Sunday, July 7, 2024

Werewolf in a Winter Wonderland

"Just the right size for the Big Bad Wolf to come down the chimney... unless he's already here."
"The Beast Within: A Gabriel Knight Mystery"

The voice actor of Hajime in the television anime series of Kindaichi Shounen no Jikenbo, Matsuno Taiki, passed away last week at the young age of 56... While unlike many other fictional anime characters, Hajime actually had seen a handful of different voice actors for various media, ranging from theatrical anime, games and audio dramas, Matsuno played the role for the longest time across the most well-known productions, so most people do associate his voice the strongest to Hajime. Really a great loss. I myself usually read the manga with Matsuno's voice in mind, which is what I also did when I read this story (I read it before Matsuno's death was announced)

Kindaichi 37-sai no Jikenbo ("The Case Files of Kindaichi, Age 37") had a short serialization hiatus because it had been replaced by the limited series Kindaichi Shounen no Jikenbo 30th, or The Case File of Kindaichi 30th, celebrating the franchise's thirtieth birthday, but with that series wrapping up last year, the adventures of a middle-aged Hajime reluctantly solving crimes continue. In The Werewolf Murder Case, Hajime and his assistant Marin are put in charge of providing support to a special Werewolf (the social deduction game) event. They are responsible for the logistics like welcoming all the participants and the catering, though the game itself is set-up by a different company. At the station in snowy Nagano, Hajime and Marin welcome a group of very fanatic, and well-known Werewolf players, like the influencer Mineyuki Kouta, the musician Fuyiki Gakuto and the idol Touka. Hajime drives everyone to the location where the event will take place: Schwarzdorf, an abandoned theme park themed after a quaint German forest village. They will stay in the Weiss Schloss, which consists of an East and West annex. Upon arrival, the guests all instructed to wear special robes and masks (with built-in voice changers), so they can't recognize each other. They are also each given an in-game name (Alain, Ben etc.) to be used during this game. After that, they are randomly assigned their roles within the Werewolf game (villager, werewolf etc.). One of the participants, "Henry," is assigned the task of Game Master, who will coordinate the game, so Hajime and Marin can focus on providing service. After the initial explanation of the rules, everyone is sent back to their room as the Night Phase of the game will start, where the werewolf will kill one of the villagers. Before this part of the game can start however, Hajime and Marin stumble upon the body of... Henry in the courtyard gazebo! Beneath the mask is the musician Gakuto, who has been stabbed in the chest. It seems a real Werewolf has committed a murder during this game, but the footprints in the snow in the courtyard seem to tell a curious story: snow falling from the roof had blocked the direct passageway between the east and west annex, so people can only go from one building to the other via the courtyard, but there is only one set of footsteps going from the east annex to the gazebo, with none returning. That means that the murderer can't be in the east annex: while one can go to the west annex from the gazebo without leaving any footprints in the snow due to a covered passageway, this is not the case for the east annex. So whether the murderer has a room in the east or west annex, they couldn't have gone to the east annex after the Henry murder. Hajime tries to phone the police, but their mobiles have no reception and the landline has been cut, and their van has also been tampered with. They know of course help will eventually come if they don't return as per schedule, but Hajime fears more murders will take place before they'll be saved...


It's been more than a year since I last discussed the Kindaichi Shounen series! The Werewolf Murder Case is collected in volumes 14 until 16 of Kindaichi 37-sai no Jikenbo, though I have to admit I have only read until volume 15: it's at that point the culprit starts monologuing about their motive for the murders, with the bulk of the mystery has already been solved by Hajime, so I decided to review the story already: I was planning to buy volume 16 once the story that starts there ends, together with the other necessary volumes.

As I mentioned, I have never played Werewolf myself, but I have read a few mysteries that take direct or indirect inspiration from that game (like Danganronpa Kirigiri 2), so of course, I can understand the potential of using it as a vehicle to tell a murder mystery. In this case, what I did like about the case was that it allowed for all characters to be genre savvy: they are all experts in playing Werewolf, so even after the real murder is committed, all the characters are able to come up with reasonable theories and arguments to point to or away from suspects, and it's certainly more interesting than the "I'm not staying with you in one room, one of you might be a killer!" type of character. At some times, the story tries to portray the participants a bit off, as they seem to approach the discussions about the real murder as if it were a game, with a noticable sense of excitement: Hajime does note more than a few times this is not a game and that they're dealing with a real murderer, but I felt this part fell a bit flat, as ultimately, Hajime does constantly continues the discussion on the murders, so of course, they'd approach it in the way they play the Werewolf game and use the techniques they learned there: not everyone is like Hajime and encountering a real murder every two weeks and have a specific skillset for real murders!Anyway, by having these characters, it feels like we have more delving into theories by various characters than in most conventional Kindaichi Shounen stories (save for those that have multiple detective characters of course), and in that sense, I think The Werewolf Murder Case provided an interesting set-up with far more able characters than you usually see in the series. Also: was I the only one who thought it strange some of the participants also seemed used to discussing the logic behind the footsteps, even though practicality behind the murders in a typical Werewolf game shouldn't be important? A werewolf can just kill a villager right, it's not like they have to "explain" how they got inside or away...

So in terms of the type of characters, this story was interesting, but only if the mystery was the same...

While the story starts interesting enough with all the masks, it's kind of a shame the actual murders basically take place outside the framework of the Werewolf game: not even one round of the actual game is played before Gakuto is murdered, and after that, Hajime of course cancels the game and everyone is free to take off their masks and robes. Gakuto's death isn't the only one to happen, of course, because this is a Kindaichi Shounen story, but by then, it really has nothing to do with Werewolf anymore, with tricks and situations that could have used in any nondescript setting. This was a big disappointment to me, as the Werewolf game offers so much more potential than seen in this story. At the start of the story, Hajime very briefly explains the Werewolf game to his boss, and this was a very rudimentary explanation, but that was really all you ever needed to know, as it's barely used. The main mystery revolves around Gakuto's death: the crime scene suggests the murderer must be one of the persons present in the east annex after the murder.... which of course meta-wise strongly suggests it was actually someone in the west annex, making this an impossible murder. Oddly enough, this story seems reluctant to show you a clear floorplan until relatively late in the story, though this is not really troublesome. But I think this story is far too simple when it comes to the logic pointing to the murder of Gakuto: the way the major trail of clues is laid out to point to who it was, is done so obviously on the pages, the moment the scene comes up, you know exactly what its purpose is. And because it's a one-stage clue (i.e. the clue points at one single person, instead of excluding a Y number of suspects of the total pool of X), you just instantly know who did it. From there, figuring out howdunnit is not difficult, as some parts of the story set-up and presentation stand out too much to not be involved in how it was done. There is a second murder, that also involves most characters having an alibi (a body being placed outside in the courtyard during a time when most of them were chatting together), but again, the clewing for the solution to the howdunnit is incredibly straightforward, as if writer Amagi had no idea how to properly set-up the introduction of this clue, so he just decided to just have it appear randomly on the page.  Not to mention the solution itself is very basic and not at all memorable...

Well, at least Hajime gets to do something memorable he seldom manages to do in the series, and that's cool, though I guess I still don't know what happens in the last few chapters found in volume 16...

No, The Werewolf Murder Case in volumes 14 until 16 of Kindaichi 37-sai no Jikenbo is far from being my favorite story in the series. While the idea of a real murderer taking over a game of Werewolf sounds really cool in theory, this story barely goes beyond that premise, offering a mystery story that in terms of actual content might as well have been a short story. The only thing I thought interesting, was the fact we have more characters who seemed into discussing theories regarding the murder, but that was far from enough to save this tale for me. Volume 16 with the next story is already out, but my guess it won't properly end until volume 18, so it might take another while before I discuss this series again.

Original Japanese title(s): 天樹征丸(原)、さとうふみや(画)『金田一37歳の事件簿』第14+15巻

Wednesday, July 3, 2024

A Blast from the Past

Those were the days, my friendWe thought they'd never endWe'd sing and dance forever and a dayWe'd live the life we chooseWe'd fight and never loseThose were the days, oh yes, those were the days
"Those Were the Days" (Mary Hopkin)

It's been a while since I wrote a very timely post (= within week of release)...

Disclosure: I translated Imamura Masahiro's Death Among the Undead and Death Within the Evil Eye. And I do hope one day, I'll get to work on the other books in the series too, regardless of which publisher decides to continue with the books...

While it were the deadly events occuring in Shijinsou no Satsujin (released in English as Death Among the Undead) that changed the lives of Akechi Kyosuke and Hamura Yuzuru forever, their exploits then were not the reason why they were known around campus: they had already built a reputation as the Holmes & Watson of Shinkou University, helping both students and staff by solving serious cases like missing cats and theft. When Akechi first entered Shinkou University as a young, mystery-loving man, he joined the university's official Mystery Club, only to learn the members of that club were not real mystery fans, but just filthy casuals, so he created his own club called the Mystery Society, with himself as the president and... the only member. Until the following year, he found a kindred spirit in Hamura Yuzuru. Hamura, a mystery buff himself, had to admit Akechi was an even bigger fan of everything related to mystery: Akechi very often sticks his nose into affairs out of sheer curiosity because he wants to play the great detective, and... he is actually reasonably good at that, even if he often won't get it right the first time around. Hamura acts as Akechi's counterbalance, trying to make sure Akechi never goes to far, but he knows: Akechi always means well, and together they make the campus of Shinkou University a better place. In Imamura Masahiro's short story collection Akechi Kyousuke no Honsou ("The Endeavors of Akechi Kyousuke", 2024), we are treated to five stories starring Akechi set before the events of Shijinsou no Satsujin.

I had been looking forward to this book for a long time! I have been a fan of the series ever since I read Shijinsou no Satsujin, which is why I was more than thrilled when I was given the opportunity to work on the English release of the book, and the sequel Death Within the Evil Eye too. Shijinsou no Satsujin was a brilliant book where Imamura showed how the supernatural could work perfectly with a pure puzzle plot mystery full of dynamic action, and he only keeps on surprising with each subsequent book in the series. Akechi Kyousuke no Honsou however is completely different from the previous three books, because it is set before the first novel. Where the books deal with supernatural murder mysteries, here we have very minor crimes and other everyday life mysteries, ranging from stolen exam tests to.... someone wondering why after a night of drinking, they are not wearing their underwear but still wearing their trousers.

The first story in this book was originally released in 2019 to coincide with the release of the live-action film of Shijinsou no Satsujin and is titled Saisho demo Saigo demo nai Jiken ("Neither His First nor His Final Case"). It is set about four months before the first book, and deals with a case of assault: a burglar had been snooping inside a building currently only used by the Cosplay Club looking for something to steal when he was knocked out, where he was later found by a security guard. Nobody really believes him, but Akechi is asked to look into the case anyway, as the club members are afraid that if it's not properly resolved, the Cosplay Club might be closed. I discussed this story in detail when it was first released in 2019, so I refer to that review for more details. It's a well-constructed puzzle story that really shows off Imamura's plotting skills, and I do always love mysteries that are about school clubs etc. And wait, this was released in 2019!? I was expecting more stories to follow and that they'd be collected into a short story collection eventually, but I hadn't expected it to take 4.5 years...

To Aru Nichijou no Nazo ni Tsuite ("Regarding A Certain Slice-of-Life Mystery") is perhaps the most mundane of all mysteries in this book: we are introduced to Katou Hisao, an elderly man who runs a cafetaria in the somewhat aging Fujimachi Shopping Arcade. Every week, he goes out to have a drink at a local standing bar to gossip with other local shopkeepers. Soon after he arrives at his usual spot, a young student arrives there too, who listens to the gossiping tales of Hisao and the other people there. This time, they're talking about old Nurii, who used to run an lacquerware shop in the shopping arcade: Nuri owned the whole building, but after retiring, he kept on living there because he had no other choice: his wife had passed away already and he was estranged from his daughter, but because the building was so old and lacking in maintenance, he also couldn't sell it to move somewhere else, so he was stuck there. But recently, a mysterious buyer offered to buy the building from Nurii for much more than the building is worth, which of course sparked rumors and gossip among other shopkeepers in the arcade, with Katou himself thinking it'd be nice if he could finally sell the cafetaria and retire himself. Katou can't help but wonder why in heavens someone offered Nurii and he notices the young student has been asking questions too, so it seems there's really a mystery worth investigating... A nice layered slice-of-life mystery: it's interesting to see the world of this series through the eyes of someone completely different, just someone who runs a small cafeteria, which lately has seen a new clientele of children because of the retro Space Invaders table they have. Through Hisao, we learn about how the shopping arcade has changed in the last few decades, with shops coming, but mostly going, and that is why he's wondering why anyone would pay much more than Nurii's building was actually worth, with some even joking whether the buyer hadn't actually meant to buy the larger multi-tenant building next door. These kind of slice-of-life mysteries often revolve around presenting a good explanation (motive) for a seemingly strange action, and I do think the motive is good for this story, though it's a bit hard to deduce beforehand why exactly, until a rather conclusive clue suddenly appears. So in that sense, I found it a bit unfair. I do like the layered puzzle though, which builds on a pretty famous story within the Japanese mystery scene, and I like the solution presented here. This is also the type of story you'd expect the least based on what you hear about Akechi and Hamura's adventures in Shijinsou no Satsujin.

Deisui Hadagi Kirisaki Jiken ("The Case of the Torn Hangover Underwear") starts with Akechi calling Hamura to come immediately. The previous night, Akechi had been drinking with classmates after finish a project together, but when it was time to go home, Akechi seemed a bit too drunk to send back alone. As nobody knew where Akechi lived though, they called Hamura, who brought Akechi home by taxi (one of the classmates gave him taxi money). Akechi, still dead drunk, said he was okay, so Hamura said goodbye at the front entrance of the apartment building and watched Akechi enter, after which he himself went home. Akechi in turn woke up this morning in his own bed with a headache, still wearing the clothes he wore last night. Fortunately, he had remembered to lock the door with his key and the door guard before falling asleep. But when he went to the toilet, he discovered something terrifying. For after removing his belt and trousers, he realized he wasn't wearing any underwear: why would he not be wearing his underwear, but still his trousers, and with the belt on? He then found his undies on the floor, but it was full of tears and rips. Akechi thus summoned Hamura to his room. He honestly can't remember anything of last night, so together, they have to figure out what happened to his undies last night. This is probably the most memorable story of the collection, not per se because of deductive brilliance, but because of the really silly and insignificant mystery (yes, in a positive way). Akechi himself can't remember much, so the two start coming up with various theories about why Akechi would have removed his underwear, while still putting back on his trousers and belt. This is a funny story of course, as we get Imamura's usual plotting revolving around theories based on physical evidence and actions of the characters involved, but about something so silly. I think the solution hinges on something that is hard to deduce beforehand, because of the way the clues are laid out, but I do love how this prequel story actually ties back? forward? to one of the later books in terms of themes.

Shuukyougaku Shiken Mondai Roei Jiken ("The Case of the Leaked Theology Exam") is a case alluded to in Shijinsou no Satsujin and takes place in July. Akechi and Hamura are walking down the stairs of a university building when suddenly a flustered student comes running to them, saying exam questions have been stolen. They have a talk with the student, Kumori Minori, who explains she had been in the office of Professor Yanagi. Minori and another student, Teramatsu Sou, had been told to write a formal apology essays by the professor because they had been cheating with their lecture attendence records. They were told to write the essay in Yanagi's office. While they were in his office, Yanagi had put a USB stick with the questions for the upcoming theology exams in his office safe, but then he had to go out for a bit because of a phone call. During his absence, Teramatsu also finished his essay and left, leaving Minori alone. She went to the toilet, but when she returned, she found Yanagi's office ransacked, the safe opened and the USB stick gone! Akechi quickly confirms with building security that nobody actually left the building the last ten minutes or so, as Yanagi and Teramatsu had been talking at the entrance of the building, while the employees-only exit had also been watched at the time. Suspicion falls on Minori, who had been alone in the office, but if she's the thief, how could she open the safe, and where could she have hidden the USB stick, as she couldn't have left the building? A nice story with a situation that is not strictly impossible, but still allows for Akechi and Hamura to talk about Chesterton's The Invisible Man: the thief managing to search an office and guess the safe combination in just three minutes is hard enough, but then they also needed to get away from that office without being seen by anyone, and pulling off all of that seems impossible. A story with few suspects, which makes it rather easy to vaguely guess who's behind the theft and how it was done, though I think Imamura did a good job setting up the clues and the logical trail you're supposed to follow (and not just a gut feeling). Some parts of the plan of the culprit seem very sloppy, relying on the actions of people they can not be so sure of, but I guess it was a gamble worth taking.

Tegami Baramaki Heights Jiken ("The Case of The Scattered Letters at Heights") is set the furthest back in the past, when Hamura wasn't enrolled at Shinkou University yet. At the time, Akechi, dreaming of becoming a great detective, had started a part-time job at the local Tanuma Detective Agency. Because one of Tanuma's employees is injured and the others have their own cases, Tanuma is forced to take on the new part-timer (Akechi) along as they work on a new case. Someone has been spreading stalker letters to residents of Heights Tokuro, an apartment complex consisting of three buildings. Some of them have received letters and informed the owner and caretalker of Heights Tokuro, who has now hired Tanuma to investigate the case, though on a rather small budget, so they only have three days to work on it. The letters are clearly stalker letters, talking about watching when the recipient returned home, or how they saw them smoking and they are also all written on the same paper and using the same writing style, but for some reason, several residents have received these letters in their letterboxes, until it suddenly stopped. Still, this is pretty creepy, so Tanuma and Akechi first go inquire to see if other residents have received similar letters (and simply not reported them to the caretaker/police). This is probably the most complex story of the volume, with a lot more going than you'd initially suspect. The story starts a bit slow, with Tanuma and Akechi interviewing the residents of Heights Tokuro and asking them in detail about when they received letters etc. Because the letters come from the same sender and seem to be talking about the same person, the detectives first suspect it might be a stalker whose target recently moved to Heights Tokuro, but of whom the stalker does not know which flat they have exactly, but that seems not quite right, as why would the stalker then just put random letters in random letterboxes, rather than first making sure where their target lives? The solution is actually quite clever, though rather complex, and I do think it really demands of you to just roll with a certain revelation. It's a story that perhaps would have benefitted from more pages, like being treated as a novella, or perhaps worked out into a full novel (with of course more body to the story), as I think the core ideas of this story regarding the letters are really cool, with honestly a very cool twist regarding the true meaning behind all those people receiving these letters, but some moments feel a bit too abrupt. Still, one of the cleverest "poison pen/stalker letters" mysteries I ever read and I am generally not too a big a fan of them.

Fans of Shijinsou no Satsujin might be surprised by what Akechi Kyousuke no Honsou has to offer: it is definitely not at all similar to the previous novels: gone are the murders, no supernatural elements that are cleverly integrated in the mystery, none of that. Instead, we have the slightly arrogant, but very passionate Akechi, occasionally supported by Hamura, as he deals with a lot of more mundane, and minor cases. But while I think this book is certainly not as strong as the supernatural efforts of Imamura in the previous books, you still see Imamura coming up with cleverly plotted short mysteries with surprise twists, which are nonetheless well-clewed and of course, always with a comedic tone in which he shows a lot of love for the character of Akechi. My favorite is probably still the first story in the collection, as I do think the "real" crimes (like theft/stolen exams) in this collection allow for the best and most rewarding plots (and I love the school/university setting). As a palate cleanser, Akechi Kyousuke no Honsou is amusing and it did precisely what I already expected it'd do based on the first story I read in 2019, but I do have to say it makes me yearn for the next proper novel in the series!

Original Japanese title(s): 今村昌弘『明智恭介の奔走』:「最初でも最後でもない事件」/「ある日常の謎について」/「泥酔肌着引き裂き事件」/「宗教学試験問題漏洩事件」/「手紙ばら撒きハイツ事件」