「探偵が諦めたら、事件は迷宮入りなんだ！」

「いや、人は疑うべきだよ。多くの人は誤解しているけれど人を疑うとはつまりその人間を知ろうとする行為なんだ。『信じる』。その行為は紛れもなく高尚な事だ。。。しかしね、多くの人間が『信じる』の名の下にやってる行為は実は他人を知ることの放棄。」、秋山深一、『Ｌｉａｒ　Ｇａｍｅ』
"No, you should doubt people. Many people don't get it, but to doubt someone is actually to try to know that person. "Believing". That is certainly something admirable... But you know, what most people do under the cover of the word "believing", is giving up on getting to know other people.", Akiyama Shin'ichi, "Liar Game"

Most of the exams have already passed, with only a kanji test remaining for Monday. As our teacher don't know Dutch, we didn't have a translation text as an exam this time, which is a bit regrettable, as I enjoy translating a lot more than comprehensive reading, but the exams went quite well for everyone.

What remains now is a lingering week of feedback on the exams and preparations for a presentation in Japanese and a short drama we're supposed to perform with all of us. And it seems people from Waseda will come to see our play. Joy. I hope for a murder mystery. After that it's a week vacation before most of us leave for the Netherlands again.

Yesterday, I visited the Tokyo Tower with Els. I wanted to go after seeing Detective Conan: The Raven Chaser, of which the climax is set at the Tokyo Tower at night. Yes, I am succeptable for these kind of things. I was in Tokyo 2 years ago, but I never visited the Tower for some reason then and some time ago, the Tower closed just as we approached it, but this time everything went smooth. Except for the waiting lines of course, because we both sorta forgot it was a Saturday night. It was kinda crowded.

The night view of the Tower itself is a lot prettier than in daylight. The orange/blue lights (depending on what time it is, I guess) is a lot prettier than the red/white of the Tower. Inside the Tower we found strange mascottes, elevators with elevator music (which is something the elevators in our Mansion really need) and a nice view on Tokyo. Traveling through Tokyo mostly by train and subway, I never actually realized how big Tokyo is, but seeing it from such a viewpoint really impressed me.

There are two observatories, the standard at 150 meter, the special observatory at 250 meter and we also went up to the special one. It smelled funny there. And because there is only one elevator that goes up there, you have to wait in (a long) line to get up there and to get down. You could see so much more of Tokyo up at the special observatory, but everything had become so small by then, so maybe the view at 150 meter is better than the 250 meter one. Like in the Conan movie we stayed till closing time, but we didn't leave turbo powered skateboards in the lobby, nor did we get shot at by a helicopter. Luckily.

Today's song: 大野克夫バンド (Oono Katsuo Band) - 名探偵コナン メイン・テーマ(漆黒フルヴァージョン) (Meitantei Conan Main Theme (Shikkoku Full Version) ("Detective Conan Main Theme (Jet Black Full Version))") (Main theme of Detective Conan: The Raven Chaser)

P.S.: Dr. Koto's Clinic is an awesome series. Almost makes me want to be a doctor on a faraway Okinawan island.

「科学で証明できない事はサッパリ理解不能なくせに」

「えー、缶ジュースの自動販売機、どうしても欲しいものが2つ有ったとします。ホットコーヒーと烏 龍茶。どっちを飲もうかって迷ってしまう時って有りますよね。そういう時はですねこうやって2つの ボタンを同時に押す。するとですね、無意識のうちに本当に欲しい方のボタンを先に押してしまうって 言うんですが、あー、まあ御試しください。えー、二者択一と言えば･･･。」
『古畑任三郎：　赤か、青か』

"Uuhm, pretend you are near a vending machine and there are two things you want. Hot coffee or Oolong tea. There are times when you are in doubt about what to drink, right? At such a time, press the two buttons like this simultaneously. They say that by doing this you'll push the button of what you want the most unconciously first, but uhm, please try it out. Talking about choosing between two alternatives..."
"Furuhata Ninzaburou: Red or blue?"

Gyakuten Kenji was awesome. Should have spread the playtime a little bit perhaps. But in other news, little to report. I remember cakes that were no lie, more karaoke, delicious chirashi zushi (but for the real fish-y deal, nigirizushi is still the best), and safely leaving the barber without other hair colors, perms, extensions and that kind of stuff. I was content.

But as I kinda lost the motivation to learn for my exam next week at the moment, I'll randomly talk about Japanese detective literature. Well, to be precise, the more interesting stuff I've read till now. Most of this is just a self-note, as I'll be using this literature somehow when I'll study in Fukuoka later this year and have to write about Japanese detectives. Once again, caveat lector.

1) Miyanaga Akihiko (editor). 2008. Bokutachi no suki na Kindaichi Kousuke ("The Kindaichi Kousuke we love"). Tokyo: Takarajimasha.

Neither magazine nor book, it is the wonderful mook. I didn't invent that word. Anyway, this mook is a guide on the famous fictional detective Kindaichi Kousuke. Dressed in a shabby kimono, a little hat on his head, a scratching hand beneath that hat, Kindaichi is the symbol for Japanese detectives. Japanese detectives are abroad known for the horror influences (fountains of blood, a myriad of mutilations of the body), strange motives/themes in the stories and the Kindaichi stories are the origin of all this (together with Edogawa Rampo's works). Got similar mooks on works of Edogawa Rampo and Higashino Keigo too.

I recommend the 1976 hit movie Inugamike no Ichizoku ("The Inugami Family"), probably the most famous of all Kindaichi Kousuke stories which set the standard for all following Japanese detectives. Great movie (I love the ending song, "Ballad of Love") and it made an excellent subject for the final paper for the Japanese movies course at Leiden.

2) Arisugawa, Alice; Yasui, Toshio. 2008. Misshitsu Nyuumon! - A Guide to Sealed-Room Cases!. Tokyo: Media Factory.

A very geeky and interesting book by famous detective writer Arisugawa Arisu and an architect. The book is written like a dialogue between the two, in which they discuss the variaties of locked room mysteries, which reminds me very much of Carr's fantastic chapter on locked room mysteries ("The Locked Room Lecture") in the evenly fantastic The Hollow Man. Afterwards, the two actually discuss how to construct locked rooms from an architects view. You'd almost think they're really planning a murder.

I actually once tried to construct my own locked room in my room here in Japan. Being in such a small room just begs for it. But it's difficult. Being on the ninth floor kinda eliminates a clean escape through the window (unless I climb into the room of my neighbour). I'll probably need more strings. And rubber bands.

3) Setagaya Trick Kenkyuukai. 1995. Kindaichi Shounen no Suiri Miss ("The Deductions Misses of Young Kindaichi"). Tokyo: Data House.

This is even geekier, as this is a book that a) looks for mistakes made in the stories of the detective comic book series Kindaichi Shounen no Jikenbo ("The Case Files of Young Kindaichi") and b) actually tries to find solutions / explanations for those mistakes. I like my detectives, but not to that extent. There are also similarly named books for the Detective Conan series. Detectives, even comics, are very serious business here.

It also kinda reminds me of Nikaidou Reito's "'Honjin Satsujin Jiken' no Satsujin" ("The Murder of 'The Murder in the Mansion'), where someone discovers a flaw in the first story of Kindaichi Kousuke and uses it to commit another murder. Yes, modern writers of classic detectives are often amongst the biggest fans of classic detectives.

I still have a lot (a lot!) of books here with real criticism on detectives, lots of the Japanese detective classics (c.f. with "our" The Murder on Roger Ackroyd, Murder on the Orient Express etc.) and semi interesting books. Still too much to read here. Kinda worrying about what to send back home, as I'll probably need a lot of these books in Fukuoka again, so to send back books from Japan to the Netherlands to take back in Japan is kinda inefficient. I could leave them here, but then I'll not be able to read them during the summer....

"Talking about choosing between two alternatives..."