Thursday, February 4, 2016

Deus Ex Machina

「このカクテルの名はXYZ-つまり、もう後がないということさ。マスターがおれに助けを求める時の合図だよ」
「シティーハンター」

"The name of that cocktail is XYZ... meaning there's no more hope left. The barkeeper uses it as a signal for when he needs my help."
"City Hunter"

I recently re-read my The XYZ Murders omnibus, which collects The Tragedy of X, The Tragedy of Y and The Tragedy of Z. As I haven't reviewed any of the Drury Lane novels yet on the blog, I figured I might as well write something about them, as I think quite highly of them. So the month of February will feature quite a lot of Tragedies.

Drury Lane series
The Tragedy of X (1932)
The Tragedy of Y (1932)
The Tragedy of Z (1933) 
Drury Lane's Last Case (1933)

Mr. Drury Lane is a retired Thespian known throughout the world for his interpretations of the work of Shakespeare. His estate is called The Hamlet, consisting of a castle and accompanying castle village that would've fitted the period when the Bard lived, but are horribly anachronistic in 1930s New York. Inspector Thumm of the NY Police and District Attorney Bruno find themselves at the Hamlet, because they ask for Lane's help not as an actor, but as a gifted amateur detective who has helped the police in the past. The problem: the Longstreet Murder. Longstreet was a slick broker, who was murdered in a street car, on his way back to his house with a party of "friends" to celebrate his engagement. The murder weapon was one that would remain in the annals of Fictional Crime: a cork with countless of needles covered in nicotine had been slipped into his pocket and some pricks later, the man was dead. Despite thorough investigation, Thumm has not been able to zero in on a suspect, but Drury Lane boldy asserts he knows who the murderer is based simply based on Thumm and Bruno's recount  of the case. But despite that, Lane does not reveal who he suspects, and that is of course something the Inspector and the D.A. don't really like, especially not if a second murder is committed connected to the Longstreet Murder. And that wasn't the end of Ellery Queen's The Tragedy of X (1932).

It's common knowledge by now, but for those who don't know: the Ellery Queen cousins (Frederic Dannay and Manfred B. Lee) made their debut in 1929 with The Roman Hat Mystery. In 1932 however, they came up with a second pen name, Barnaby Ross, who'd be responsible for four novels starring the amateur-detective Drury Lane. For a while, the Queen cousins played with these two identities (even having "Ellery Queen" and "Barnaby Ross" debating with each other), but eventually the gig was up and nowadays the Drury Lane novels are known as Queen novels. The Tragedy of X is the first of the novels and also one of the best regarded books written by Ellery Queen. In the most recent edition of the Tozai Mystery Best 100 (for non-Japanese novels) for example, the book ranked in at 14 as the second Ellery Queen work (The Tragedy of Y ranked in at second place).

This was a re-read by the way, which happened under the better cirumstances than the first time I read the book, actually. While it's the first of the Drury Lane novels, it was actually the last one I read because I never read things in order, and I don't remember why, but it took me ages to get through it because of circumstances, so the book, as a whole, never left much of an impression on me except for some specific scenes (though I still thought it was a good book). I learned to appreciate the book a lot better this time around though.

I wonder how long it took for people back in the day to notice The Tragedy of X was written by Ellery Queen? Because the thing is rather obviously a Queen product. It reminds especially of The Roman Hat Mystery. Ellery was the detective in Roman Hat, and Lane obviously the one in The Tragedy of X, but both books are actually structured around the police investigation: Roman Hat was all about Inspector Queen's investigation while The Tragedy of X mostly follows Inspector Thumm's efforts, occasionally interrupted by very short actions of Lane. This focus on the police investigation, and not on 'the great detective' can also be seen in the dynamic between the Inspector and the District Attorney in both books. Bruno in The Tragedy of X is a very important person in the investigation, but who of us still remember District Attorney Samson, who appeared very often in the earlier Queen novels? At some points the narrative does switch over to Lane though, who does a bit of sleuthing himself, though in retrospect, it appears to me some of that could've been done through the official channels anyway, despite Lane saying he wanted to keep some things secret from the Inspector and the D.A.

The whole premise of the first, and the consequent murders is also typical Queen. A lot of the early Queen novels had murders in strange, and often fairly public spaces. A murder in a theater, a murder in a department store, one during a rodeo show. The Tragedy of X starts off with a murder committed inside a packed street car, but follows up with even more deaths on means of public transportation. Because of that, we see another typical Queen device in The Tragedy of X: having to confine a lot of potential suspects and search each of them for clues, in the form of an object. Similar to how everyone in the Roman Theater was detained for search by Inspector Queen, Inspector Thumm also uses the 'search everybody and everywhere' command often in this novel. Queen loved this trope and has written many stories where there is a specific search for something and The Tragedy of X betrays its writer in that respect also. The Tragedy of X is a bit special in the sense that it does not make clear why Thumm's search will prove to be important until later, while in The Roman Hat Mystery, it was made quite clear what the inspector was searching for (hint: it's in the title).

In a sense, The Tragedy of X is a very over-the-top novel, and much more... energetic than most of Queen's other novels. The book starts right off with a mystery, and that's something we often see with Queen. But more deaths follow, accompanied by trails of clues and red herrings and the story basically is running at max speed until the very end. Few (early) Queen novels are as engaging as this one. One of the is The Greek Coffin Mystery though, which was published in the same year. Like that book, The Tragedy of X is divided in several 'acts', which keeps the reader's eyes glued to the pages. But this is also done by some weirdly grotesque devices: the murder weapon (the needles coated in nicotine sticking out of a cork) for example is one of the most bizarre, yet effective murder weapons I've ever seen. And there are some gruesome parts later in the story too (the second death in particular), which make this a captivating read.

But most of all, Queen's hand can be felt in the method in which Drury Lane solves the case. At the foundation, The Tragedy of X is "simply" a variation of a very classic trope of mystery fiction. But Lane arrives at that conclusion with the same logical reasoning we expect from an Ellery Queen novel. For a deeper (and more chaotic) write-up on the types of clues in Queen novels, I refer to this post, but in general, the "correct" way of solving a Queen novel is to figure out the characteristics we know the murderer must have and then see which of the suspects fits the pattern. Of course, figuring out those characteristics isn't as easy as it sounds, and demands quite some thinking, but it's usually a lot fairer than expecting the reader to point out the murderer by a sudden flash of genius. The Tragedy of X in particular is very memorable, because it is actually possible to figure out who the murderer very probably is at the very start of the book, as Drury Lane himself also states. The rest of the adventure mostly helps confirming his thoughts. While I think it's quite possible for a reader to correctly guess the murderer, I doubt many will have gone through the complete deduction chain Drury Lane presents at the end of the book, which is really the highlight of the book and a great example of logical reasoning in mystery fiction. This is obviously also the reason why it's so well-regarded.

Also of importance for Queen fans: The Tragedy of X has a dying message. The dying message was a favorite of the Queen cousins, and especially often seen in the short stories. I think The Tragedy of X might even be the first dying message of Queen, from the top of my head? The other novel I strongly associate with dying messages is The Siamese Twin Mystery, but that was published in 1933. The one from The Siamese Twin Mystery is much more interesting though.

The Tragedy of X is one of the better known books by Ellery Queen (Barnaby Ross) and rightfully so. It's a wonderful experiment in deduction and even though at the core, it's actually a very familiar problem, the execution is daring, impressive and memorable. Definitely of the must-reads of Queen.

10 comments :

  1. Thanks for the review. :) Of the Drury Lane novels, I've only read 'Tragedy of Y', which I enjoyed, but not as much as I enjoyed some of the Ellery Queen (character) novels. I've never doubted that Ellery Queen (writer) should have had at least one entry in the Top Ten of the Tozai ranking, but I have wondered if some other Ellery Queen (character) title would have been more deserving. (Having to differentiate between Ellery Queen the character and the writer reminded me of the Student Arisugawa Alice novel I recently read...)

    Perhaps I should track down 'Tragedy of X' and give Drury Lane another shot!

    ReplyDelete
    Replies
    1. I always refer to the writer as Queen, and to the character as Ellery. The same with the Alices (Arisugawa for the writer, Alice for the character). Now I only need a way to differentiate between the student Alice and the (fictional) writer Alice!

      Funny story; I'm actually also (ever so slightly) responsible for getting the Tragedy of X in the Tozai Best 100 ranking. It's compiled by basically asking a top 10 rank from writers, critics, mystery clubs etc., and I was a member of the university mystery club when we got the request of handing a list too.

      I remember it was a loooooong night of discussion. And politics. The Tragedy of X was our choice, but because we figured that a lot of people would vote for a Queen, we decided to put it as the last on our list, reserving the higher rankings (more points) for less popular books.

      Delete
    2. I am surprised you like this one. The solution is pretty far fetched. Explain how 1.the victim did not notice the poison ball in his hand when he felt it in his hand and 2. Nobody noticed the murderer had a ball of little spikes in their hand when it was handed it to the victim. And those are just the non spoiler flaws in the solution.

      Delete
    3. The first chapter explains all of that. The victim /did/ notice the cork, but only when he was scratched by it and afterwards, he was rather busy dying from nicotine. The second question comes close to spoiler territory, but it is explicitly noted the streetcar was very crowded, so there's nothing strange about nobody noticing it.

      Delete
    4. Anonymous posted another comment, but contains a statement which might be a bit too spoilery, I think, so I repost it here w/o the spoiler:

      "But why would a certain person go unrecognized all that time? And why wait for revenge for that time also? Also,hope this is not spoiler ish,but the killer had ******* which contradicts a earlier statement. Finally why did a certain person not come clean and give information about the real culprit when they were accused of murder?"

      Delete
    5. Well, isn't that the thing? We know why: it's one of the oldest tropes of mystery fiction. And as for waiting: again, it's because the whole plan revolved around not arousing suspicion. The murderer needed the time to prepare every part. I don't know what statement you're refering to, but *that part* was the whole trick. (it was not just two though). As for your last question: who knows? Perhaps he hoped he'd get off without having to reveal a rather dirty part of his past. Even if he had spilled the beans, there was no guarantee he'd be saved.

      Delete
    6. Never saw your response my post before. Even now I came across as accident. Cannot remember what the comment was either now. Was about him being at the house every day according to the landlady which contradicts having a second job?

      For the rest. We know why he was not noticed? Did he have plastic surgery? It said he had so there is no reason to assume he looked different. And waiting how many years? That is really waiting a long time.Let us not forgot nobody noticing the poison weapon being handed to the first victim.

      Delete
    7. To be completely honest, it's been about a year since I last read the book, so I really can't recall more details than the basic set-up of the trick and the X-message.

      Though with the murder weapon, I remember it was the location/particular circumstances that made it possible to do that unnoticed. I mean, I have been in similar situations before, and when it's *really* like that, it's quite easy to pull of something like what the murderer did.

      Delete
  2. This comment has been removed by a blog administrator.

    ReplyDelete