenbo ("The Curious Crime at the House of the Hanging Judge - The Case Files of Charles Bertrand") is the one Charles Bertand short story that hadn't been collected in the short story collection, though it feels like it should have been part of it too, as this story too makes direct references to supernatural beings being responsible for a murder (in this story, poltergeists) like the other stories in that book. Charles and Pat are in England, when they learn about two curious deaths that happened nearby one week ago. Alfred Harbottle was a judge known for a lot of hanging sentence, hence his nickname of the Hanging Judge. He recently married a much younger wife, Catherine. As devouted believers, the whole family of Alfred, Catherine and his son of his deceased first wife, Jonathan, attend the service held a the chapel on the manor grounds each Sunday, but this week, Alfred was feeling sick, so he remained in bed. After the service, the butler, Catherine, Jonathan and the priest remained. They were ready to leave, when Catherine returned to the altar because something had been left there, but the next moment, all three witness swear a dagger just appeared out of nowhere, plunged into her throat! The dagger was a relic of the Harbottle family, which had a special design and said to defeat the enemies of the clan. Grieving for his poor wife, judge Harbottle blames the dagger for the death of his wife, and he decided to lock himself up in one of the rooms of the chapel, together with the dagger. For three days, he remained cooped up in the room, with food being delivered to this room, but on the fourth day, he didn't open the door. They broke the door open, which they also found sealed with tape on the inside, and in the room, they found the judge lying dead in his bed, the dagger plunged into his throat too! Has the Harbottle dagger turned against the people it was supposed to protect, or is there foul play at hand? The answer to the murder on Catherine is of the kind I generally don't like, and this is no exception. It could work with some exceptional clewing, but here it feels kinda cheap, even with the set-up and explanation to how it was supposed to work. The murder on the judge, of which the door was taped down, is a bit more interesting. While I am kinda indifferent about the dynamics of how the murder was exactly committed (this kind of trick is used a bit too often in this collection), I do like the exact use of the dagger, it is the type of "technical" explanation that didn't quite work for me in the previous story, but I think is much better in this one.
Jeff Marle no Tsuisou ("The Memoirs of Jeff Marle") is a direct sequel to Carr's own It Walks by Night, the very first Henri Bencolin novel. Which... I have not read. In fact, I have not read any Bencolin stories... While the book does not spoil the murderer of that book directly, it does touch upon several story elements that sounded important to me, so perhaps some readers will prefer to read this after reading It Walks By Night. Set after the book, it chronicles how Jeff Marle (friend of Bencolin and narrator of the stories) and his fiancée Sharon receive a threatening letter from someone from their past, whom they believed had passed away already. They are instructed to visit at night Fenelli's former gambling establishment where the events of It Walks by Night occured. In one of the rooms there, which was locked from the inside and which Jeff and Sharon had to break open, they find the decapitated corpse of Fenelli. But there is no sign of the murderer in the room, so Jeff quickly calls for the police (while making sure Sharon locks herself up in one of the rooms to be safe). When the police arrives, it turns out there was another person in another room of the house: a Japanese tourist who learned about the earlier murder that Bencolin solved and became interested in the place. While the Japanese man might not be involved with the murder (and yes, like many of the stories here, if you have some knowledge of pre-war Japanese mystery fiction, you might realize who this historical person is based on his name...), there are other mysteries that complicate the matter, like the sighting of a flying decapitated head... I have to admit I couldn't enjoy this story completely because I kept wondering whether the things that were said about It Walks By Night were vital spoilers or not, I think the idea of a straight sequel makes so much sense for Kagami: his work is so full of Carr, and specifically Bencolin references, and he has already written stories directly based on Carr stories before, so why not do "straightforward" fanfiction? It's also one of the better impossible crimes of the volume, with pretty clever clewing about how the decapitation came to be (especially regarding misdirection about some characters' motivations) and with smaller elements like the floating head adding some depth to the mystery. I might have enjoyed the story better if I had known It Walks By Night, but it's a good mystery nonetheless.
Anyway, this was a pretty big volume so this post is quite a bit longer than my usual posts. I can defnitely recommend Kagami Masayuki Mishuuroku Sakuhinshuu/The Uncollected Works of Masayuki Kagami though! It provides a good insight in the writings of Kagami, and because it's easier to purchase now because it's still in print, whereas the books printed during his lifetime are already out of print, it is the go-to book now if you want to try out his work. Nine of the ten stories are also somehow connected with characters popping up in several stories (one character even gets their whole life fleshed out over the course of several stories), and that makes this more than just a collection of random stories. You also get a good idea of Kagami as a locked room mystery specialist, as basically all stories involve an impossible crime, and most of them are historical works too. At this moment, I have read all of Kagami's work except for his third novel, which, as mentioned, is a bit expensive on the used market, so I won't be reading it soon. I think I still like his first novel the best, but on the whole, he was certainly a very fun author to read, especially if you like John Dickson Carr, and he's dearly missed!
Original Japanese title(s): 加賀美雅之『加賀美雅之未収録作品集』:「わが友アンリ」/「暗号名『マトリョーシュカ』 ――ウリャーノフ暗殺指令――」 /「『樽の木荘』の悲劇」/「凍夜に死す 鬼面警部満州時代の未発表の事件」/「EDS緊急推理解決院 怪奇推理科」/「鉄路に消えた断頭吏」/「運河通りの少年」/「聖アレキサンドラ寺院の惨劇」/ 「『首吊り判事』邸の奇妙な犯罪 ――シャルル・ベルトランの事件簿」/「ジェフ・マールの追想」
