Thursday, April 23, 2020

Light in the Darkness

「追いつきたい 突き止めたい その真相 最高機密」
「永遠の不在証明」(東京事変)

"The truth / I want to catch up to it / I want to figure it out / Top secret"
"The Scarlet Alibi" (Tokyo Incidents)

Ever since the 1997 film Detective Conan: The Time-Bombed Skyscraper, Detective Conan has seen a new theatrical release each year, which always releases mid-April, just in time to draw in viewers during Japan's Golden Week. The release schedule of the Detective Conan comics is also synchronized to the annual film, with a new volume releasing in the same week as the film's premiere. But that only works if everything goes as planned. In 2018, Detective Conan: Zero the Enforcer was not accompanied by a new volume in the long-running series, as series creator Aoyama had been having health issues, which disrupted the schedule of the comic serialization, and volume 95 wouldn't be released until October. This year we have the reverse, as Detective Conan 98 (2020) was released in April as scheduled, but the release of the 2020 film Detective Conan: The Scarlet Bullet has been postponed for the moment due to COVID-19 and at this moment, there's still no new release date set. I always wait for the home video release around October/November, but I guess that the discs will be delayed too this year...

The sad thing is that volume 98 is one of the best examples of how good the timing process of the multimedia franchise that is Conan has been for the last decade or so. The main three stories in this volume all focus in one way or another on the four characters who form the focal point in the upcoming Detective Conan: The Scarlet Bullet, so it's clearly meant to push the film. I am happy to say that after a very disappointing volume 96, and a rather average volume 97, this volume was far more entertaining. The volume opens with the remaining chapters of The Antique Appraiser Murder Case. Previously, Dr. Agasa had brought an antique bowl he inherited from his uncle to the famous antique appraiser Nishitsu. Meanwhile Nishitsu had also been approached by three different clients, who all brought him the same antique Chinese decorative Phoenix plate. Only one of these three plates is the real thing of course. Nishitsu is fatally wounded by the owner of one of the forgeries, just as Dr. Agasa arrives at the house to get his own bowl back. In his dying moments, Nishitsu tells Agasa which of the plates is real, marking it with a smear of his own blood, but not knowing the murderer was still hiding inside the room, Dr. Agasa ran off to call for help. Nishitsu was then finished off for good by the culprit, who also made sure to replicate the smear on all three plates and to place the real plate in the container with their own name, with the intent of taking the plate back as their own of course.

The puzzle of figuring out which plate was real based on what Dr. Agasa saw isn't that difficult: the thing he overlooked was very elementary, though I like the follow-up better: after they figure out who did it, they still have to figure out who was the actual owner of the genuine plate, and the clewing there was both simple, yet cleverly hidden in the illustrations. The story however also acts as a set-up for future story developments, as Dr. Agasa, Conan and Haibara had extra company in the persons of Sera and Dr. Agasa's neighbor Okita. Sera has had her suspicions of both Conan and Haibara's real identities for some time now, so she's eager to get the truth out either of them, while Okita, in their first real interactions in this series, attempts to temper Sera's efforts. And even Conan seems to come to a surprising conclusion regarding Sera and her "sister from beyond the territory," a plotline which have been running for some time now.

The second story, The Deduction Race Between the High School Student Detectives, sees the return of Momiji, who is still intent on winning Hattori over. She organizes a kind of detective competition between Hattori and... Kudou Shinichi and if Hattori loses, he has to do whatever Momiji wants. Momiji has been approached by an acquaintance looking for help. The housekeeper of that family recently died, and she had sent four different coded messages to her four sons, whom had all been adopted by other families when they were young due to the father's death, which caused severe financial problems. The four brothers had not seen each other since, though the mother and the oldest brother Benzou did keep in touch with the others through e-mail. The mother had been bequested a treasure by her wealthy employer before her death, so it is assumed her coded messages, when put together by all four sons, will reveal where this treasure is. The brothers had been discussing the code over e-mail, but then the mails from oldest brother Benzou stopped. Fearing he might've gotten into some trouble while hunting for the treasure, Momiji wants Hattori to solve the code and figure out the location of the treasure. When they finally arrive at the location indicated however, they find a dead Benzou, surrounded by three men who claim to the other brothers, but as none of them had seen each other since childhood, nobody knows for sure whether these men are really the people they claim to be.

Interesting story! I think this is a good example of what makes a Conan story a typical, but good Conan story, mixing the rom-com drama featuring the regular characters with a story that has a few plot twists and good clewing that makes use of the visual format. It seems unlikely anyone is going to figure out the coded messages themselves, even if it's strangely similar in idea to the code featured in the Scarlet School Trip storyline. Once we get to the murder, we get a slim, but capably plotted who-of-three type of mystery story, where Aoyama shows how even with concepts that aren't that surprising taken on their own, he can still craft an enjoyable mystery story through good clewing. The story is also funny to read because in the background, you also have the plot of having a deduction battle between Hattori and Shinichi, as well as the romantic intriges plotted by Momiji to win Hattori's heart, so all in all a good Detective Conan story. The way the tale ties back into the current overarching plot is also interesting.

In The Shogi Player Serial Murder Case, Conan bumps into Shuukichi, boyfriend of patrol officer Yumi and expert shogi (Japanese chess) player as the current holder of the prestigious title Taikou Meijin. Shuukichi has been heading a small shogi study group for some time now, and Yumi and Conan are invited along to take a look (because Yumi assumed Shuukichi was cheating on her). The group always meet at an apartment room they rent together, but on the way, Shuukichi, Yumi and Conan bump into three of the four members outside: the four members had first come to the apartment together, and then three of them went out to buy snacks and drinks for the study group. The fourth member, Genda, is waiting in the apartment already, preparing some other snacks there. When the party arrives at the apartment however, they find the door unlocked, and a strangled Genda lying on the floor. Besides him lies a shogi table with two of the feet knocked off, tying this murder to the recently murdered shogi player Nishikido, who suddenly disappeared after suspicions of matchfixing rose, and who was later found murdered together with a shogi board with one of the feet removed.

Conan suspects one of the three members of the study group is the murderer, and that they only pretended to go out to buy their designated snacks/drinks, to kill Genda in that time period. The problem is that all three of them brought their food and drinks either warm (bread and coffee) or cold (ice cream), while the kitchen in the apartment didn't have gas nor a microwave, and the refrigerator was empty too when they left. So if their alibi is fake, how did they prepare their food to make it appear they just got it from the store? Strangely enough, Conan doesn't seem to really give any good reason why the murderer couldn't be some third party who planned to kill Genda while the others were out, making his suspicions a bit weird, as they only make sense for us, the reader, as we can safely guess that the murderer is, of course, one-of-the-three. I think that the trick the murderer used to fake their alibi is interesting in the sense that it's obvious from this story, but also many of these which-of-the-three type of stories, that Aoyama, his assistants and editors collect loads of ideas, factoids and trivia that can be used for a murder mystery in one way or another. While I hate mystery stories that rely on very specific pieces of knowledge that only experts know, many of these Conan stories are based on something practical you see and use in everyday life, like kitchen appliances, stationary and writing utensils, even the way cupboards are built. These ideas usually revolve around something very mundane, so I seldom feel cheated. Here too, I think the trick is a clever way to use what's there to create the fake alibi without feeling like it's based on something obscure, but with these stories, I always think, "Man, you guys really just write down everything you come across in the hopes of using it in this series at one time or another. And you actually succeed in that too!"

I like how this story focuses on Shuukichi though. He's been pushed to the main stage these last few volumes, but I never felt his stories were really... memorable? he always seemed like a minor secondary character, as he was always shown through his relation to Yumi (who has of course been part of the series universe for much longer). In this story he solves the murder basically instantly, with Conan trailing far behind him, and the story also does a better job at showing him as a character on his own, . And the action scene at the end... is nuts!

The volume ends with the first chapter of The Truth Of Poison and Medicine, where Ran, Sonoko, Sera and Conan attend the birthday party of their classmate Remi and her older sister Yumi, who is a famous actress now. Murder ensues (of course) at the party, while Sera's still trying to get the information she wants from Conan. I guess this will be build-up to the approaching climax to the current storylines.

Oh, I also read the sixth volume of  Kindaichi 37-sai no Jikenbo ("The Case Files of Kindaichi, Age 37"), which features most of the chapters of The New Murders At The Foreigners Hotel. Hajime has already started his explanation of the case by the last chapter of this volume, so I already know part of the solution, but I'd better wait with my review until I've read the full conclusion in volume 7. I do want to note already that this story is an interesting blast to the past. Hajime and his subordinate Marin are sent to the one place Hajime really didn't want to return to: the Foreigners Hotel in Hakodate. When he was seventeen, he solved the infamous murder case involving the Red-Bearded Santa here, but painful losses were also made. Now Hajime's boss has sent him here to supervise the premiere of the fantasy musical "Hakodate Wars", starring several popular male idol stars, two from the former group Skywalker and the three men in Desperado. Hajime runs into familiar faces like Saki (a professional photographer now) and Itsuki (still the freelance writer), but he crosses paths with Superintendent Yukimura for the first time, who has been investigating the death of an ex-member of Desperado. This subordinate of Akechi has gotten into his head that Hajime's probably some kind of serial killer who was active when he was seventeen, and who has now returned to his deadly games as a 37-old man. I guess we have a new rival character! We have some deadly incidents during the premiere and of course the ol' 'everyone has an alibi, so this is an impossible murder' angle, but I'll wait until the next volume to organize my thoughts about this story.

Anyway, Detective Conan 98 proved to be one of the volumes I enjoyed best overall these last two, maybe even three years. The mystery plots aren't that impressive, but Aoyama manages to cover for that with good writing/clewing and by tying these stories to the overall storyline. He has done this in the previous volumes too, but not as consistently as with the stories in this volume, I think. It's clear the chess pieces are moving towards a certain point, not only to provide the foundation for the 2020 film Detective Conan: The Scarlet Bullet, but also in the comic storyline. Volume 99 is scheduled for a Winter 2020 release, meaning volume 100 will probably follow in 2021: I think it's safe to say we may expect something big then. I might write a post reminiscing about how I first started with this series then... Update on the 37-old Kindaichi Hajime will follow when volume 7 releases in July!

Original Japanese title(s):  Original Japanese title(s): 青山剛昌 『名探偵コナン』第98巻

14 comments :

  1. Thanks for the review!
    Say, Ho-Ling, which type of cases do you like the most? Long, more intricate ones like in Kindaichi or smaller ones like in Conan?

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    1. In general, I've always been more a fan of the short story form (not just with mystery manga, but also as normal prose stories). Though it really depends on the series (writers) too. With Kindaichi Shounen for example, I find the short stories far less interesting compared to those in Conan, because Amagi/Satou always storyboard their tales with very large panels, which means less happens per page: their short stories don't feel as densely plotted as those in Conan. In Conan, most of the long stories are at most six chapters long, and each chapter has to end on a kind of 'cliffhanger'/significant events/significant plot twist/question raised, so the story develops in a different way compared to those of Kindaichi Shounen, which usually are much better at building the atmosphere across the 10+ chapters.

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    2. You know what's weird when you compare the story telling and plots of Conan with Kindaichi? On the surface, Conan has all the hallmarks of a true pulp serial, such as the SF-like premise and cliffhangers, but with crisp and clean plots and clueing of the traditional, Golden Age detective stories. Ellery Queen would have probably marked the whole series as one big essential and important collection of modern detective stories. On the other hand, the Kindaichi stories (especially as complete volumes) appear to be classic detective novels in comic book form, but the plots, more often than not, are pure pulp with its lurid murders and Scooby Doo-like killers.

      Haven't you been reading Conan for more than twenty years now? I remember you were already somewhere around volume 50 back in 2007 or 2008. So the series probably had a sway on your personal taste and how it developed and was fine tuned (like a preference for short stories).

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    3. About twenty years, yeah. I remember getting more into Conan around 2002, because I am sure Crossroads in the Ancient Capital hadn't released yet and my first encounter was perhaps one or two years before through the first two movies. Though I started with Kindaichi Shounen around the same time actually, with the original bilingual releases by Kodansha.

      A lot of the storytelling/style differences in those series can also be easily explained due to their publishing backgrounds. Readers here tend to forget that these are serialized series, which run in manga anthologies. The rom-com angle, the fantasy elements, the gags etc. from Conan are all staples of Shonen Sunday. It's a series that would never be run like that in Shonen Magazine, where Kindaichi Shounen was running, and obviously, Kindaichi Shounen was both drawn and told in a way that fits with Magazine's editorial direction.

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    4. When it comes to pacing Conan is unrivaled. Cases like Furinkazan are really impressive with how to the point they are.

      C.M.B. and Q.E.D. are very weird when it comes to pacing as cases like Noisy Killer feel completely empty while Phra Kruang is empty but a really refreshing journey, focus is on presentation and atmosphere.

      Kindaichi falls somewhere in between but the opening chapters can be very tiresome to read and pointless sometimes. The long flashbacks are also very iffy (personally never liked them).

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    5. I'll say that within the cases, the pacing is good. However, if you think of the main storyline, it sucks so bad! Look at TGQ, the plot progression was spot on.

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    6. @Anhiksi: I only read Kindaichi Shounen as collected volumes so it's never been that much of a problem for me, but yeah, those opening chapters are always slow. To be honest, I can't imagine myself reading Kindaichi Shounen as a serialized series, because the individual chapters do so little, while I can see myself reading Conan.

      @Anonymous: While I like what Aoyama does with his longer arcs, I do have to agree it's kinda hard to recommend this series to people who want to focus on the main storyline (even if it has some nice surprises). Tantei Gakuen Q is indeed muuuuch better in that regard, while Kindaichi Shounen has been strange with it the last few years (*He* has a sister, is that going to be relevant for later stori..... oh, no? And the father.... oh, he's not going to be relevant either...?)

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  2. Thanks for the reviews, and I'm looking forward to hearing how Kindaichi's second foray into the Foreigner's Hotel winds up. :) Will the next volume be out so soon, in July?

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    1. Well, volume 6 was originally announced for February at the end of volume 5, but didn't release until the last week of March, so it's pretty flexible ;P

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    2. The listing on Kodnasha's website says that the next volume will release on June 23

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    3. Ha, indeed a flexible target release period :P But sooner is better than later, especially that means I can pick it up together with the seventh (and hopefully final) volume of Danganronpa Kirigiri ^_^

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    4. Oh, was a release date announced for Kirigiri vol 7? I check google and amazon every once in a while but nothing turns up

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    5. The listing may not be up yet at some places, but according to Kodansha's own release schedule, it'll be released on June 17!

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