Friday, August 26, 2011

「すいません、キムチ丼大盛り、ご飯抜きで」

つまり、ぼくはここ一ヶ月ほど、「お、こりゃおいしい」という感覚に出会っていないのだ。ものを食べるたび、なんだか物足りないような、大事な何かが欠けているような、そんな気分になるのである(省略)
どんぶりいっぱいに盛られたキムチの山。これを食べ切って尚現在の味覚を維持できるほどに丈夫な舌などこの世に存在すまい (省略) 
「いただきます」 呟いて、一口目。「………」 これは。結構、キツい (省略)
そろそろ限界なのだろうか。舌先どころか頭の中まで麻痺しまじめ、自分が一体何をしているのか、そう言えばぼくは一体だれだったのか、誰ってどういう意味だったのか、そもそも意味って何だっけ、そんなことも分からなくなって頃 (省略)
ぼくはキムチの最後に一切れを口にした。舌、と言うか口の中は完全に参っている。恐らくこれで、明日からは《ご飯がおいしくない》などのワガママを吐かすことはなくなるだろう
『クビシメロマンチスト 人間失格・零崎人識』

So this last month, I hadn't felt the sensation of  'This tastes good'. Every time I ate, it felt like it wasn't enough, like something important was missing (...)
A bowl with a pile of kimchi. No tongue in this world strong enough to retain its tasting abilities after eating all of this (...)
I muttered a 'I humbly accept'. The first bite. '...' This. Is. Going. To. Be. Hard (...)
Reaching my limits. Not only my tongue, but my head too has started to feel numb. What am I doing? Or rather, who am I, what's the meaning of who and what does meaning mean, it was about when I started to lose my comprehension of even that, that... (...)
I placed the final pieces of kimichi in my mouth. My tongue, no, my entire mouth had given up. From tomorrow on, I'll probably never say something like 'this doesn't taste good''.
"Strangulation Romanticist: Human Failure - Zerozaki Hitoshiki"

Maybe I should stop with the habit of reading several books at the same time. As I switch books in and out of my reading schedule rather regularly, sometimes a book gets switched out of the schedule without getting back in. Usually because I forgot I was still reading that book. Or was I just ignoring it? Anyway, I think I have read the first 100 or so pages of NisiOisiN's Kubishime Romanticist - Ningen Shikkaku Zerozaki Hitoshiki ("Strangulation Romanticist - Human Failure - Zerozaki Hitoshiki") about two or three times by now. And they were funny every time. Don't know why I never finished the book though. Until now, that is.

Kubishime Romanticist is the second volume in NisiOsiN's Zaregoto series, a light-novel series that starts out as a sorta-mystery series, but it seems like the mystery element fades out as the series progresses. It's been about three years since I read the first volume, Kubikiri Cycle, but I remember it as novel that was, in some ways, genre-deconstructing. The locked room mystery with a headless corpse was interesting yes, but the biggest mystery of the novel was definately the narrator. A young 19-year old student. He was relatively smart, but as he is constantly surrounded by geniuses, he didn't stand out particularly. Or maybe he did stand out because he was so relatively normal. Although, normal, he was a bit dark at times. A bit inhuman. A bit of a liar. In fact, our narrator is a very unreliable narrator.

Anyway, Kubishime Romanticist is set about a month after the events of the first book, with our narrator back at university. While eating his all-kimichi breakfast/lunch, he is approached by Mikiko, one of his classmates (because of his bad memory, he doesn't remember her though). He's invited  (forced?) to go to a small birthday party of Tomoe, one of his other classmates (and he doesn't remember her either). With nothing else to do, he agrees and spends a relatively pleasant night. The next day however, he hears that Tomoe has been found strangled to death in her apartment. Oh, and in between, our narrator also met and became sorta friends with a serial killer who has been active in Kyoto. To keep things interesting.

The second volume in the series already feels less focused on the mystery, though the solution is still fairly hinted and still makes for a very interesting novel. Kubikiri Cycle definately felt closer to the old 'secluded-island model', while Kubishime Romanticist is a lot more open, being set in Kyoto. With a locked room mystery, a mysterious message left at a crime scene and perfect alibis for everyone, this novel is still pretty classic, but is quite clear that the murders are is not the focus of the book.

For once again, our narrator is the biggest mystery of all. I also had this feeling with Kubikiri Cycle, but Kubishime Romanticist is more like a novel about the narrator, about his view on the world and on human beings, who just happens to come across mysteries. Which he doesn't really need to solve actually. He usually does though. But let the reader beware: the narrator is not a fair person. At first sight, he seems like an somewhat aloof person with maybe a bit dark, pessimistic personality. The reader will often think he knows more than our narrator, as it seems like the narrator has little common sense (or more preciselly, feels less inclined to adhere to common sense). But the narrator knows a lot more than he tells the reader and he easily lies to the people he knows, the readers and even himself (the narrator is usually fair enough to admit he's lying when he's called out on it though).

I really love this novel though: the narrator, as a detective-like person, is really interesting and NisiOisN's writing style is just awesome. The novel tends to walk across a bunch of genres and themes, from philosophical themes to sheer comedy (the part with the kimchi quoted above is hilarious when read in context), but NisiOisN pulls it off very good. I tend to prefer stories that are (very) focused on the plot-structure and tricks, but NisiOisN manages to convince me of the possibilies of the modern mystery novel. Or am I only praising the novel because I feel a kindred spirit in the narrator? Seriously, some lines said by the narrator feel just all too familiar. I am not as dishonest as him though. I think.

Whereas the narrator worked with genius IT-specialist Kunagisa in the first novel, she hardly appears in this novel. I don't really like her as a character (neither do I like Aikawa), so I was pretty happy the focus in Kubishime Romanticist was on the narrator and his interactions with other people in a relatively normal environment. I haven't read the following novels yet (though I have Kubitsuri High School somewhere), but I guess that as the series' focus changes to action, characters like Kunagisa and Aikawa will pop up more often. Which is a shame, I think, for I think I like this novel exactly because it's relatively normal, with the just the right amount of mystery, philosophical themes, action and humor. I really don't hope that this series changes into some sort of harem-series with all kinds of super-powered/smart girls fighting and stuff (<- though I have to admit, I know nothing about how this series will evolve beyond the fact that the focus changes, so it might stay this awesome).

Original Japanese title(s): 西尾維新 『クビシメロマンチスト 人間失格・零崎人識』

5 comments :

  1. Glad you love this one, as it's also my personal favorite of the 6 out of 9 Zaregoto volumes I've read. Nishio really was at his best here and the characters and themes adressed felt so real to me in an excessive, twisted way. The first novel was better in terms of classical mysteries, but the second really hits hard with its narration and content. Kubitsuri... does have a locked room, but it's so simple I would not call it an important aspect of that volume. And the characters aren't that interesting and the setting in general is just weird... at least it's a lot shorter than the rest and the narration always entertains. Saikorojikaru was a lot more interesting and maybe just a tad too long. You get to know more about the main characters and the newly introdcued ones are fun as well. The locked room becomes more important here, as Kunagisa is involved again and becomes a suspect so Ii-chan actually has an urge to solve the case. I won't say anything about the solution, just that in context of classical mystery novels this was fairly shocking and innovative, at least for me at the time I read it. Yes, my first Japanese book was Kubikiri... and I continued until Hitokiu Magical which was a long but fast-paced, enjoyable and easier read than the previous novels. From here on Nishio definitely went even more into the light novel direction. What distinguishes him from other writers in that field surely is his unique skill in narration though and I guess you can read any novel by him for that aspect. There is another series (Kimi to Boku) that's apparently similar to Zaregoto's mystery approach but I haven't tried that one out so far.

    I can recommend continuing Zaregoto as long as you are interested enough in the narrator and what he thinks and talks about. However the mystery aspect eventually becomes absent from Hitokui onwards and the following volume is also where I left this series unfinished... which I still regret somehow as I liked the characters and wanted to know how Nishio finished the series, but then again there are so many sidestory novels by now that I doubt there was any real closure and I guess against my expectations I'm not sufficiently interested in characterization to actually read novels just for that aspect (Zerozaki Soushiki no Ningen Shiken made this rather clear for me). Someday when my Japanese reading skills have advanced enough to read at a significantly faster pace I'll probably complete all the Zaregoto-related stuff though...

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  2. Pfft, I read the English translation of Kubikiri Cycle (I do want to reread it in Japanese though), but it seems, with a narrator like Ikkun and the somewhat vague discussions at times, that it would be quite hard to go through as a first book in Japanese (of course, that would depend on your proficiency at the time. Tackling Conan in Japanese after two months of Japanese studies was a bit too ambitious maybe).

    I think I'll pick up more of the series if/when I'm in Japan, but it's not very high on the priority list at the moment.

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  3. I just finished reading the first novel. Should I stop at the second if I just want to read mysteries ?

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  4. I have read until the fourth, and they're all 'mysteries', but the mystery plot itself becomes less and less tthe driving force of the story (Pyscho Logical in particular was very slow to introduce the mystery plot). I'd say read the second, and then decide if you like the writing/characters enough to proceed.

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