The Cosmic Turnabout

Wishing on a dream that seems far off

Hoping it will come today.

Into the starlit night,

Foolish dreamers turn their gaze,

Waiting on a shooting star

"Lunar Silver Star Story"

Oh, I had forgotten to mention it, this month will probably consist of reviews of mostly Western detective fiction, because of coincidence and the prolonged procrastination of writing reviews.

I had already heard James P. Hogan's Inherit the Stars, the first novel in the Giant series, described as a science fiction mystery novel, but still, I was quite surprised when I discovered it had ranked in the Tozai Mystery Best 100, beating titles like The Egyptian Cross Mystery and Le Mystère de la chambre jaune. So why not, I thought when I saw the book going for almost nothing at a second hand bookstore. It's the actually-not-that-far-off-anymore year of 2027: man has conquered the moon. Bases are built all over the surface and commercial flights are available. But the moon still has a big surprise in store for mankind. One day, the corpse of a man dressed in a spacesuit is found on the moon. But nobody on the moon has been reported missing, and with no idea where the unknown corpse dubbed Charlie came from, carbon dating is done on the body and his equipment. Results: the corpse is over 50.000 years old! Physicist Victor Hunt is asked by the United Nations Space Arm to help in figuring out where Charlie comes from and what he was doing on the moon.

Like I noted in my review of Asimov's The Caves of Steel, I have read only one or two science fiction mysteries, and they were always written as fair play mysteries. Like with fantasy mystery fiction, as long you know 'the rules' of the world, you know what's possible, then making a fair play mystery is possible in any kind of background, whether it is a world where witchcraft exists, or a future with humanoid robots (or both). But they were all clearly written as classic mystery novels.

Inherit the Stars on the other hand is first of all a hard science fiction novel, and secondly a mystery novel. The two themes are strongly intertwined, but Inherit the Stars with its grand scale investigation into the history of Charlie, with specialists from all fields of science, from mathematicians to linguisticians and biologists, with theories about disappearing species and space travelling is relatively heavy. Don't expect a simple, personal murder or an alibi trick in Inherit the Stars, Charlie's mystery serves to talk about human kind and its future.

But that doesn't make the mystery of Charlie less captivating. Now that I think about it, there are alibi tricks in Inherit the Stars, as how can Charlie and his space suit have existed in a time when humans weren't fully evolved yet? The solution to it all is quite memorable too, especially considering the scale of it all, but once again it feels closer towards science fiction than a fair play mystery (though it is definitely able to arrive at the solution based on the hints). I guess that The Caves of Steel did the same, but Inherit the Stars goes a bit deeper into science fiction fields than The Caves of Steel, I think.

Inherit the Stars isn't exactly my kind of detective novel, but the mystery of 50.000 year old Charlie is indeed very interesting, and the solution, while a bit 'different' from what you'd expect, makes quite the impression.

The Secret Adversary

"Ik ben alleen bang dat een dermate interessant geval zich in de practijk niet voor zal doen. Belangrijke misdaden, wèrkelijk intelligent bedachte en uitgevoerde moorden, worden hoe langer hoe zeldzamer. Het is alsof de mensen niet meer durven, bang zijn voor de moderne, verfijnde hulpmiddelen van de politie."

"Een tip van Brissac"

"But I am afraid such interesting cases don't exist in reality. Important murders, keenly thought-out and executed murders are becoming rarer by the minute. It is like people don't have the guts anymore, scared for the modern, sophisticated instruments of the police."

"A Tip from Brissac" 

And because this is a post on a fairly unknown Dutch mystery novel on a site mostly about Japanese mystery fiction, I once again predict a horrible view count!

I was made aware of Dutch author/actor Jan Apon's detective novels about half a year ago (from a Japanese source!), but his books seldom seem to pop up in second hand stores, so it took a while before I finally got my hands on one of them. Een tip from Brissac ("A Tip from Brissac", 1940) was the last book in Apon's Raoul Bertin series and starts by introducing us to André Babelay, wealthy and influential banker. We follow him on this typical day, getting acquainted with his lover, learning about his wife's adultery, see him sadistically push a company into destruction and finally, we see him die. To be precise, he is killed. The Sûreté's inspector Chadel calls in ex-collegue Raoul Bertin to help him with this case, in which almost everyone seems to have a motive to kill Babelay, and also everyone seems to have a connection to the mysterious moneylender Brissac, who might or might not be involved in the murder.

I wasn't able to find anything about the contents of this novel, so I was not sure what to expect precisely when I opened the book, but it was a surprisingly fun, actually. We have here all the ingredients you'd expect in an orthodox detective novel, and it's overall done very well. After the initial part leading up to the murder, we're treated to an investigation filled with sharp observations and keen deductions about the coming and going of several suspect parties to the crime scene, and the way the name Brissac slowly becomes more prominent as the story continues is great. And while it's not very original, the setting of a rich banker murdered in his own library, a mansion with suspicious servants and guests, people going in and out the mansion, the classic atmosphere is what I enjoyed greatly. Sure, Cor Docter's novels were a bit more realistic (slightly), but I am personally definitely more a fan of the more classic tropes.

Een tip van Brissac has its shares of flaws though. During the denouement for example, Bertin conjures up a series of evidence of which I am pretty sure I wasn't informed of until then. But then again, it was pretty easy to guess who the murderer was because of that one strange, ah yes oh so strange action that person took... The middle part of the book is great though, with the investigation moving at a pleasant pace and new deductions and revelations made once a while to keep the reader hooked. Apon apparently wrote radio dramas after World War II, but Een tip van Brissac, with its many time-stamped scene changes (there are no formal chapters) and fast-paced dialogues might be an early experiment of Apon into that medium.

I also have a strange habit of reading Dutch mystery novels that aren't set in the Netherlands. Van Gulik's Judge Dee and Aafjes' Judge Ooka are set in different eras in the Far East. Een Tip van Brissac (and I assume the rest of the series) is set in France. Cor Docter's novels seem the expection really, though it 's probably more because of my eclectic reading than a common trope in Dutch mystery fiction.

And the fact that Raoul Bertin is an ex-policeman is interesting though. Detectives in Dutch mystery fiction are moften official police detectives (or judges...), and while the term amateur detective might not be correct, the fact Bertin has no official authority concerning the investigation is something that struck me as odd.

All in all a little surprise. Een tip van Brissac isn't perfect, but it was definitely a fun Dutch mystery to read, and definitely the most classic in form of the books I've read up until now (admittedly, not very much though). Let's hope I'll be able to find some more of Apon's books!

Original Dutch title(s):  Jan Apon, Een tip van Brissac

The Gold Solution

The Real Folk Blues

本当の喜びを知りたいだけ

光るものの全てが黄金とは限らない

The Real Folk Blues (山根麻衣)

The Real Folk Blues

I just want to know real happiness

Not all that glitters is gold

"The Real Folk Blues" (Yamane Mai)

The new Detective Conan film looks awesome! At least, the story seems, like Countdown to Heaven and The Raven Chaser before it, somewhat related to the bigger storyline, so excited! Now if only I can get myself in Japan around April...

Edogawa Rampo's Ougon Kamen ("The Golden Mask") is named after a mysterious figure wearing the titular item, a golden mask with only a set of slit eyes and a giant smile as its face. The Golden Mask has been responsible for the most audicious thefts in recent memory and is also considered the main suspect for several murders. The police has no idea of how to stop the illustrious thief, and the matter seems to turn into an international affair when the Golden Mask threatens to rob the French ambassador. But celebrated detective Akechi Kogorou is also involved and he claims he knows who the mysterious figure is, just based on the discovery of a note with the initials A.L.

Okay, I'll just spoil it now: it is Arsene Lupin. Yes, it was the famous French gentleman thief who had been making trouble in Tokyo wearing a golden mask. Of course, most people who read Ougon Kamen now, read it because they know Arsene Lupin appears in it, so it's not that big a spoiler.

Maurice LeBlanc famously pitted a certain consulting detective against his Arsene Lupin; Edogawa Rampo in turn pitted Lupin against his Akechi Kogorou. LeBlanc was forced to chance the name of this consulting detective to something less dangerous in the courtroom, but with the more lax copyright rules at the time (and most likely also the smaller market and people simply not knowing of the book), Lupin has always stayed Lupin in Ougon Kamen (though TV adaptations wisely didn't use his name).

Anyway, the basic idea shouldn't be hard to guess. Over the course of the novel, Akechi and Lupin have several skirmishes, each party trying to outsmart the other. As with practically all of Rampo's serialized novels, he seems to improvise most of the time, and what you get is a chaotic series of entertaining confrontations between the two. Nothing too deep, but simply fun to read. Especially one part in the middle, which takes place during a party styled after Edgar Allan Poe's The Masque of Red Death, is great stuff, as well as a climax that has elements of both the Lupin and Akechi series.

Ougon Kamen was written in 1930-1931, so it is not hard to see how the fight between Arsene Lupin and Akechi Kogorou seemed to have inspired the creation of the Fiend with Twenty Faces (1936), Rampo's own thief-and-master-in-disguises. In fact, the Lupin in Ougon Kamen has some character elements that seem more like the Fiend, than the actual Lupin. Sure, Ougon Kamen's Lupin is still very popular among women, but he is also a bit more ruthless, a bit more willing to shed blood than the real Lupin. Akechi says this might be because Lupin doesn't consider Asians worthy of the same courtesy he shows his own countrymen, but still, this is a weird Lupin. But it's not hard to guess why: Akechi Kogorou is the protagonist, so Lupin has to appear as an actual villain for you to root for Akechi (the same happened to that consulting detective in LeBlanc's crossovers...). In the end we're left with a Lupin who is mostly like Lupin, but also a Lupin who obviously serves as a prototype for the Fiend. I think that Akechi Kogorou himself commented that the Lupin in Ougon Kamen was weird in Nishimura Kyoutarou's Meitantei ga Oosugiru (the legal nightmare crossover with Ellery Queen, Hercule Poirot, Maigret and Akechi Kogorou vs. the Fiend with the Twenty Faces and Arsene Lupin).
  
Ougon Kamen is like most of Rampo's serialized novels a bit of a chaotic mess, but the kind of mess that is fun, amusing and bound to leave a smile on your face. It's written for the masses, which is not a bad thing per se, and the childish ideas might not be for everyone, but I know I was amused from start to finish.

Original Japanese title(s): 江戸川乱歩　『黄金仮面』

Friend of a Friend (FOAF)

永遠なんて言葉は苦しくて

明日を謳うことが出来ないよ

静かに眠れるその日が来たのなら

遠い過去ともサヨナラ出来る…でしょう?

「Phantom」 (村田あゆみ)

The word forever is too painful

I can't even talk about tomorrow

But when the day I can sleep silently comes

I will also be able to say goodbye to the faraway past.... right?

"Phantom" (Murata Ayumi)

And as I was writing this post, I wondered, what are some of the better known urban legends in mystery fiction? I don't mean urban legends in mystery fiction, but urban legends about novels / writers et cetera. I have to be honest and I can't think of any at the moment, though I am pretty sure they exists... (and if I am told one now, I'd probably go "oh yeah, I heard that one...")

I heard this from a friend of a friend... you know the Metropolitan Police Department? That building in Tokyo? Well, I was told that there is a secret fifth basement floor. Oh you have heard about that? So you know about the rumors, about dead people having appeared there, and about the voices coming from the rooms? But I bet ya you hadn't heard that on the fifth basement floor, in the Police Historical Archives room, there is a secret police unit working! Well, working isn't the right word, maybe. I heard the higher-ups assigned two policemen to the Police Historical Archives, who have no idea about the truth behind their unit, but they are assigned to cases that seem to be connected to urban legends, supernatural powers and all that is occult. What, there is no thing as the occult? Maybe you're right. Maybe there's a logical explanation for the strange cases in Hayarigami Keishichou Kaii Jiken File ("Hayarigami - MPD's Occult Case Files").

Hayarigami is a sound novel game series, like Kamaitachi no Yoru and 428. For those not familiar with the concept; the story is presented to the player through plain text (accompanied with background images and music), and the player is occasionally forced to make choices, that influence the flow of the story. In short, choose-your-own-adventure books, but in game form. In Hayarigami, you take the role of Lieutenant Kazami of the Police Historical Archives, making the correct decisions in order to unreveal the truth behind the seemingly occult cases. Make the wrong decisions, and the case might go unsolved forever. There are three Hayarigami games, with the first being available on PS2, PSP, DS and even iOS. 

The interesting thing to Hayarigami is that you have two distinct ways of tackling the case; scientific or supernatural. As every case is connected to urban legends and other occult phenomena, one can choose to actually believe in the supernatural (i.e. make choices that show you're open to supernatural explanations), and the case will unfold in a way that poses that occult powers were responsible for the incident. Choose the scientific route, and the case will unfold in a way that poses a rational explanation to the events. And so every story basically gives you two solutions, one that fits a classic, rational detective model, one that fits ghost stories. But they're actually both interesting to go through, and it actually pays to go through both the scientific and supernatural routes, because the routes complement each other, each filling in the little gaps of the other route.

The cases are fun, though a bit short. They all deal with (Japanese) urban legends like Kokkuri-san and cursed chain mails and through the dialogues and such, you actually learn a lot not just about their contents, but also about urban legends as a field in folklore and social studies. I've already mentioned in the reviews of Norizuki Rintarou's Toshi Densetsu Puzzle and Kyougoku Natsuhiko's Hyakki Yakou series (amongst others), I'd always had an interest in urban legends, but playing Hayarigami has really made more interested in the material, and I have found myself going through Brunvand's books on the topic for example.

Of course, myths/(urban) legends and ghost stories have always been a part of mystery fiction, but most of them use and refer to them as simply a background story ("the man was killed in an impossible way, just like in that ghost story I just told you"). Hayarigami (but also Kyougoku's novels on youkai for example) does that too, but also discusses these constructs in the context of folklore and other social studies, how urban legends come to existence, how they evolve and how they are used in a wide variety of ways. It's also why Hayarigami as a game, promoting both a supernatural and a scientific mode at the same time, works without feeling too shizophrenic or contradictory: for a supernatural object, can be used in a rational way. It shows that communication, thoughts and memes can be used in mystery fiction, which is something I'd like to see much more.

As a game, Hayarigami is sadly enough not nearly as long as something like Kamaitachi no Yoru (which has an amazing number of bonus scenarios). Yes, you can basically go through each scenario twice (and there are two bonus scenarios), but it's still a relatively short game. The sound and art direction are top notch though; especially the art is doing a great job in conveying a slightly unsettling atmoshere.

For those interested in (Japanese) urban legends, Hayarigami Keishichou Kaii Jiken File is a great way to start. It is a bit short and might only present a small selection of urban legends, but the way the material is handled is great and bound to pique your interest in the study of urban legends. As mystery fiction, Hayarigami is also fun, providing slightly creepy stories that may or may not have a supernatural tone to them. It all depends on what you choose to believe.

Original Japanese title(s): 『流行り神 PORTABLE　警視庁怪異事件ファイル』

A Friend in Deed

仕組まれた自由に誰もきづかずに

あがいた日々も終わる

この支配からの卒業

戦いからの卒業

『卒業』　尾崎豊

Nobody realizes our freedom is fake

Our days of struggling will end

Graduation from this control

Graduation from the fight

"Graduation" (Ozaki Yutaka)

Hmm, I'll probably write about the last season of Poirot,  but seeing that three of the four posts this month were already about TV/film productions, I think I'll push that post to December. Which is close anyway (though at my current writing tempo, it might become next year...)

Kaga Kyouichirou series
Sotsugyou ("Graduation") (1986)
Nemuri no Mori ("Forest of Sleep") (1989)
Dochiraka ga Kanojo wo Koroshita ("One of the Two Killed Her") (1996)
Akui ("Malice") (1996)
Watashi ga Kare wo Koroshita ("I Killed Him") (1999)
Uso wo Mou Hitotsu Dake ("One More Lie") (2000)
Akai Yubi ("Red Fingers")  (2006)
Shinzanmono ("Newcomer") (2009)
Kirin no Tsubasa ("The Wings of the Kirin") (2011)
Inori no Maku ga Oriru Toki ("When the Curtains of Hope Come Down") (2013)

Higashino Keigo is probably better known internationally for his Detective Galileo series (thanks to the succes of The Devotion of Suspect X), but his longest running series is the Kaga Kyouichirou series, which started with his second novel Sotsugyou - Setsugekka Satsujin Game ("Graduation - The Setsugekka Murder Game"). I have already written about the later entries in the series (see above), where Kaga appears as an extremely competent police detective, so I was kinda surprised that Kaga was still an university student in this novel. Though the title should have tipped me off. Anyway, Kaga Kyouichirou is in his last year of university, and like the rest of his friends thinking about his future. One of his friends, Youko, however, seemingly commits suicide in her apartment,  but a series of curious facts leads the police, and Kaga to suspect it might have been murder. And when another of his friends dies during a tea ceremony game, it becomes clear something evil has been hiding among Kaga's friends.

Considering this series is Higashino's oldest series, it shouldn't be surprising when I tell you that this novel is quite different from more recent entries in the seriesl. The biggest change: Kaga Kyouichirou appears prominently in the story. Most of the later novels are narrated from the point of view of suspects, with Kaga occasionally popping up to ask annoying questions like he was a disciple of Columbo or Furuhata Ninzaburou. Sotsugyou is definitely his novel though, being about his friends. It shows a side of Kaga I had never seen before, which was interesting.

Sotsugyou is also much more an orthodox detective novel than the psychological mystery dramas that later entries seem to be. Dochiraka ga Kanojo wo Koroshita and Watashi ga Kare wo Koroshita are a bit of anomolies in the series (as they are fair play mysteries, but don't tell you who the murderer is), but the rest of the novels seem to focus more on the suspects and the drama that led up to the murder. Sotsugyou however features two seemingly impossible murders (one in a locked apartment room with limited accessibility and another where suicide seems to be the only solution), making it feel much more 'classic'. Indeed, older Higashino Keigo novels seem more like conventional detectives with clear problems (see also his parody series Meitantei Tenkaichi), which is more fun to read in my opinion. Then again, these older works by Higashino sometimes have the trouble of feeling a bit too conventional, as if he's just writing them with a checklist of tropes besides him.

Overall, I have to say that I do feel that Sotsugyou is a bit underwhelming. The solution to the locked room problem is a bit... well, I guess it forebodes his Detective Galileo series and shows Higashino's scientific background, but content, I am not. And the poisoning murder during the tea ceremony (which is where the subtitle Setsugetsuka refers to) is insanely complex. If you have a story where you need four pages of text, and another four pages of diagrams to explain where every cup was during each stage of the tea ceremony, then the story is probably too difficult for its own good. The two problems also feel very disjointed, and it's almost like reading two seperate storylines. It can work for some stories, but not here.

I wouldn't say that Sotsugyou is a bad novel, but it's not particularly memorable either. For those interested in Kaga's history, it has some nice moments, but as a detective novel it feels a bit safe, and not particularly inventive.

Original Japanese title(s): 東野圭吾『卒業　 雪月花殺人ゲーム』

One More Time

「どんなに迷ったって見つけてくれるんでしょう・・・新一は名探偵だからね」

『名探偵コナン　絶海の探偵』

"No matter how lost I get, you'll find me, right? Because you're a great detective"

"Detective Conan - Private Eye in the Distant Sea"

Some might wonder why I haven't been doing my Conan manga reviews anymore. It's not because I'm not reading it anymore. But with volume 80 released a while back, I figured it would be easier to just do a ten volumes summary review post in the near future. But I need to reread some volumes, so that might take a while.

Detective Conan manga & movies:
Part 1: 『平成のホームズ』: The Heisei Holmes (volumes 1 ~ 10)
Part 2: 『奇妙な集まり』: A Strange Gathering (volumes 11~20; The Timebombed Skysraper/The Fourteenth Target)
Part 3: 『心強き名探偵達』: The Brave Detectives (volumes 21~30; The Last Wizard of the Century/Captured in Her Eyes) 
Part 4: 『白い影・・・黒い影・・・』: White Shadow... Black Shadow... (volumes 31~40; Countdown to Heaven/The Phantom of Baker Street)
Part 5: 『満月の夜と黒い宴の罠』: A Full Moon's Night and Trap at a Black Banquet (volumes 41~50; Crossroad in the Ancient Capital/Magician of the Silver Sky/Strategy Above the Depths)
Part 6: 『探偵甲子園』: Detective Koushien (volumes 51~60; Private Eyes' Requiem/Jolly Roger in the Deep Azure)
Part 7: 『よくあるパターン』: A Common Pattern (volumes 61~70; Full Score of Fear/The Raven Chaser/Lost Ship in the Sky)
(You will find the links to the reviews of volume 70, 72~76, 78, and the films Quarter of Silence and The Eleventh Striker in the library)

Unlike last year, I wasn't able to see this year's Detective Conan film in the theater, so I had to wait for the home release of the 17th movie, Detective Conan -Private Eye in the Distant Sea. The film starts with Conan and the gang boarding an Aegis vessel for a tour. The vessel makes a small trip across the sea while the visitors have a look around the gigantic ship and at its state of the art technology. During the sea tour however, the severed arm of a member of the Self Defense Force is discovered, and strange objects placed on the sea route of the Aegis vessel leads the ship's crew, the police and of course Conan to suspect the presence of a spy X on board of the ship. The Aegis is one of the most important weapons in Japan's military line of defense and it would be disastrous for the country to have information stolen. Can Conan figure out who X is before it's too late?

You might guess from the summary, but Private Eye in the Distant Sea is a bit different from most Conan films. Which is probably because the script was penned by Sakurai Takeharu, who is best known for his contributions to the TV drama Aibou (he also happened to have penned the script for the Gyakuten Saiban film). One can definitely feel the influence of police procedural Aibou on Private Eye in the Distant Sea: Conan might have done a series of heroic things in the past, but catching a spy to protect Japan's international relations is a whole different scale from his exploits in the past, and feels a bit strange. The story of the police working together with the Self Defense Force (Japan can't have an 'army' formally), i.e. government organizations working together, is what you'll see in every other Aibou episode, and gives Private Eye in the Distant Sea its own distinct face despite being the seventeenth movie in the series.

It reminds me of the sixth Conan film, The Phantom of Baker Street, which was penned by the late Nozawa Hisashi. That movie might be best remembered for Ninja Jack the Ripper (TM), but it also functioned as a critique on Japanese society, which gave the film a very heavy atmosphere. The atmosphere in Private Eye in the Distant Sea never becomes that heavy though and I liked it better as a Conan film than Baker Street actually.

As a spy-movie, it's okay, I guess. It is pretty easy to figure out who X is, and the film seems more focused on presenting a police procedural (again, like Aibou) and the workings of an Aegis vessel. The film was made with cooperation of the maritime SDF, and that results in a lot of (not very good) promotion shots of a CG-built Aegis, as if you're taking a tour on the Aegis yourself too. But instances where Conan has to be careful in using his satellite phone as the crew is detecting his signals and stuff do make it feel like a real spy thriller and there are actually one or two real surprises hidden in the story. Oh, and like the previous couple of movies, Private Eye in the Distant Sea features guest voice-acting, but Shibasaki Kou is actually an actress, so she did a great job. Then again, nothing can be as bad as the guest voice acting in Quarter of Silence (by a cameraman) and The Eleventh Striker (by professional soccer players). 

I have also seldom laughed this much because of a Conan film, though probably for the wrong reasons (though the fact that Conan has to go the toilet every ten minutes (to make phone calls) was probably meant to evoke laughter). When the film first started, I was kinda worried. Every Conan film starts with a short introduction for those who don't know the basic story, but one could easily they reused everything from previous movies. So I was wondering where the budget went. Well, it went into 1) an awesome(ly ridiculous) fight scene where Ran stops being a mere human and defies all laws of gravity, 2) a scene where Conan's soccer ball kicking should have deadly results and 3) a fantastic scene where Conan figures everything out with evidence and memories flying past him. All these scenes were ridiculously exaggerated, but so awesome (note: people who have seen Quarter of Silence and The Eleventh Striker might know that you have to get pretty crazy to get an action scene dubbed 'ridiculous' in comparison).

Overall, I did like Private Eye in the Distant Sea, probably because it was quite different from the other Conan films. I mean, you have to do something different when you're the seventeenth movie in the series. It might not really feel Conan-esque, but Ran's action scene alone makes it worthwhile a watch for fans.

Original Japanese title(s): 『名探偵コナン　絶海の探偵』

Look into my Eyes

Look into my eyes　きっと会える

 探し続けた人も、場所も　求め続けた答えも

"Look into my Eyes" (Fayray)

Look into my eyes You will definitely find

the person you've been looking for, the place, the answer you've been searching for

"Look into my Eyes" (Fayray)

Now that I think about it, this review has been waiting to be written for almost two months now. I should really work a bit faster...

The 2004 TV drama Rampo R is based on the works of Edogawa Rampo, grandfather of the Japanese mystery story, and set in contemporary times. Our protagonist is Akechi Kogorou III, grandson of the original Akechi Kogorou, the greatest detective Japan has ever known. Due to his father's sudden demise, Akechi III has to take over as the field agent of the famous Akechi Kogorou Detective Agency, which in turn brings him in contact with the strangest cases and the most grotesque of murderers. The original Akechi Kogorou is known for having solved countless of crimes featuring the most strange murderers, but can Akechi III live up to his family name, and will he be able to solve the mystery of his grandfather's nemesis the Fiend with Twenty Faces, who is said to be still alive?

Rampo R has long been lauded as one of the best Rampo adaptations available, so I didn't hesitate when I had the chance to finally see it. And it certainly didn't disappoint. I have discussed a great number of adaptations of Edogawa Rampo's works by now (Kyoufu Kikei Ningen, Kurotokage, Rampo, Rampo Noir, Moujuu, Yaneura no Sanposha, Issun Boushi VS Moujuu, Akechi Kogorou VS Kaijin Nijuu Mensou, and those are just the TV/film adaptations...), but I will declare it now, Rampo R is by far the most interesting of them all.

It is also one of the most loose adaptations of Rampo's works, but that doesn't hurt Rampo R a bit. Sure, the main story is pretty generic (grandson of the original Akechi Kogorou following his footsteps), but don't let that fool you. Every episode is based on one story (or more) by Rampo (though not all stories originally featured Akechi), set in contemporary times and often highly rewritten to fit in the time-limit of one episode. What makes this series a bit different from most Rampo adapations, is the fact the creators actually aimed for a fair detecive drama, instead of focusing on the more erotic and grotesque aspects of his works. The first episode is based on the horror short story Ningen Isu ("The Human Chair") for example, but this has been extensively rewritten to be a fair detective story. And it works! In fact, Ningen Isu has often been used as an 'element' within other Rampo film adapations (Kyoufu Kikei Ningen and Yaneura no Sanposha had it, for example), but never has it been 1) used as the main plot and 2) done so well (I will admit that Ningen Isu is one of my favorite stories, so Rampo R gets bonus points for that).

The adaptation of famous Rampo stories as fair play detective stories works mostly well. Most of the stories were written as such anyway, but an episode like Kurotokage is a bit strange; the original was a Great Detective VS Great Criminal story, but turning that into a whodunnit of sorts, doesn't work, because everyone knows who the Black Lizard is. Rampo's works often featured larger-than-life criminals (seriously, have you ever seen the titles of his books? From vampires to clowns from hell and electric men, Rampo has everything), so sometimes it feels a bit strange to have a rookie detective face off against them, but then again, he is the grandson of Akechi Kogorou.

Of course, free adaptations don't always work well. In some eyes, any change from the original might be seen as a bad thing. Some might consider minor changes, but Rampo R's changes are anything but minor. Yet, I don't think it is a bad thing per se, and I actually doubt Rampo himself would have really minded, considering a lot of his works were in fact rewritten versions of / reconfigurations of / inspired by other books / ideas / concepts. I think that Rampo, who was often moved (forced) to writing more mainstream, grotesque horror stories, would have appreciated more 'orthodox detective' versions of his own stories. And more importantly, the stories as presented in Rampo R are fun! The spirit of the original stories are kept intact and one can feel the love for Rampo's work throughout the series. And as long as the end product is good and keeps the spirit of the original intact, you won't see me complaining (and even then, I actually enjoyed the TV adaptations of Christie's The Big Four and The Labours of Hercules quite well, even though they were quite different from the spirit of the original novels).

Visually, the series does suffer a bit from being made on a TV series budget. It sorta adds to the childish atmosphere some of the Rampo stories have (a man hiding in a chair is not that scary if you think about it), but still, some of the sets seem a bit cheap. The music on the other hand is fantastic though.

Rampo R is a very free adaptation of Edogawa Rampo's work, but also one of the best. In fact, I think it's the easiest Rampo adaptation to recommend to people and a great example of how adapatations don't have to follow the original to the letter to be good, and respectful to the original at the same time.

Original Japanese title(s): 『乱歩Ｒ』