It Walks By Night

I hear your footsteps

What a spooky sound 

I hear the stairs creak 

I'm in trouble now

"Foot Steps" (Kitadai Momoko) 

To be honest, I loved the thumbnail of the cover of today's book a lot better than the illustration at full size. The composition of the cover is great, but the actual drawing is a bit rough. 

Having recently lost his wife, Gregory Cushing decides to visit his old uncle Jake in Steeple Thelming, who lives a simple life mostly consisting of his books, his faithful donkey Boomer and frequent (and somewhat excessive) visits to the local pub. One morning, after a snowfall, Greg and other locals discover a most curious set of footprints left in the snow: The prints of a bipedal being with hooves appear out of nowhere, goes up the gardens of several of the houses of the villagers, crosses fences and walls with ease, takes a walk on somebody's roof and ends at the foot of a dead tree. It is said that in a faraway past, a witch had been hanged from this very tree, but there's a very dead body hanging from the tree this time also. Who might have commited suicide, or have been hanged there by the mysterious walker. Imaginative minds quickly associate the seemingly supernatural being who made the hoof-marks with a certain ruler of Hell, and even Detective-Inspector Lancelot Carolus Smith is not really sure what to think initially in Norman Berrow's The Footprints of Satan (1950).

Norman Berrow was born in the UK, but moved down under soon after his birth, where he eventually became a fairly prolific impossible crime author. This is the first time I read anything by him, but I have to admit: when I first heard he was from New Zealand, I was expecting a story set there, so I was a bit surprised when I realized that The Footprints of Satan was set in a quaint little English town. Ah well, at least the donkey Boomer is named after a boomerang (because he always finds his way back).

The Footprints of Satan is a novel in the Detective-Inspector Lancelot Carolus Smith series and at least preceded by The Bishop's Sword (as several references are made), but can be read perfectly standalone. On the whole, I think The Footprints of Satan is an okay story. Its biggest merit is definitely the atmophere: the way the story slowly builds to the appearance of the marks, the realization that these marks aren't natural and finally, the discovery of a dead body is great. The suggestion of the supernatural is done quite well here, with a fairly entertaining character who keeps ensuring everyone, including the police, the death was caused by the ghost of a witch, while she refers to fields like philosophy and history. On the downside, some might find the initial build-up a bit slow, because nobody dies until about a third in the book.

Though now I think about it, the characters in this novel were in general all quite funny. It's not slapstick comedy or really witty writing, but the banter between the characters is acutally quite amusing.

The puzzle of the mysterious prints is an alluring one that includes quite entertaining links with the devil, but if you look exclusively at the puzzle element, I think a lot of readers will realize it's also a very simple one. In fact, the very first idea I got in my head about the whole case, including the identity of the culprit, turned out to be correct. It's basically the first solution most people would come up with given this particular impossible crime situation and there is little to make it really unique. In that sense, I'd say that The Footprints of Satan was a bit disappointing as it took the easiest way out of the situation, though I have to say that the book is also very fairly clued (which also showed me I was on the right track as I was reading it) and there's definitely nothing unfair going here.

Disappearing footprints in the snow is of course one of the better known versions of the impossible crime in mystery fiction, so in a way, doing a story on the trope means you 'challenge' all those who have tried before you. Mystery fiction might not be academic research, but it'd be nice if in terms of puzzle plot, The Footprints of Satan had shown a bit more inspiration, because while it's a competently constructed puzzle (that is: a puzzle consisting of a problem, its solution, and clues leading up to the solution), it lacks a bit of punch. Of course, not all mystery stories need to feature shocking solutions. I've enjoyed many mystery stories that were very "nice" to the reader, where you could feel the writer was leading the reader in the correct way because they simply wanted someone to solve their story, but The Footprints of Satan is like a kid on school that does okay, but could've done much better, as the initial set-up is quite compelling.

I quite liked the map on the back of Ramble House's edition of the book by the way. Apparently, the map is not part of the original book, but an addition by Ramble House, but it's definitely appreciated. Less a fan of the missing page (two sides) in the middle of the book (a POD mistake, I guess).

To recap: The Footprints of Satan's puzzle plot is a bit on the easy side, but depending on how much you value that over atmosphere and characterization, I think that a lot of readers can enjoy this simple, but fairly amusing novel.

Famed Author To Live In Wrightsville

'Country looks good, by jake,' murmers Mr Queen enthusiastically. 'Green and yellow. Straw colors. And sky of blue, and clouds of white' -bluer blue and whiter wite than he recalled ever having seen before. City - country; and here they met, where Wrightsville station flings the twentieth century ito the astonished face of the land.

"Calamity Town"

I 'finished' reading the Ellery Queen series last year, but I have not reviewed all of the books on the blog (you can find the reviews either through the Ellery Queen tag, or in the library). Reviewing all the books here is certainly not a goal of mine, but I might reread some books and post a review on them once a while. Like today.

In order to get some peace and quiet, as well as inspiration to write a new book, Ellery Queen decides to move to Wrightsville: your typical New England town where everybody wishes you good morning by name, and life is simple. Using the brilliant fake name Ellery Smith, Ellery rents a furnished house from John and Hermione Wright, the oldest family of the town. He is the president of the Wrightsville National Bank, she is the top hen in Wrightsville society. Ellery is told that the house was originally intended as a wedding present for daughter Nora Wright and her husband-to-be Jim Haight. Jim however ran away from Nora and Wrightsville the day before their wedding, three years ago. After that incident, a potential buyer for the property had a heart attack right before the deal was sealed, so the house was given the name "Calamity House" by the people of Wrightsville, as it was reponsible for so many tragedies. Ellery becomes close to the Wrights, and especially Pat, Nora's younger sister, and gladly gives up his house when Jim sudenly returns to Nora, who quickly marry and move into their new home. However, Ellery and Pat discover that Jim might have deadly plans for his wife and despite precautions, Ellery can not prevent that a murder is commited under his watchful eye, even if the victim was an unexpected one. Can Ellery help his friends in Ellery Queen's Calamity Town (1942)?

Ah, Wrightsville, one of the most important places in Queen history. Wrightsville first appeared in Calamity Town, but Ellery Queen (both the character as well as the writers) grew fond of the simple town and would revisit the place several times in his career as writer and amateur detective in both novel and short story format. The place was also featured once in the TV series (The Adventure of the Chinese Dog). There are several reasons why Wrightsville would become so important, but one of them is definitely that Wrightsville, as a fictional town, simply works well as a setting. The opening chapter of Calamity Town paints a quaint little New England town that sounds nice to live in. The buildings described, the people and the relations portrayed: they all make up for a believable setting that. Calamity Town is often praised for its characterization, which is debatable I think, but one cannot deny that the town itself is done memorably. It kinda reminds of Dr. Sam Hawthorne's Northmont. And if you think about it, that's not strange. Queen novels have often featured memorable settings: the Roman theater, the French Department Store, the lone mansion in The Siamese Twin Mystery, the Spanish Cape. Sure, these might be smaller and slightly more specific locations, but setting has never been a problem in Queen's stories in my opinion and Wrightsville is a great example.

Wrightsville, as a whole character on its own, is also memorable because the way it changes over the course of the story. Whereas Ellery first comes to enjoy Wrightsville, he also starts to notice cracks in the perfect picture when the murder is committed and he sees how Wrightsville as a community basically starts to shun the Wright family, being the source of a scandal. Later stories also show darker sides of the model town, though I remember that being more like Cabot Cove (a setting for crimes to happen), than a portraying Wrightsville as a whole.

Calamity Town, together with Wrightsville, also stands symbol for a transition in Queen's style of plotting. The overly complex deductions and fantastic murder settings of his early novels (especially the "nationality" novels), were replaced with simpler plots with, well, more 'living characters' and less of random Suspect X, Y and Z. Like I mentioned, I don't think Calamity Town is especially impressive when it comes to characterization (save for Wrightsville itself), but in comparison to the earlier Queen novels, things certainly look a bit more human. The interaction with the town and its inhabitants also makes Ellery (the character) much more human and there is little of the pompous bibliophile from the earlier novels. By the way, the Dutch translation of the book features the title De Verliefde Detective ("The Detective In Love"), which also highlights a change in the character that started with The Four of Hearts.

But is the change a good thing? To be honest, I thought the mystery plot of Calamity Town was way too simple for an Ellery Queen novel. I want overly complex puzzle plots that focus on combining all kinds of hints and facts together to form a logical prison around the suspect when I read Ellery Queen. I don't want an Ellery Queen who literally takes months to solve the kind of murder he'd solve in minutes in earlier novels. I doubt seasoned readers of the genre will have any trouble figuring out who the murderer is in Calamity Town and even people without that much experience should figure out that a certain piece of misdirection really shouldn't be that misdirecting. It is a very minimalistic mystery plot and one that doesn't feel "Queen-like" per se. A novel like Ten Days' Wonder, also set in Wrightsville, for example, features a plot that one can distinctly recognize as Queen, but that is less so with Calamity Town. Because of that, I actually forgot most of this book. This is the second time I read the book, but I noticed I had forgotten most of it. The plot is just rather nondescript compared to other novels in the series.

For the Queen reader, there are some interesting points. On one hand, some familiar characters don't appear at all in this book, save for short references. With the move to Wrightsville, we also lose sight of Inspector Queen, who hadn't appeared in all of the previous books, but was certainly a character who appeared in most of the books. Also, it's pretty interesting to see Ellery so deeply involved with the stars of the drama so early on: in earlier novels, Ellery usually only arrived at the scene after the crime was commited, or very shortly before it.  Here, Ellery has been cultivating relations with everyone for a long while and thus has a personal connection to the whole ordeal. Very different from the 'detective coming from the outside' role Ellery used to have. On the other hand, the circumstances in which the murder is commited are very Queen-like: in a (relatively) open space with a lot of people around. It's been like that ever since The Roman Hat Mystery, but in Ellery Queen stories, the murders are often commited in fairly public places, or the corpses are discovered in such places. In that respect, Calamity Town does have a Queen-like feature, even if its scale is a lot more limited than in older books.

In general though, Calamity Town is very well-regarded as a detective novel, though as you can guess, I am not of the same opinion. H.R.F. Keatings for example had in his Crime and Mystery: the 100 Best Books for example, while the book also ranked in at 90 in the most recent edition of Japan's Tozai Mystery Best 100 for non-Japanese books. So obviously, your mileage may vary from mine on this book. There is a Japanese film based on this book, Haitatsu Sarenai Santsuu no Tegami ("The Three Undelivered Letters" 1979) by famous director Nomura Yoshitarou (Suna no Utsuwa, among others) which is supposedly quite good, though I haven't seen it yet. Considering that Nomura has done a ton of mystery films emphasizing human drama with a larger society backdrop (a lot of Matsumoto Seichou film adaptations for example), the choice for Calamity Town is an understandable one though.

Anyway, I don't think Calamity Town is the classic so many appear consider it to be, though I have to admit that the characterization of Wrightsville is done quite well in the book. The thing is: when I read Queen, I am not reading it for characterization or 'real' characters. That is an extra. I want complex puzzle plots that challenge me on an intellectual level. And in that respect, Calamity Town is not particularly rewarding,

Any Old Port In A Storm

グッと飲んでパッとやってtry try try

たまにゃはずして feel so good (feel so good)

万が一　金田一　迷宮入りする前に

「ガッツだぜ」（ウルフルズ）

Gulp down some drinks and go wild / try try try

You gotta let go sometimes / feel so good (feel so good)

Just in case Kindaichi can't solve the case

"That's Guts!" (Ulfuls)

Hey, Detective Conan and Kindaichi Shounen no Jikenbo R ("The Young Kindaichi Case Files R") are released around the same day again! Though looking at the preview, it appears this was just luck, as the release dates will be off one month again the next time.

Last time I wrote a review of Kindaichi Shounen no Jikenbo R, I said I wasn't sure whether I'd do a single review of volume 10, because usually stories in this series are longer than one volume. So I was quite surprised to find out that Kindaichi Shounen no Jikenbo R 10 consisted mostly out of shorter stories featuring the young high school detective Kindaichi Hajime, grandson of Kindaichi Kousuke. The volume starts with the final chapter of The Case Files of Sommelier Akechi Kengo, which started in the previous volume. Hajime and childhood friend Miyuki are hired as part timers for a private wine drinking party held at a fancy restaurant, because the usual staff all got sick. While Hajime is washing dishes in the back, waitress Miyuki is surprised by the arrival of Superintendent Akechi. The sommelier of the restaurant is also sick, so he asked his old friend Akechi to fill in his position at the party, because Akechi holds a Wine Expert license of the Japan Sommelier Association. The wines are part of a private collection, and the owner has invited business friends over. Near the end of the night however, one man dies because of a poisoned glass of wine. But how could he have been poisoned? Everyone drank from the same wine bottles, and it was Akechi himself who poured all the glasses.

This is the second time Superintendent Akechi's starred in his own story in the R series. It's a short one, but the story has an interesting theme once you realize that the writer of the manga, Amagi Seimaru, is also the writer of the manga Kami no Shizuku ("Drops of God"), a series about wine that actually influenced interest in wine and sales of wine in Japan. Amagi Seimaru is only one of the many, many pen names Kobayashi Shin (a former comic editor) uses by the way, and he writes Kami no Shizuku under the name Agi Tadashi.

The story makes good use of knowledge about wine, and while I usually dislike mystery stories that hinge on the use of trivia, the hinting is actually done well enough so people who don't know anything about wine can still solve it. It can even be a bit too obvious, because this story features the 'let's compare all the Xs and pick the odd one out', a device very often used in this series. Usually, it's just one element of the complete problem solving, but because this is a short story, it kinda stands out. Overall though, this is a decent story.

Sommelier Akechi Kengo's Case Book is followed by The Black Ghost Hotel Murder Case, which is not a very long story either. Hayami Reika, the popular idol, is shooting her new film The Black Ghost Hotel, and they need some part-timers, so she thought this was the perfect opportunity to get Hajime over to her place (little did she know that Miyuki was also reading Hajime's chat apps). Both Hajime and Miyuki gladly take the jobs and make their way to an old hotel in Hakone, where the film is being shot. The hotel is the perfect shooting location for the film, because it has its own rumors of a dark figure haunting the hallways. But by now, employers everywhere really should learn to not hire Hajime and Miyuki, because it always ends with murder. The first shoot, of a scene of the lead actress playing the piano, goes horribly wrong when there's a power failure, followed by a chandelier falling on top of the actress. And this wasn't the ghost's only victim...

WHEN WILL PEOPLE LEARN? NEVER STAND BENEATH A HEAVY LIGHT SOURCE IN THIS SERIES. IT WILL FALL.

Usually, a Kindaichi Shounen story is about twelve chapters long. This one was six chapters long. It felt as a very concentrated Kindachi Shounen story because of that, as it did have all the usual tropes you expect from the series. From a 'spooky backstory', to multiple murders which kinda seem impossible and red herrings. Though, to be perfectly honest, the ghost story about the dark figure haunting the hotel was absolutely useless. Gather all the panels in which the ghost is mentioned and you might have one whole page. Perhaps. It's basically not present. I did like the rest of the story though. The chandelier murder is pretty neat, though I do think it needed one extra hint to really make this a good story. I guessed what was going on, but to be really fair to the reader, the story really did need one extra hint to have all the necessary steps included within the story, especially as it's also related to the second murder (which was okay, but not particularly well-hinted at).

Hmmm, now I think about it, this volume did not have any real impossible crimes. The chandelier can be seen as one, but it is not presented as such, which is the same for the sommelier story. It's pretty rare for this series to not feature impossible crimes! 

The volume ends with the first chapters of a new story, but I did not read them, as I want to read the whole story in one go, when the next volume is released (assuming it ends in the coming volume).

Overall, Kindaichi Shounen no Jikenbo R 10 is a decent volume, but nothing particularly outstanding. I already mentioned in my previous review of the series, but despite having the same amount of pages, there happens a lot less in this series compared to Detective Conan, because of the way it's paneled. To be honest, this volume feels only like half a Detective Conan volume in terms of content, but it's amusing enough.

Original Japanese title(s): 天樹征丸（原）、さとうふみや（画）　『金田一少年の事件簿Ｒ』第１０巻

Summer Memories

step by step あせることなんてないのさ

case by case わらわれたってかまわない 

「Step by Step」（Ziggy）

Step by Step / There is no need to get impatient

Case by Case / I don't mind getting laughed at

"Step by Step" (Ziggy)

If you just stop and think about it. Detective Conan is a detective series that has been running (basically) non-stop for over twenty years. According to the official Detective Conan website, the last story included in this volume is the 277th story in the whole series! (And there are more chapters that have not been collected in a volume yet). It's amazing how many mystery stories Aoyama Goushou has written (and illustrated) and while not every story is an instant masterpiece, the overal quality and consistency is actually very impressive. Few mystery writers come even close, and that's assuming there iseven such a person around.

While Detective Conan 89 was overall a very amusing volume, it did not feature any stories that were related to the larger storylines of the series. Detective Conan 90, released mid-August 2016, is perhaps the mirror image of the previous volume. It is again an entertaining volume with mostly short stories that have neat ideas in terms of mystery plot, but this volume definitely has something to do with the main storyline. In fact, almost all stories included in this volume have to do with Conan's everlasting quest of fighting the Black Organization who turned him into a child. The volume starts with the remaining chapters of The Message Cut Out With Scissors, which started in the previous volume. A man was found murdered in the annex building of his home, with a pair of scissors in his hand. The pair of scissors are an invention of Dr. Agasa, and the man is called by the police to see if he can help, with Conan and Okiya tagging along, because the case has some similarities with the mysterious murder on Haneda Kouji, who was erased by the Black Organization seventeen years ago. Conan and Okiya suspect the man who discovered the body, but there is one problem: no murder weapon was found, and he could not have brought one with him, as he had been searched before entering the annex. The solution is pretty smart, but the execution is not flawless. The way the murderer left hints and rather incriminating evidence behind is rather silly, especially considering he basically pulled off an impossible crime perfectly, only to make such a elementary mistake after the deed. The hints that should guide the reader to the solution are also rather vague, and incoherent.

In The Unexpected Neighbor of the Spirit Detective, Mouri Kogorou is challenged by a Spirit Detective for a TV program, claiming he can summon the spirit of Haneda Kouji and reveal something new in this old murder case. Conan, Kogorou and the TV director however find the Spirit Detective murdered in his hotel room, and chase a shadow who jumps from the balcony to the next room. Conan is surprised to find high school detective Sera Masumi staying in the room next door, while Sera is trying to keep the Unknown Girl hidden from Conan. Sera joins the investigation, and the result is a story that is just so-so in terms of mystery (it's sorta an impossible crime story, but it's all rather obvious, especially as we're already in the 90th volume of the series), but the story offers enough other thrills as Conan starts to get on the trail of the Unknown Girl.

In the previous stories, Conan and Okiya discovered that the high-ranking Black Organization member Rum was involved with the murder on Haneda, and that Rum used the name "Asaca". The word "Asaca" is also the title of a new song by musician Hado Rokumichi. The Truth Behind The Betrayal starts with Okiya and Conan heading out to attend an open rehearsal of Hado, hoping to find out more about Asaca, but the Black Organization is also aware of this mention of Asaca, as both Amuro and Vermouth (in disguise) are present at the rehearsal too. Hado however is found dead in the concert hall, hung high up in the air, but none of the suspects appear to have been able to pull the body that high up. Okiya, Conan and Amuro all investigate the murder, and Amuro is getting more and more suspicious of Okiya's true identity. The mystery of Hado's murder is rather disappointing though: in its most basic form, the solution makes sense, but Aoyama makes it unneccesary complex with trivia, that make the whole story less satisfying.

The volume ends with the first chapters of The Legend of the Nue of Yadori Village, which has Hattori, Kazuha, a Nue (a chimaera-esque youkai), the hunt for the Tokugawa treasure and an old hotel somewhere in the middle of nowhere. Yes, it's fun.

I haven't been reading this series from the very start, but I have been following the series 'real-time' for quite some years now, and I never could have guessed back when I read this series for the first time that we'd get this far. Detective Conan 90 was nothing particularly special as a collection of mystery stories (though never really bad), but it was definitely exciting with its ties to the overall story. At this rate, we'll definitely hit 100 volumes, but I have a feeling that this series will move a bit faster the coming volumes.

Original Japanese title(s):　青山剛昌　『名探偵コナン』第９０巻

The Last Letter

拝啓　この手紙読んでいるあなたは　どこで何をしているのだろう 十五の僕には誰にも話せない　悩みの種があるのです
未来の自分に宛てて書く手紙ならきっと素直に打ち明けられるだろう

「紙 ～拝啓 十五の君へ～」 （アンジェラ・アキ）

Greetings. You, who are reading this letter, where are you and what are you doing now?

I am fifteen, and I have worries I can't talk about to anyone.

If I write a letter to my future self, I'm sure I can confide it all to myself.

"Letter ~ Greetings To A Fifteen Year Old You~" (Angela Aki)

I wonder if, and how the concept of pen pals has changed the last ten, fifteen years, with e-mail and nowadays smartphone apps making asynchronous communication move closer back to synchronous communication...

While cleaning out his old room in his parental home, 33-year old Takanori, nickname Max, finds a box with old letters. Fifteen years ago, in his senior year in high school, he had a penpal called Fumino Aya. She lived faraway in Matsue, capital city of the Shimane prefecture and was like him in her senior year. Their correspondence suddenly stopped after ten letters, but Max discovers an eleventh, unopened letter inside the box. The letter however contains a surprising confession: Fumino Aya wrote in her last letter that she had killed a person and that she would need to pay for her sin. Feeling guilty about only reading this letter now, Max decides to go to Matsue to find out about this ghost from the past. And ghosts are what he finds, because he discovers that there had been a Fumino Aya living in Matsue, but that she had died 25 years ago! So who was his penpal? The only way to find Aya is through her classmates she mentioned in her letters by nickname, but things don't go easy for Max in the 2016 videogame √Letter (PS4/Vita).

√Letter, pronounced Root Letter, is the first game in the Kadokawa Game Mystery series. Follow-up titles have not been announced yet at the time this review is written, but the Kadokawa Game Mystery series uses a so-called star system. Characters are treated like actors in live-action productions, and will appear in various titles in different roles. In √Letter for example, Fumino Aya is played by the fictional actress AYA, and she will presumably also play different roles in future games.

The game is a very old school command-style adventure game, with some minor visual novel elements. In the game, you will be moving around Matsue in search of Aya's old classmates, in the hope of finding out who your penpal was and what happened to her and who she killed. Each chapters starts with the protagonist reading one of Aya's old letters, where she talks about her life and her friends. Using the hints in these lettters, you try to identify her friends and have them tell you the truth. Problem is these friends are obviously hiding something and you need to prove who they are and their link to Aya in order to proceed. As the story goes on, you uncover the truth behind Fumino Aya.

As an adventure game, √Letter is nothing special. In fact, it is very, very classic in set-up and even feels outdated. Talk to a character at A, get told you need to go to B, do an action there, go to C. It is a one way road, and the only diversions on the way are the confrontations with Aya's friends at the end of each chapter, when you need to prove their identity. These segments however are incredibly badly designed, being more vague than should be. But they also feature a "Think" option that in turns tells you the answer, giving you the choice of either guessing without a clue, or being told what to do. These secions also feature a strange timing-based dialogue-gimmick that is supposed to represent tension or something but fails horribly. The game adds some minor visual novel design choices, as it features multiple endings which depend on the choices you make throughout the game. You read one of Aya's letters at the start of each chapter, and you 'reminisce' on what your reply was to each letter of hers. The kind of replies you choose throughout the game decide which of the five endings you will get.The endings are all varied, with a completely different tone to them (from horror to thriller), but only one of them can be considered the 'true ending.'

The game was made with cooperation of the Shimane prefecture. Most of the locations featured in the game are real, and there is even an in-game travel guide explaining these locations. Because of that, √Letter does reminds of travel or topographical mystery ficton.

So I have to admit that √Letter was quite a disappointment as a game, but the story itself was entertaining. The story moves at a slow pace, and suspension of disbelief is kinda needed (it takes Max just a few days to locate Aya's friends based on their nicknames?), but overall, the mystery surrounding Aya really did get me curious. In terms of mystery fiction, there are two mysteries: the overall story of who Max' penpal Fumino Aya is and what happened to her, and the minor mysteries of having to find Aya's friends and proving who they are. While none of these mysteries are really asking the player to think and deduce on their own (the game doesn't even allow for that), but the presentation does make you want to dig deeper in everyone, even if some of the "twists" are rather obvious. Depending on which ending you got, the story can also turn into supernatural horror or even science-fiction, though the true ending is a realistic one.

What was especially well done was the characterization. Each character is shown twice to the player: once through the eyes of Aya, fifteen years ago, and the way they have become now. Usually, there is a gap between what Aya's friends wanted to become when they were young, and what they actually did become in the present day. Both their younger and their adult sides get the proper attention and because of that √Letter feels like a mix between the teenage school drama and a 'normal' adult drama, with people looking back at their lives and rethinking what has happened to them. People who like Solanin for example might find √Letter interesting. I think also that readers who can appreciate the human drama in Higashino Keigo's works will be pleasantly surprised.

I think you can already guess from the above, but I do think that √Letter did not need to be a game. It could have worked as good, perhaps even better in a different medium, like a TV series. The game features some very nice character and art designs by Minoboshi Tarou (Love Plus) and a soundtrack which is a bit limited, but has some great themes. But these are elements that are not game-exclusive. Only the concept of multiple endings is game-like, but even though only the true ending can be considered a satisfying end to the story, so even then it appears this could've worked in all other mediums.

Overall, I'd say that √Letter is a game that could've been much more. The story and the concept behind the game are good, but the translation to a game-format is simply too bare-bones, making the game slower, and perhaps more boring than should've been. I had a reasonably fun time with it, but I can definitely imagine people being less forgiving than me with this game. So it's off for a somewhat troublesome start for the Kadokawa Game Mystery series, though I hope they will release more.

Original Japanese title(s): 『√Letter』

Bridge to the Turnabout

残酷な天使のテーゼ 

窓辺からやがて飛び立つ

「残酷な天使のテーゼ」

This cruel angel's thesis

Will soon take flight from this window

"A Cruel Angel's Thesis"

It's been a while since I did a review of one single short story, actually. And I think this is actually the first time I'm doing a single post on one short story on the blog, because I seem to recall that even at the times I did do seperate short stories, I always put them together with some other (unrelated) things to stretch it out to a full post.

A while back, I discussed 2016's Gyakuten Saiban - Gyakuten Idol, the first original novel based on the Gyakuten Saiban (Ace Attorney) court mystery videogames. It was not the first time the series was presented in a text-only form though. While there have been some fanfics published in the official fanbooks, the first true, official Gyakuten Saiban story is Gyakuten Saiban - Gyakuten no Kakehashi ('Turnabout Trial - Turnabout Bridge'), a short story by Kuroda Kenji. Defense attorney Naruhodou and his assistant Mayoi are enjoying a ramen noodle at their favorite joint Yatabuki, when the ramen cook himself asks for Naruhodou's help. One of his customers, Kanae, is being suspected of the murder on the popular action actor Ookochi Hikaru, who was found dead in his hotel room, in the hotel where they were going to shoot his latest film. Kanae was one of Hikaru's biggest fan, and she might have even done things that most people would consider stalking. She knew Hikaru was shooting a film at the hotel and she too had taken a room there. Hikaru was killed inside a locked room, and the only way in or out was through the window. Due to an illegal architectural design, the two towers of the hotel are built so close to each other you could climb over from a window in one tower to a window in the other tower. Because Kanae had taken the room across Hikaru's room, it appears only she could've committed the murder and gotten out of the room and there is even a decisive witness to prove that! Can Naruhodou help Kanae out of this situation?

Gyakuten no Kakehashi is the first official story of the series, but is also one of the most obscure. It was published in two parts in the literary magazine IN-POCKET in 2007 and has never been collected in any form, meaning you need to get your hands on two issues of an old magazine if you want to read it now. The writer, Kuroda Kenji, is also the writer of the 2007 manga of Gyakuten Saiban, so he was already familiar with the material. In the past, I have reviewed a volume of the spin-off of that manga series: Gyakuten Kenji, which was also written by Kuroda.

I'd say that Gyakuten no Kakehashi is a decent mystery story, that manages to follow the formula of the Gyakuten Saiban series. In many ways, this story mimics a first episode in any of the games. The story is basically inverted, in the sense that it does already show you who the real murderer is at the start, even if it doesn't show you the how. In court, Naruhodou is facing prosecutor Auchi, who is always the first opponent in all the games.And like in the games, Naruhodo arrives at the truth by pointing out, and pointing at contradictions. This is a different mode than most mystery fiction, but because this story is based on a game, it follows the same formula, which in turn was based on Columbo. Find a lie, pull the thread, find a new lie, pull even harder on the thread, all the way until everything is untangled. Whereas a lot of mystery stories put all the mystery solving at the end, this series has always been about being an interactive experience, with more things to 'do' throughout the story and a more direct way of showing how one deduction leads to another.

The locked room mystery is also decent. I think most people will get a fairly good idea of what has happened early on, but getting all the details right might be difficult and the hints are laid down good. The one 'complaint' I'd have is that I think this story in particular would've been much better in comic form!

The story was published in IN-POCKET, a pocket-sized literary magazine which features serialized short stories and novels among others, so the writing style of Gyakuten no Kakehashi is fairly serious. matching the rest of the magazine. By which I don't mean that the story does not feature comedy (it does, or else it wouldn't be Gyakuten Saiban), but the narration and the language used is not something you'd usually see in the games. Compare to the more recent novel Gyakuten Idol, which was released in a line aimed at children. The language was much simpler, with more dialogues, but that is what made that novel feel a lot more like how the language used in the actual games (which is basically just dialogue, with some occassional inner monologue). Gyakuten Idol is much better at invoking the atmosphere of the games. The characters in this story for example don't have a real comical side to them, nor do they 'break' character whenever they get caught in a lie, which is a characteristic of the games and it was also recreated very well in Gyakuten Idol.

I am going to guess that they wanted to attract new players to the game, as Gyakuten Saiban 4 had been released earlier that year. By introducing "normal" mystery readers, who read IN-POCKET, to the world of Gyakuten Saiban through this short story, they hoped these people (who normally don't play games) would also try the games. Whether it worked, I don't know. Why they choose this particular plot for a short story, even though it'd work better in comic form, I don't know either. But I can say that Gyakuten no Kakehashi is definitely a decent locked room mystery short story, that should satisfy most fans of the series.

Original Japanese title(s): 黒田研二　「逆転裁判　逆転の架け橋」

Pursuit

Yes Wonderland

歌は国境超えて

どこまでも進むよ

「ここにいるぜぇ」（モーニング娘。）

Yes Wonderland

Songs can cross over borders

And go everywhere

"I'm Here" (Morning Musume)

Trains have always been important as a binding factor for nations (connecting different places), but I wonder if in Japan's example, the nation's love for trains is also related to the fact that the period the train network was laid down, was also the period that the common folk were permitted to freely move around in the country in the first place? I mean, before that, it was basically impossible for the common man to move around not just physically, but also legally. And then the world suddenly opens up, with trains as the perfect symbol for that.

Train-fanatics all over the country rejoiced when it was announced that the Orient Express would make a second trip to Japan. The legendary luxary train would go from France, through Germany and the USSR, and finally be shipped to Japan, where it would make a trip across the country. The Orient Express safely crosses the sea and is sent off for maintenance for a few days (to adjust for the different size of tracks). During the maintenance, a stash of Tokarev pistols is found hidden within one of the carriages, accompanied by a letter that suggest that the recently deceased ex-Secretary of State was connected to the smuggling. In fear of a scandal, police HQ sends Inspector Saeki to Europe to find out when the pistols were hidden in the train and by whom. Saeki however disappears from Berlin during his investigation, and the police have no choice but to send Inspector Totsugawa after him in an undercover operation to find his collegue and personal friend. Inspector Totsugawa goes to Berlin accompanied by his subordinate Kusaka, but discovers that a Berlin right after the fall of the wall isn't always a nice and safe place to be in Nishimura Kyoutarou's Orient Kyuukou wo Oe ("Pursue the Orient Express", 1991).

The names Nishimura Kyoutarou and Inspector Totsugawa are basically synonyms for "travel mysteries", a particular subgenre of mystery fiction that place a focus on traveling, tourism and means of transport and. Trains in particular are very important to the Inspector Totsugawa series, as they feature heavily in the old inspector's adventures, usually as part of some kind of ingenious alibi trick. As the title of this book also featured the Orient Express, I was hoping for an interesting appearance of the (in)famous train in a Totsugawa-setting, but I really should learn to read the cover blurb of books, because this was a very different book from what I had expected.

Orient Kyuukou wo Oe is basically a shakaiha (social school) version of a Inspector Totsugawa adventure. Shakaiha is a style of crime fiction popularized by Matsumoto Seichou, with the dark side of society, with all its big corporate and government organizations, usually providing the motive for crimes. In this book, we already catch an early glimpse of this, when first Inspector Saeki, and then Inspector Totsugawa are sent to Europe to investigate the smuggling in secrecy to protect the reputation of the ex-Secretary of State. Because it's probably not good for a country's 'face' if people hear your Secretary of State deals in guns. The political, and socio-economical situation in East-Berlin are also of importance of the plot, when Totsugawa and Kusaka discover that not all are happy the wall went down.

The mystery plot of the book is fairly boring. The 'investigation' of Totsugawa and Kusaka basically consists of making it rather obvious they're searching for Saeki (which is, I think, probably not the way to go in a secret investigation) and afterwards they're just following directions given by an unknown party that claims they know what happened to Saeki. Back in Japan, Totsugawa's number one subordinate Kamei is investigating the ex-Secretary of State (helped by private detective Hashimoto, an ex-subordinate of Totsugawa). Their investigation is surprisingly useful, but that's mainly because of incredible luck: basically every person they see over the course of the investigation turns out to have something to do with the smuggling. The plot hangs together by threads of coincidence and after a while you just stop caring, because heck, coincidence will solve everything, right?

I do have to say that I'm especially disappointed the Orient Express is only used in the very beginning of the story, as the hiding place for the Tokarevs. The "Pursue" in the title of the book just refers to the route the train took. The story has a interesting international angle to it, something I'm not used to in the Inspector Totsugawa series (which is very oriented on domestic tourism), though I can't say it was really impressive. Actually, most of the time in Berlin, Totsugawa and Kusaka just stay in their hotel room waiting for phone calls, so it barely feels like they're abroad.

Orient Kyuukou wo Oe really isn't an Inspector Totsugawa book I'd recommend. It has nothing of what you'd normally expect from a Totsugawa book, and there's little in here that manages to stand out (and the little that does, only does so because the rest of the book is so bland). This is one train you don't need to get on to.

Original Japanese title(s): 西村京太郎　『オリエント急行を追え』