Trace Memory

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「The Real Folk Blues」（山根麻衣）

 

With one eye I look at tomorrow 

With one eye I keep staring at yesterday 

 "The Real Folk Blues" (Yamane Mai)

Oh, this reminds me I never finished the Another Code R part of the Another Code Recollection. I loved the Wii original though...

"O" was a serial killer who specialized in murdering people in locked rooms: he was also extremely good at that, as he had nearly killed a hundred people during his career. He made a mistake however when he killed Professor Kiryuu, but left his child alive: the young Kiryuu Touma swore revenge, becoming a detective specializing in O's handiwork. Because Touma remains in the shadows as a detective, the public soon came up with the name "Phantom Alpha". And it was Phantom Alpha who eventually managed to capture "O", just as he killed his 96th victim. "O" turned out to be a man called Migiwazaki Hitoshi and he was soon detained, but not at a prison: he was sent to the laboratory of Kuzumi Chiyo, a former pupil of Professor Kiryuu and a personal friend of Phantom Alpha. Chiyo runs the Kuzumi Brain Laboratory on Akon Island, a remote and highly secured island. Here Chiyo's researching memories, with her end goal being the Pandora Brain, a device that can extract memories of one person and implant them into another person, effectively overwriting one person's identity over another. Because the police can't find proof/explanations for all of the locked room murders O committed, Chiyo and her team of a handful of researchers are to examine Migiwazaki's memories and extract that information about all the crimes he committed from his brain. Migiwazaki is of course held in a heavily secured room, with pressure and biometric sensors making sure he's kept safely inside his prison cell day and night. Phantom Alpha (Touma) visits the island too to witness the experiment. The two nemeses "O" and "Phantom Alpha" have a confrontation over a video connection, but then there's a short power failure. Chiyo has the main computer (on the back-up generator) restore power in the facility, but when the security cameras go on again, they see Migiwazaki's burnt body in his prison cell. Touma hurries to the cell, which was locked throughout the power failure, but there's no doubt there's a burnt body there. But how could anyone have killed "O" like that in a locked room...?

Three years later, a group of university students make their way to the island to stay at the remains of the Kuzumi Brain Laboratory. Three years ago, an incident happened on the island, with four people being found murdered at the lab, including Migiwazaki, and two people (including Touma), missing from the island. There also had been a fire, which burnt down part of the building. The students belong to their university's Mystery Club and managed to arrange to stay for a few nights in the lab with the current owner of the property. As fans of the mystery genre, they are of course excited to stay at an island where such a mysterious incident occured just three years ago, but then murders start to happen here too and they start thinking: what if that Pandora Brain device that was being developed here was in a working state, and what if Migiwazaki's identity survived the murder spree and fire...? Minami Asov's Pandora Brain - Akontou Satsujin(kaku) Jiken ("Pandora Brain - The Akon Island (Identity) Murder Case", 2025) follows mysteries set both in the past and the present as they slowly converge towards one truth.

Minami Asov's first mystery novel Eigoukan Chourenzoku Satsujn Jiken - Majo wa X to Shinu Koto ni Shita ("The Super Serial Murder Case at the House of Eternity - The Witch Chose To Die With X"), released in 2024, was a mystery novel that cleverly used the supernatural device of time travel to bring a complex, but highly enjoyable plot. It was thus not very surprising to learn Minami's second mystery novel too would utilize some kind of supernatural or science-fiction device. Whereas Eigoukan featured in a historical setting, Pandora Brain is most definitely set in contemporary times (with the mystery club students making a lot of references to mystery fiction) and again, unsurprisingly, we thus get a science-fiction device in the form of the titular Pandora Brain, a device that can supposedly copy a person's whole memories (thus their identity) and implant them into a different person, effectively erasing the original persons's identity and overwriting them.

Which is a cool idea on paper, but I have to admit that for a large part of the story, Pandora Brain doesn't spend a lot of time on said device. The story alternates between the past and present narratives, so we follow both Phantom Alpha/Touma and Chiyo as they deal with the mysterious death of "O" in the prison in the high-tech lab and the students as they stay in the ruins of the lab and they get killed one by one. This means the mystery focuses more on the how and why of the locked room murders, rather than focusing on shenanigans with identity copiers. This is a bit of a disappointment, as you also know the device will become relevant later on, but because the plot only starts to pay attention to the titular Pandora Brain relatively late, most of the reveals surrounding this feel a bit underwhelming, as they don't go far as might have been possible, had it been put front and center from the start, rather than in the last third/quarter of the book. What also doesn't help is that the exact workings of the Pandora Brain aren't explained in enough detail, which means some of the things we learn in the conclusion regarding whether the Pandora Brain had been used in these murders or not, feel a bit unfair: some things are more-or-less handwaved, with the reader just being told it can do certain things or how it can't do certain things, which are relevant to the mystery solving, but we weren't really told about these rules until the denouement!

There are more moments where the book showcases good ideas for a mystery, but where the clewing feels insufficient. The direct trick behind the locked cell murder on "O" is fairly simple, but the underlying idea of how it was brought forth is interesting, but feels unfair because again "this is how a certain thing works" isn't explained properly until the explanation. The same for another murder that happens in the past. Again, the direct trick is simple, but the trick can only be done via a principle that is quite interesting on its own and is basically similar to the underlying principle of the "O" murder, but here too the lack of prior explanation hurts the execution. In the present, I think the set-up of the locked room is decent enough, though I think it would've worked better in a visual format, rather than prose. It is at the very end when the plot tightly connects the narratives of the past and present together, explaining why murders happened on the island three years apart, but it's here where the insufficient prior explanation of "the rules" hurt the story, as the idea is interesting, but we are shown various instances of the rules being applied differently, which makes things feel unfair, even though this could have been avoided by giving us more explanation about the rules (and explanations how/when things work differently from the standard application). The ending is bitter-sweet and again, I do think the general ideas in this novel are good, but I found the execution not nearly as neat as Eigoukan.

So on the whole, I didn't like Pandora Brain as much as Eigoukan. It has cool ideas, and I think a lot of readers will like the banter of the characters (especially in the present, with the students), but as a fair-play mystery, I think it could've been better, even if it's far from bad: I just think there was not only the potential for something much more impressive, so much of it was just in reach, so that makes it feel even more disappointing. Still, Pandora Brain isn't a book I would tell you to avoid, as there's plenty of good to be found inside too.

Original Japanese title(s): 南海遊『パンドラ・ブレイン　亜魂島殺人（格）事件』 

The Witch's Curse

ひとつの目で明日をみて

ひとつの目で昨日を見つめてる

「The Real Folk Blues」（山根麻衣）

 

With one eye I look at tomorrow 

With one eye I keep staring at yesterday 

 "The Real Folk Blues" (Yamane Mai)

To be really honest, I wish we'd move away again from these covers, with a close up of a face, even if the illustrations themselves are pretty...

Three years after Heathcliff Bloodbury left the family home to wander the world, he finds himself hurrying back, as his mother Charlotte, ravished by disease, is about to die. Not once in those three years had he come back to the Bloodbury Manor, better known as the House of Eternity as the first Bloodbury had the manor built next to a waterfall symbolizing the eternal tears he shed for his deceased wife. When Heath arrives home, he learns Charlotte has already passed away and this younger sister Cordelia, who was born both blind and unable to walk, has been making the arrangements for their mother's funeral instead. Heath apologizes to his beloved sister, declaring he will take his place as the new head of the Bloodburys and give their mother a worthy send-off. Several guests have already been invited to come that same day for the wake, including uncle Edward and cousin Jefferson, as well as Chesterton, a local clergyman and one of Charlotte's close friend. One face however Heath had not expected to see: Gyro is an obnoxious self-proclaimed great detective, who had been hanging around the family ever since Heath's father Theodore died three years ago. Theodore was found dead in his locked study, with a noose around his neck: the remains of a rope hanging from a beam made it clear he had hung himself and the rope had snapped. Gyro however claims it was not a suicide, despite the head butler having seen and heard the master alive in the study when he locked the doors for Theodore to let him rest: meaning nobody gotten in the study to kill Theodore, and get out again. Despite that, Gyro has been dogging the family for many years now, and he especially has suspicions about Heath, who left his home immediately after his father passed away.

Another surprising guest is Lilyjudith Air, a young woman who claims to have been friends with Charlotte and said once she saw the announcement of Charlotte's death, she headed straight for this house from abroad. As there's a storm coming, every guest, including Gyro, is offered to stay at the house for the night, so they can all attend the ceremony tomorrow, as well as the reading of the will, which is kept safe by the head butler. The following morning however, Cordelia doesn't appear at the breakfast table, and when she doesn't answer the door, and it turns out it has been bolted on the inside too, they break the door open to find... the poor girl sitting in her wheelchair... without her head, as it's rolling on the floor in front of her. Heath nearly goes mad from seeing her sister murdered in such a cruel way, but is also perplexed by the fact this was a locked room murder: the door was locked and bolted, and while the window was open, it has bars and you can barely get anything through the window, especially not without disturbing the rose bushes beneath the window. As they are not able to inform the police because of the storm, everyone has to stay put in the house. Heath goes out looking for clues and happens to find Lilijudith deadly injured. He looks into her eyes as she passes away and... finds himself having returned to the start of the previous day. Lilijudith reveals to Heath she is a witch with a curse: the curse of rewinding her own death, and the curse of taking people with her. Every time Lilidies, the clock rewinds to put her back 24 hours back in time, complete with all her memories. The last person with whom she locked eyes before dying also retains all their memories of what happened. Lili explains she has actually been killed multiple times ever since she appeared at the House of Eternity, each time after Cordelia is found murdered. She makes a deal with Heath: he's to help her survive to learn the contents of Charlotte's will (her main objective for coming here), while they'll make use of her powers to learn who killed Cordelia and why, and use that knowledge to prevent her death. For this reason, Heath and Lili must stick together each new time loop, as Heath must be there to lock eyes with Liijudith whenever she dies, and if the occasion demands it, Lili or Heath must even be willing to start a new loop themselves  (i.e. Lili commits suicide or Heath kills her) to ensure they'll reset the loop in time and Heath will retain possession of his memories. How many time loops will it take and how often will Lili have to die in order to save the lives of both Cordelia and Lili in Minami Asov's 2024 novel Eigoukan Chourenzoku Satsujn Jiken - Majo wa X to Shinu Koto ni Shita ("The Super Serial Murder Case at the House of Eternity - The Witch Chose To Die With X") .

Locked rooms, reliving the same days over and over again and witches? No, this is not Umineko...

But those key terms were definitely the reason why I decided to pick up this book. Time loops are an often seen concept in mystery-related games, but you don't see them used as often in books actually. Of course, it's because interactive games often do lend themselves better for stories with time loops, as you can more easily allow the player to play through several loops (or even have them go back and replay), or for example use jump systems to jump to specific parts of the story where a story will diverge from the original loop, allowing for complex time flowcharts. That has been the case since Kamaitachi no Yoru, where you don't jump in time formally within the game, but where the player is constantly going back to earlier parts of the story in order to find a way out of the closed circle murder mystery. In that sense, a novel, with a linear way of storytelling, and using solely the medium of words (prose), might be actually less well suited for time loops, as reading the same parts over and over again isn't fun, and on the other side, it is difficult to make different time loops easily understandable to the reader: a game can use nice interactive figures or flowcharts to show you how each time loop is different or the same or in which time you are, but a prose story, even if it uses diagrams, will have more difficulties with that.

In that sense, I often did have the feeling Eigoukan Chourenzoku Satsujn Jiken would have worked better as a game, than a novel. The book shows you the "worst" loop possible, of Cordelia being killed in the locked room and Lili dying, and then things are explained to Heath (and the reader) regarding Lili's powers, the limitations to her powers and the task that awaits them. But then Lili also explains she had experienced seven loops before, all with different outcomes and people acting differently, so that suddenly adds a lot more "relevant data" to the puzzle right from the start, that might be difficult to process. A game would have been able to present this in a much more organized manner.

But we are thus dealing with the impossible murder on Cordelia, a possible murder on Lili and there's also of course the mysterious death of Theodore three years back. Which, by the way, has a really neat diagram, shown from no less than three angles. It's rare to see a locked room crime scene depicted in so much detail in a novel! It's weird by the way how easily this locked room murder, as Gyro declares it to be, is resolved rather... swiftly halfway through the book, when there's been barely any investigation into it: basicallly all you need to know to solve it, is relayed to you in the initial discussion about the apparent suicide, and it's in essence a rather basic trick, but the clues pointing to the culprit were done much better, and work thematically very well. The Cordelia murder is... actually in essence also very simple, though made much more complex due to the actions and motivations of the characters in the house. Who admittedly don't always get to do much in each loop (many characters don't do or say anything in a certain loop, so you sometimes tend to forget they were in the house...). The idea behind the trick behind Cordelia's death again is not as inspired as the way Minami sets up the clues, but then again, Minami does do a great job at tying Cordelia's death to the time loop plot device of Lili, with the two cooperating time travellers making the best of the time loops to find clues (by creating different situations each time loop) and create an outcome where Cordelia doesn't need to die.

 In fact, I do think the book is much better at using the time loops to bring an interesting mystery than using its locked room mysteries. Soon after Heath starts working together with Lili, he does start to have doubts about her: why does Lili know so much about his mother? Why is Lili's ultimate goal becoming witness to the reading of Charlotte's last will? What has Lili done in the earlier time loops she had before she started taking Heath back in time each time? It's here where Minami does the most interesting things with the plot device of rewinding death and taking people along, but also where the book at times stumbles as a mystery. Minami does really clever things with the time loops, and I think the actual reason why she picked Heath as her partner in her time loops is perhaps the most surprising and devilish mystery-related element of this whole book, and certainly a notion that makes this book worth reading. But as a mystery with supernatural themes, it's also not always 100% fair. The main rules of Lili's curses are conveyed to the reader fair and square, but then near the end you suddenly are treated to a few instances you were never told were in fact possible until that very moment! That immediately makes the book feel not as fair and clever as it could have been, despite the fact the supernatural elements that tie to the end could and should have been hinted at more thoroughly (though I suppose revealing some things early, might have put the attentive reader on the trail early too). For I do think Minami has all together a great collection of truly fantastic ideas in this book, but in order to play some of these games, a few cards are left unturned for too long. That said, I think the ultimate plan Lili is trying pull off in order to prevent both her own and Cordelia's death and get out of her predicament is conveived really well by Minami and it is what makes this book memorable.

Eigoukan Chourenzoku Satsujn Jiken - Majo wa X to Shinu Koto ni Shita was the first time I read anything by Minami Asov, but it sure made me curious to more! As a time travelling mystery, the book does not pull off everything it tries to do perfectly, and perhaps it needed a few more pages to flesh out some of the loops more, but it does try to do really clever things with its time loop plot device. And yes, I did think the locked rooms could've been a bit more surprising (even if they are used in clever ways to synergize with other element of the plot), and I didn't think the supernatural elements were treated as fairly throughout the book, but on the whole, Eigoukan Chourenzoku Satsujn Jiken offers a very interesting mystery novel about witches and time travelling and certainly worth a read.

Original Japanese title(s): 南海遊『永劫館超連続殺人事件 魔女はXと死ぬことにした』